Mi-sseu-baek

I just wanna point out that, if the police and social services did their job in the movie, as some commented, than the movie would be only five minutes long, so in order to be able to tell the story, you have to make some compromises. And BDW police and social services do make mistakes in real life to.

Miss Baek (2018)

My thoughts: This can be a tough watch at times because of its depictions of child abuse. The story reminded me somewhat of the film A Girl at My Door, though I don't think Miss Baek was quite as strong or impactful as that one.

Still, I enjoyed the film overall. The chemistry between Baek Sang-ah (Han Ji-min) and Ji-eun (Kim Si-a) felt genuine and convincing. Their relationship managed to be both heartwarming and heartbreaking, often simultaneously.

Lee Hee-jun, who plays detective Jang-seop, delivered another solid performance. He seems to pop up frequently in the Korean films I watch, always reliable and authentic in his roles.

While it didn't quite reach the heights of similar films for me, Miss Baek still provides an emotional and engaging story worth watching.

Review written by artist jayakumar jrain.

A woman who has suffered abuse from an alcoholic mother sees a little girl in the street and befriends her and slowly draws closer and closer to the girl. She confronts the kids step mother and lowlife father who have been treating the girl worse than a dog. Korean social services is worse than ours in America. The story is a sad and riveting one. The kid is great and so is the lead heroic woman. I did not care for the sloppy editing and it makes the film a bit confusing. Even so, I highly recommend this tear jerker.

May be the story is a little bit unbelievable , but the play of the 2 main characters are really incredible. Is like a miracle the way the director lead such a dramatic story to the end. I note 8 , but is 8,5.

Brutally simple child-abuse drama, with the usual South Korean penchant for sadism I've come to know pretty well by now. Which is to say I entered expecting blood, so unpleasant moments are present, but also no surprises in this regard. What surprised me is how Lee Ji-Won keeps it all tight and focused. Instead of relying on long, pointless moments of gratuitous violence and desperation, Miss Baek shows what's enough, and maybe just a little more, to understand lives forever ruined by a horrible childhood. Thus a tale of compassion and revenge becomes an attempt at reconciliation with one's own past and memories. Amidst the horror, tenderness is abundant, and that's when Miss Baek works better for me. The final shot is nothing less than heartbreaking.