Listen
- 2020
- 1h 13min
CALIFICACIÓN DE IMDb
7.0/10
2.2 k
TU CALIFICACIÓN
Largometraje dramático dirigido por Ana Rita Rocha y producido por Bando Parte.Largometraje dramático dirigido por Ana Rita Rocha y producido por Bando Parte.Largometraje dramático dirigido por Ana Rita Rocha y producido por Bando Parte.
- Dirección
- Guionistas
- Elenco
- Premios
- 36 premios ganados y 30 nominaciones en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
A film that criticizes UK social services. Being poor is not a reason to take children away from their parents, but they should receive social support.
Story: 6*
Actors: 5*. There is the exception of Lúcia Moniz who carried the film on her shoulders. 8*
Photography: 4*
Music/Sound: 4*
Best part: courtroom scene.
Worst part: the end of the story was missing.
Costume Design/Makeup and Hairstyling: 7* Given the context of poverty. They did well. It can be seen that the film was made with a low budget, in all aspects.
Even so, it had everything to be a better film. 1 hour of film that was incomplete. At least it's only an hour.
Rating: 5/10.
Story: 6*
Actors: 5*. There is the exception of Lúcia Moniz who carried the film on her shoulders. 8*
Photography: 4*
Music/Sound: 4*
Best part: courtroom scene.
Worst part: the end of the story was missing.
Costume Design/Makeup and Hairstyling: 7* Given the context of poverty. They did well. It can be seen that the film was made with a low budget, in all aspects.
Even so, it had everything to be a better film. 1 hour of film that was incomplete. At least it's only an hour.
Rating: 5/10.
From the little girl spying the world through her own lens to the mother's despair for the loss of her children, this movie is both a look at one side of our complicated, sometimes messed-up society, and a cinematographic experience for a young director.
Keeping my expectations low, I was surprised by how much I enjoyed this. The director, Ana Rocha de Sousa, shows her ability to catch emotions from the right shot. I was moved by Lúcia Moniz's performance. I do wonder how accurate this story is to reality... I sure hope it isn't, but I'm not keeping my hopes up for that.
However, the movie is short, which it shows as the story comes to a resolution rather quickly. Too quickly for what we expect the reality of social services to be. All feels too simple for what is a very complicated process.
In any case, bravo.
Keeping my expectations low, I was surprised by how much I enjoyed this. The director, Ana Rocha de Sousa, shows her ability to catch emotions from the right shot. I was moved by Lúcia Moniz's performance. I do wonder how accurate this story is to reality... I sure hope it isn't, but I'm not keeping my hopes up for that.
However, the movie is short, which it shows as the story comes to a resolution rather quickly. Too quickly for what we expect the reality of social services to be. All feels too simple for what is a very complicated process.
In any case, bravo.
A searing indictment of the UK's indictment of the UK's social service system if ever there was one, Listen is basically a low-budget film about a poor Portuguese couple living in London who have their kids taken away under the most dubious of circumstances.
Their little girl is deaf with bruises on her back, the son is violently ill and the other one is just a baby who won't stop crying. Not an ideal day for the welfare checkers to come a-knocking you might say, and once the adoption process stops it's very hard to stop.
Listen has good acting from all participants (apart from the kid who plays the little boy, he seemed a bit too 'polished' to me) and a very believable plot to boot which must be every mother's worst nightmare. It could easily have been longer though, with the most abrupt of endings arriving at around the 70 minute mark.
A shame really, as with a bit more time spent on the narrative and a few extra scenes this could've been something a bit special. Instead, we have a decent piece of cinema which feels as a whole unsatisfying with a pretty disappointing conclusion.
Ah well. It was worth watching once at least. 5/10.
Their little girl is deaf with bruises on her back, the son is violently ill and the other one is just a baby who won't stop crying. Not an ideal day for the welfare checkers to come a-knocking you might say, and once the adoption process stops it's very hard to stop.
Listen has good acting from all participants (apart from the kid who plays the little boy, he seemed a bit too 'polished' to me) and a very believable plot to boot which must be every mother's worst nightmare. It could easily have been longer though, with the most abrupt of endings arriving at around the 70 minute mark.
A shame really, as with a bit more time spent on the narrative and a few extra scenes this could've been something a bit special. Instead, we have a decent piece of cinema which feels as a whole unsatisfying with a pretty disappointing conclusion.
Ah well. It was worth watching once at least. 5/10.
It's a story of social issues that parents not fulfilling their responsibility and end up the fight between the custody and send out to someone whom qualify be a parents. I think the parents are not drug addicted and try their very best for their kids good, it's a grey area their kids been take out from their parents. Movie is good but this point I'm not convinced and seems not rationalize the whole story.
A couple of Portuguese emigrants from the London suburbs face serious problems when Social Services decide to take their children away.
Ana Rocha de Sousa cleared herself from the comparisons of her film with those of Ken Loach, one of my favorite British directors, who focuses mainly on social problems and discriminatory acts in the United Kingdom, but it is evident that the Portuguese director has in her first feature the "British style" present (she studied at London Film School), in her own way.
It is such a real and powerful drama that it is difficult (or impossible, say) not to feel uncomfortable and disturbed watching Listen, much because of the expressiveness and emotion that Lúcia Moniz (as Bela) conveys, in contrast with the silence and emotional pain showned by Rúben Garcia (as Jota).
The photography is very particular and interesting, out of the standard that we are used to in Portuguese films.
All the recognition given to this film is more than deserved.
Ana Rocha de Sousa cleared herself from the comparisons of her film with those of Ken Loach, one of my favorite British directors, who focuses mainly on social problems and discriminatory acts in the United Kingdom, but it is evident that the Portuguese director has in her first feature the "British style" present (she studied at London Film School), in her own way.
It is such a real and powerful drama that it is difficult (or impossible, say) not to feel uncomfortable and disturbed watching Listen, much because of the expressiveness and emotion that Lúcia Moniz (as Bela) conveys, in contrast with the silence and emotional pain showned by Rúben Garcia (as Jota).
The photography is very particular and interesting, out of the standard that we are used to in Portuguese films.
All the recognition given to this film is more than deserved.
¿Sabías que…?
- TriviaIn December 2020, Portugal's submission Listen was disqualified for having more than half of its dialogue in English. Portugal's selection committee submitted a second film, Vitalina Varela.
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- How long is Listen?Con tecnología de Alexa
Detalles
Taquilla
- Total a nivel mundial
- USD 330,179
- Tiempo de ejecución
- 1h 13min(73 min)
- Color
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