Five Came Back

Just finished watching"Five came back", a truly remarkable mini series about five of the top Hollywood directors who put their careers on hold, and quite possibly ending them to join the military and record World War Two as it happened. Cannot recommend this enough and really is a must see. The stories are riveting, the footage they filmed is amazing, captured on the front line or while flying combat missions in bombers deep into Germany. These film makers have made some of my all time favourite movies, from Frank Capra's It's a wonderful life, John Ford's the Searchers, William Wylers Ben Hur, John Hustons The man who would be King, George Stevens Gunga Din and Shane. All fantastic films but they don't compare to the footage they filmed during their service in WW2. "Five came back" is a breathtaking piece of film making showing the deep and lasting impact the war had on these film makers and also on those they filmed.

Those of us who have studied film academically know that Adolf Hitler and Joseph Goebbels both appreciated movies and also understood their great persuasive power as propaganda. This 2017 made-for-Netflix docuseries, narrated by the incomparable Meryl Streep, is about how five cinematic masters of the WWII era (Frank Capra, John Ford, John Huston, George Stevens and William Wyler) enrolled in the U. S. Armed Services in order to help us win the "propaganda war" against, among others, fantastic German films such as "Triumph of the Will" by the great Leni Riefenstahl. (Frank Capra famously said after seeing "Trumph of the Will": Oh boy, that's it! We're going to lose this damned war!

To help tell this compelling true story of great patriotism and personal sacrifice, five masters of contemporary film (Francis Ford Coppola, Paul Greengrass, Lawrence Kasdan, Steven Spielberg and Guillermo Del Toro) speak extensively about what had needed to be done back in the 1940s and why those first five Oscar-winning directors were without hesitation or equivocation the five men to do it. Just fascinating! I give this 3-part revealing docuseries a rare (for me) 9/10 stars.

Today I binged watched this magnificent documentary, after becoming intrigued with interviews of the writer, Mark Harris, and one of the narrators, Steven Spielberg (who's production company - Amblin TV) also produced it, on NPR's "Fresh Air" with Terry Gross and David Bianculli.

The five directors chronicled, Frank Capra, George Stevens, John Ford, John Huston, and William Wyler, all of which have been among the most highly regarded and influential directors, in this lifelong student of films, memory.

Talk about the greatest generation, I can not recall being so moved by their stories of their participation in WWII, since the last time I watched one of their fine films. I have so much more appreciation of those films, knowing now what I have learned from this series!

Thank you Mr. Spielberg, for bringing this to the world, in your ongoing efforts to tell the story of how this war has changed the course of human history. My hope is that this documentary, now available on Netflix, will be viewed by millions, and help to remind us, and inform others, of what America was once all about. I really think that this important and Oscar-worthy series, should be required viewing in our educational institutions.

What I loved most is that this is the story of what men went through to capture moments of art, whether in the moment or staged (or, in a way, both at times), and the personal and professional tolls this took. My one small piece of trepidation going in to was that it could've been dry or that the talking heads - all major artists in Spielberg, del-Toro, Greengrass, Kasdan and Coppola - would make things sound more important than they were (the director usually does the bonus documentaries, usually not too bad, on DVD's). But this really emphasized the artistic trajectories and struggles and, in the third part, what happened when the war ended and how the men somehow got back on their feet to continue making their art (and 1946 was quite a year - LET THERE BE LIGHT, THE BEST YEARS OF OUR LIVES, IT'S A WONDERFUL LIFE), though never forgetting what had transpired, on the contrary it changed them in such a way that it made them even *more* empathetic and compassionate.

Through the use of the interviews with these filmmakers, each sort of given their own director to talk about - there's some minor overlap here and there, but I think it's by design to keep each director set for their own guy, i.e. Coppola to Huston or Del Toro to Capra, for a purpose as, whether the director thought these guys were a match or each respective filmmaker had a passion for the one they discussed, it works as a framing device and to keep the stories and information moving forward (Spielberg on Wyler especially engrossed me and had the most personal details I thought), and through massive archival footage from these war movies as well as interviews with the old-time directors, we get a full sense of the journeys taken and the growth and tragedies witnessed. Lastly, their own backgrounds inform how they made their way through the wars, and what conflicts those posted. Astonishgly involving.

It's more like a movie than just a regular series or even a Ken Burns thing; if you like seeing documentaries that are about the process of cinema, about storytelling, about how storytellers transform themselves and the world around them (whether it's D-Day or a ship like the Memphis Belle, or, unfortunately for Wyler and Stevens, the holocaust), it's one of those must-sees of the year. And now, as a movie buff, want to see ALL of the movies I haven't seen talked about here, particularly Mrs. Miniver, They Were Expendable, and The Battle of San Pietro.

An American documentary; A film about five successful Hollywood film directors who were attached to the American military during the Second World War to make propaganda films and film reports about conflicts in the theatre of war. While tailor-made for film enthusiasts, it is a fascinating and engrossing three part series with commentary by leading film directors of today who contribute useful insight and knowledge about their lives. The importance of film units are highlighted to show their undeniable critical importance to the nation's appreciation of what is happening thousands of miles from home. "Five Came Back" is also a celebration of the talents and dignity of the likes of Capra, Stevens, Huston, Ford and Whiler.