Berlin Alexanderplatz

The whole thing, all three hours of it, went nowhere in particular. There are filmmakers who can put together a compelling 180 minute character study, but Qurbani doesn't appear to be one of them.

Most of what made Döblin's novel so interesting is absent here. The updated setting, with its focus on refugee identiy and experience, opens up a world of possibility that the film never really explores in great depth - though it really wants you to think it has. It's stylish, sure, but even that begins to grate fairly quickly. The whispered, whinging voice-over, reminding us every so often what we're supposed to be feeling, is overused and begins to border on the ridiculous.

All in all, 4 stars for some good camerawork and solid performances. Unfortunately, nothing else delivered.

Berlin Alexanderplatz is beautifully directed and it doesn't make you feel distracted from the story considering its 3 hour length. On the other hand this film doesn't necessarily offer anything new or surprising to the viewer so I'd suggest keeping the expectations not so high.

Remember when almost nobody knew who Christoph Waltz was? And then everybody watched Inglourious Basterds and the rest is history. With Robert Schuch who plays one of the main characters it will be the same. Every actor in this movie is very good but he is acting circles around the others. You are glued to the screen every time he is on screen and he has a lot to play with since his character changes a lot during the movie. And the more we realize what he does with the character we can't help to be in awe with this troubled character.

Even though I would say watch the movie just to see Schuch's performance Berlin Alexanderplatz is a great movie. I didn't know anything about it. Just saw the trailer and my jaw dropped when I saw that is 3 hours long. But the trailer already kind of told you that this is something different. To be honest you could tell this story probably with 30 minutes less but it definitely needs to be long because you watch the journey of two men even though one is supposed to be the focus. The cast is great, the music is chosen well and it is shot beautifully. They create this world that our characters live in which by the way has nothing in common with reality but it isn't supposed to. It is full of colorful characters some of them very over the top. It is big, it is loud and you will have the full range of emotions. You will laugh, you will be scared in some scenes anticipating bad to happen, you will feel sorry for people, you will be angry at them and also love when they love.

The story follows the rise and fall of Francis (Welket Bungué), a refugee who tries to be a good man while earning a living in a wealthy country suppressing the options to do so. He is soon approached by a drug dealer (Albrecht Schuch) offering what seems to be a way out of his misery. Thus, the tragedy unfolds. Burhan Qurbani's handwriting as a director has significantly improved over the course of his now three feature-length films. And now he has delivered a masterpiece. The film manages to combine elements of hyper-realism with poetic moments, strengthening each other's impact. The music is sometimes subtle, sometimes loud, and always on point. The actors' delivery is gripping and powerful. The story itself is an adaptation of Döblin's masterpiece novel of the same name. It is fittingly transferred into current day Berlin, and - while staying true to the novel's intent - it is told in a far more concise manner to suit its format. I actually hate movies longer than 100 minutes, but due to its separation into 5 chapters Qurbani somehow managed to not annoy or bore me for a second.

Amazing job of bringing this 1920s story into 2020 to depict modern conflicts which, after all, are not so different from 100 years ago. Very well directed and beautifully shot to portray underground life and its unusual relationships. Maybe a nuance too long but great to watch. Impressingly well played by the Reinhold character.