Hacia 1969, siete desconocidos con secretos ocultos se conocen por casualidad en el Hotel Royale. Durante una fatídica noche, todos revelarán sus verdaderas personalidades.Hacia 1969, siete desconocidos con secretos ocultos se conocen por casualidad en el Hotel Royale. Durante una fatídica noche, todos revelarán sus verdaderas personalidades.Hacia 1969, siete desconocidos con secretos ocultos se conocen por casualidad en el Hotel Royale. Durante una fatídica noche, todos revelarán sus verdaderas personalidades.
- Dirección
- Guionista
- Elenco
- Premios
- 2 premios ganados y 12 nominaciones en total
London Morrison
- Angela Harris (Vesta's Backup Singer)
- (as London A. Morrison)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Just watched this for the first time after stumbling across it on demand. Figured I would give it a chance, since I loved Cabin in the Woods and Jeff Bridges is one of my favorite actors. I'm no film major or snooty critic, just a guy that enjoys movies. It is definitely a film that pays homage to QT, Coen Bros, etc, but I don't think it is trying to be one of their films as others have said. I'm impressed when a director can pull off an interesting story that takes place in a small setting, such as Hateful Eight, Cloverfield Lane, Devil, Insomnia etc. At nearly 2.5 hours, I didn't feel like the movie was too long, and there were several twists to keep it interesting. I believe all good artists are influenced by their predecessors, but they also put their own spin on it. I think if you are a fan of the above directors, you will enjoy the movie. Just don't try and hold it to QT standards.
Writer/director Drew Goddard's Bad Times at the El Royale is a long and entertaining sendup of Quentin Tarantino's crime world (think Hateful 8 and Pulp Fiction), post-Tarantino caper movies, and a bit of Hitchcock for suspense. It's the late 60's when eccentric characters converge on the seedy El Royale motel to recover cash from a heist 10 years ago hidden under the floorboards of a room.
By far the most interesting visitor is Father Daniel Flynn, aka Dock O'Kelly (Jeff Bridges), who set the heist in motion back then, did time for it, and returns to the half-closed motel to recover the loot. As symbol of a corrupt society that still clings to some semblance of religiosity, Flynn navigates the other crooks with caution.
Until the incarnation of the devil, or at least Charles Manson, arrives, Billy Lee (Chris Hemsworth), muscled and amoral but not loath to preach about a simple life for his devotees and seek the money for himself. With the motel's roaring fireplaces enfolding these untrustworthy survivors, Goddard must surely be thinking of hell on earth as earthlings grapple for lucre.
Surprises abound (be careful with that shotgun!), and not all the players make it out alive. Heck, even undercover cops are vulnerable. And women, watch out, for the bad girls are trigger happy. The exception is a lounge singer, Darlene Sweet (impressive Tony winner, Cynthia Erivo), who needs to hookup with the corrupt priest to escape this hell, but with loot.
The location is Lake Tahoe on the border of Nevada and California, a figurative crossroads for everyone, where the wrong step can take you to life or death. I'm beginning to sound like Twilight Zone's Rod Serling, and rightfully so because there's a claustrophobia to these surroundings, wherein the sins of mankind are scrutinized for their immorality, where redemption is rare, and a lesson can be learned.
As Father Flynn candidly comments, "I'm Old. S**t happens. Get the whiskey." That's Goddard's charmingly amoral world, where even a priest has issues.
By far the most interesting visitor is Father Daniel Flynn, aka Dock O'Kelly (Jeff Bridges), who set the heist in motion back then, did time for it, and returns to the half-closed motel to recover the loot. As symbol of a corrupt society that still clings to some semblance of religiosity, Flynn navigates the other crooks with caution.
Until the incarnation of the devil, or at least Charles Manson, arrives, Billy Lee (Chris Hemsworth), muscled and amoral but not loath to preach about a simple life for his devotees and seek the money for himself. With the motel's roaring fireplaces enfolding these untrustworthy survivors, Goddard must surely be thinking of hell on earth as earthlings grapple for lucre.
Surprises abound (be careful with that shotgun!), and not all the players make it out alive. Heck, even undercover cops are vulnerable. And women, watch out, for the bad girls are trigger happy. The exception is a lounge singer, Darlene Sweet (impressive Tony winner, Cynthia Erivo), who needs to hookup with the corrupt priest to escape this hell, but with loot.
