Un joven afroamericano en Chicago se adentra en un seductor mundo de dinero y poder al ser contratado como chofer de un influyente hombre de negocios.Un joven afroamericano en Chicago se adentra en un seductor mundo de dinero y poder al ser contratado como chofer de un influyente hombre de negocios.Un joven afroamericano en Chicago se adentra en un seductor mundo de dinero y poder al ser contratado como chofer de un influyente hombre de negocios.
- Dirección
- Guionistas
- Elenco
- Premios
- 4 premios ganados y 7 nominaciones en total
Aaron Moten
- Tony
- (as Aaron Clifton Moten)
Stephen McKinley Henderson
- Mr. Green
- (as Stephen Henderson)
Alan B. Jones
- Detective Calhoun
- (as Alan Bomar Jones)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
McCarthyism drove Richard Wright away from his land ;he sought refuge in France where his novels were already famous ;so the first adaptation (by himself) was filmed in Argentina by French Pierre Chenal ,a film noir past master ; a colossal mistake was to have the writer play the part of Bigger (25) when he was in his forties; in spite of that ,the film is estimable.
A MTV work followed,in the eighties ,starring Victor Love ,Matt Dillon and Elizabeth McGovern was also interesting :were it for the faithfullness to the novel and good acting , it is to recommend.
The same cannot be said of this third adaptation , transferred to the modern era -which is highly debatable- : the boiler,to name but one detail ,becomes ridiculous in a wealthy family's house .Acting is undistinguished ,the script written in a slapdash manner,and the novel sweeetened ,cheapened and botched : the girlfriend's fate for instance ; the Bigger/Jan relationship is hardly skimmed over ; one never feels that the unfortunate hero knows that his fight is already lost ,and that his boss' patronizing and the rich kids ' social activism will always leave him a chauffeur , a flunkey ; the beginning is a mess, the ending takes the easy way out .Bigger 's frames of mind voice over are not enough to do the powerful novel justice.
A MTV work followed,in the eighties ,starring Victor Love ,Matt Dillon and Elizabeth McGovern was also interesting :were it for the faithfullness to the novel and good acting , it is to recommend.
The same cannot be said of this third adaptation , transferred to the modern era -which is highly debatable- : the boiler,to name but one detail ,becomes ridiculous in a wealthy family's house .Acting is undistinguished ,the script written in a slapdash manner,and the novel sweeetened ,cheapened and botched : the girlfriend's fate for instance ; the Bigger/Jan relationship is hardly skimmed over ; one never feels that the unfortunate hero knows that his fight is already lost ,and that his boss' patronizing and the rich kids ' social activism will always leave him a chauffeur , a flunkey ; the beginning is a mess, the ending takes the easy way out .Bigger 's frames of mind voice over are not enough to do the powerful novel justice.
Native Son had the makings of a great film - setting, cinematography, cast, story... the plot builds, the characters are developed, and then - a sudden tragedy after which it felt like someone pulled the plug on the film.
Was it a lack of innovation with the screenplay? Was the film's budget exceeded?
Such a shame to develop a main character to this degree, and then basically shut the movie down.
Was it a lack of innovation with the screenplay? Was the film's budget exceeded?
Such a shame to develop a main character to this degree, and then basically shut the movie down.
In his imagination a black guy hooked up with a white girl which never happened.
Was slow burning movie but well acted and good finish.
6.2
Was slow burning movie but well acted and good finish.
6.2
Read the book a long time ago. Still have it. Watched the movie and it started off following the novel by Robin Wright fairly well.
I don't believe a movie adaptation of a novel has to follow the story line and it can be more interesting to have some twists or re-telling of the story. In this case I would say it is a re-telling but the one let down for me is the buildup to the ending.
It felt like it was rushed and they did not have the time or the budget to provide the finer details of the story to explain the heart of the original story of why the title "Native Son" applied so well to Big and his part to society.
An incredible cast and I enjoyed everyone's acting. Most of the camerawork was great in my opinion. Felt like it did update the story for our present time. Wished there was more reference to slum lords and the legal system.
For folks that have not read the book, I hope it inspires them to read it. I know I will be re-reading the story again.
I don't believe a movie adaptation of a novel has to follow the story line and it can be more interesting to have some twists or re-telling of the story. In this case I would say it is a re-telling but the one let down for me is the buildup to the ending.
It felt like it was rushed and they did not have the time or the budget to provide the finer details of the story to explain the heart of the original story of why the title "Native Son" applied so well to Big and his part to society.
An incredible cast and I enjoyed everyone's acting. Most of the camerawork was great in my opinion. Felt like it did update the story for our present time. Wished there was more reference to slum lords and the legal system.
For folks that have not read the book, I hope it inspires them to read it. I know I will be re-reading the story again.
¿Sabías que…?
- TriviaAdapted from Richard Wright's novel of the same name.
- ConexionesRemake of Sangre negra (1951)
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- How long is Native Son?Con tecnología de Alexa
Detalles
- Tiempo de ejecución1 hora 44 minutos
- Color
- Relación de aspecto
- 2.39 : 1
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