El niño y la garza

This is one of the good ones. However it reflects as much the passion and skill of Hayao Miyazaki as his old age confusion. His latest "last movie" starts one way and ends (abruptly) another. It has elements from his own life, his previous work and some new ideas, but the gist of the film is reconciling with loss and moving forward, recognizing there isn't much one can do. A very old man mentality in a movie about a child entering a magical world filled with wonder and dream logic.

The animation was so beautiful, the story a bit disjointed, but quite captivating. It was the ending that kind of disappointed. This film has been a long time in the making (in 2019 it was 15% complete, allegedly, with Miyazaki directing a minute of the film a month) and it shows.

The Japanese title is "How do you live?", the same as the Genzaburo Yoshino's instructional coming-of-age novel that Miyazaki's mother gifted him. In the film, the boy finds the book with a message from his dead mother, instructing him to read it, but it never goes anywhere. There are a lot of other hints and symbols that are quite opaque to non-Japanese, so I felt that I've missed chunks of what the movie was supposed to convey.

Perhaps the most interesting quality of the film is how easily it can be interpreted multiple ways, the ambiguity both confusing and thought provoking. As we experience dream and child logic we get a glimpse of the transmuted reality underneath. The grief, the loss, the benevolent yet oppressive culture, the futility and pain of war, the missing and missed parenting and so on.

Bottom line: is it a masterpiece or a slice of Miyazaki, jumbled beyond recognition? Both. I felt it might be a fitting farewell film, but also that I missed so many meanings from it. I liked it.

From Studio Ghibli, The Boy and the Heron is an animated movie about a boy that dramatically lose his mother due the war in Japan, and he and his father have to move to a safer place. When they arrive, they live in a nice and quiet home. In a place, were strange things did happen, and will happen, too. First of all, I have to list up what was good about the film. It was absolutely beautiful animation with great paint, drawing techniques, and amazing colors. They had that mix with painting-like animation, but at the same time, classic Japanese anime. And I really liked that, I think it is a very nice thing, and I can see that this is a technique that Studio Ghibli is using a lot, and they are really doing it well. Very nice music. It was soft, easy and quiet, but at the same time it built up a hidden suspense that was holding. The music was some sort of anxiety mixed with calmness. Very strange. Last thing that was good was the overall atmosphere and the feeling of the movie, at least in the first act. Because then things started to get a little weird. Everything became unknown and messy, the story changed the course multiple times, and I wasn't sure which way the plot was going to go. At the end everything became a little more clear, but still a little weird. When you don't know what is really going on, the action becomes a little nonsense, too. And that was exactly what happened. The action sequences were sometimes fun and entertaining, but I was still questioning: Why are they doing it? Why are they running? What are they running from? What's the point of the story? Good enough that they had a good moral at the end. Very great with a good message about the balance of the world, and that the soul value is very important. After all, this was a movie on the middle. Great music and animation. Fine atmosphere in the first act. But it got a little messy, and the story changed course to many times. They rushed a lot and I didn't get time to think. Studio Ghibli could have definitely done better.

If you have never watched a Hayao Miyazaki film, I wouldn't recommend starting with The Boy and the Heron.

For an introduction I'd recommend to start with Spirited Away (2001) and Princess Mononoke (1997).

If you become amused and the films resonate with you. Then you will enjoy The Boy and Heron. It isn't the strongest of Hayao Miyazaki and Ghibli films but a very good addition to their filmography.

The film begins with a slow pace of mostly visually defining the world, characters and their dilemmas. As the movie progresses you see touches of another realm. Before you know it, it becomes a full-blown feverish dream of Hayao Miyazaki imagination and story telling. It eventually comes all together back on its feet at the end.

Was it fun and visually pleasing? Yes.

Was I confused at times And had a lot of unanswered question? Also yes.

The imagery that completely stuck with me is when things overwhelm Mahito. From the frogs, to the pelicans, the warawara, the fish guts, and the parakeets. And Mahito's reaction is not even fight or flight. He stays still as if frozen and completely unable to react.

And that's maybe why it was important for Mahito to know that forgetting is normal. His feeling of loss and grief and the feeling of having to adjust to changes in his environment may be overwhelming and maybe a solution is trying to forget.

The granduncle is Miyazaki himself. He tries to find someone who can continue his legacy but in the end completely accepts that the worlds that he built and the stories he has told may crumble and completely be forgotten. And that is one truth that an artist will find hard to take.

I have been recently getting into Studio Ghibli films and I've been impressed. I was highly looking forward to this movie strictly because it was the first time I got the opportunity to see a Miyazaki film on the big screen. And the English dub is studded with talent.

I must say... I feel let down. I almost fell asleep halfway through, and the ending didn't make sense. There was so much happening and things weren't explained. I understand that there was probably deep symbolism attached to certain writing choices, but what's the point if the viewer has no idea what they're trying to say?

There were some good scenes and some good humor, but overall I feel a little empty.