The location is Lake Tahoe on the border of Nevada and California, a figurative crossroads for everyone, where the wrong step can take you to life or death. I'm beginning to sound like Twilight Zone's Rod Serling, and rightfully so because there's a claustrophobia to these surroundings, wherein the sins of mankind are scrutinized for their immorality, where redemption is rare, and a lesson can be learned.
As Father Flynn candidly comments, "I'm Old. S**t happens. Get the whiskey." That's Goddard's charmingly amoral world, where even a priest has issues.
Bad Times at the El Royale is an incredibly captivating mystery / thriller, and completely subverts expectations within the first 10 minutes. With an all-star cast, the acting is solid from start to finish, and Lewis Pullman (Miles, the hotel manager) steals the spotlight even with Chris Hemsworth in the mix. The structure of the film feels fresh and simulating, with non-linear storytelling and scenes from multiple perspectives, though at times, the pacing does tend to drag at certain parts. The more energetic scenes are accompanied by an incredible soundtrack, with classics from the 60's; that create a warm and versed vibe. The topics of ultimatums and self reflection are presented, and exceptionally highlight by the cinematography. Several scenes have the character looking through a one-way mirror, presenting a shot with what the character sees and, in the reflection, his/her reaction. There are also parts with vivid color and or contrast paired with beautiful composition that forms a stylistic vintage look. One of the film's problems is leaving open plot threads to hang, one character is believed to be promising and crucial in the beginning of the film but slowly dwindles away all, and connection and potential is lost. Overall Bad Times at the El Royale does a phenomenal job at luring the audience into a story that is at points unpredictable.
I didn't expect much from this movie when i started it but it was very interesting and good. The story is pretty interesting and the build up is also perfect. It keeps you waiting shrouding you with mystery. The cast is perfect. Personally i thought Jeff bridge's performance was perfect. The other cast also give a solid performance. All in all the movie is very enjoyable and i definitely recommend it
A pretty solid crime thriller with loads of retro cool, a well-stocked cast and gorgeous cinematography - and a glut of extraneous flashbacks. If Bad Times at the El Royale has a weakness, it's pacing. It's not a problem during the opening act, as the hotel's emptiness (as well as who the hell are these people?) offers ample intrigue. Plus, there are the sets, I mean this looks incredible. But eventually night falls, backstories start piling up and ... it's enough already.
I have the same problem with El Royale that I did with The Hateful Eight; lots of talent and craft put into the film overall, but it's never again as good as its opening.
And absurdly long-winded.
I have the same problem with El Royale that I did with The Hateful Eight; lots of talent and craft put into the film overall, but it's never again as good as its opening.
And absurdly long-winded.
¿Sabías que…?
- TriviaThe El Royale was built from scratch on a sound stage with much of the furniture and decor being custom made (including branded matchboxes and coasters for the bar). The color scheme was meticulously set out so that the California side was mostly yellows and oranges, while the Nevada side was purples and blues. Red was reserved for the borderline, jukebox, and chandelier, while green is almost entirely absent until the end.
- ErroresMental degradation or impairment in the elderly that was diagnosed in the 1960s would have been lumped under the commonly understood designations of "senility" or "dementia" rather than Alzheimer's, especially when discussing the diagnosis with a patient. Alzheimer's as a common diagnosis was still almost two decades away.
- Citas
Father Daniel Flynn: Miles, I fell down. I'm old. Shit happens, get the whiskey.
- Créditos curiososThere are almost no opening credits. Only the film's title is shown after the first scene.
- ConexionesFeatured in Tamara Just Saw: Bad Times at the El Royale (2018)
- Bandas sonoras26 Miles (Santa Catalina)
Written by Bruce Belland and Glen A. Larson (as Glen Larson)
Performed by The Four Preps
Courtesy of Capitol Records
Under license from Universal Music Enterprises
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- También se conoce como
- Bad Times at the El Royale
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 32,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 17,839,115
- Fin de semana de estreno en EE. UU. y Canadá
- USD 7,132,647
- 14 oct 2018
- Total a nivel mundial
- USD 31,882,724
- Tiempo de ejecución
- 2h 21min(141 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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