Que tenga un buen día

Was lucky enough to catch this in a theatrical screening. Brilliantly captures the feeling of ennui that one can feel in a run-down urban area... cannot emphasize that enough. The art direction in this area more than makes up for the limited animation in other areas. As far as tone goes: its a great dark comedy, very dry sense of humor... I laughed out loud several times. Definitely would recommend trying to seek this out if it plays an arthouse theater near you, or keep an eye out for if/when it arrives on VOD.

Everyone and everything in this movie is a "used to be". The gangster boss who finds out that his money was stolen, used to be involved in more important deals. The hit-man who is supposed to get the money back now works at a butcher's shop. His best days are behind him. The hotel where the main character tries to hide for sure has seen brighter days.

The story is set on the edge of any large Chinese city. The drawing style focuses attention on the fact that decay is everywhere. Even though building sites are part of the cityscape at all times.

Brilliantly ironic, even cynical, with a great soundtrack by the Shanghai Restoration Project this animated movie is a definite recommendation.

A neo-noir animated take on a mob film, following a big bag of money as it moves from one person to the next, suspiciously. At once an absurdist escape and a biting commentary on consumer culture, the movie will captivate big audiences with its homage to films like "The Godfather," "Blade Runner" and the works of Tarantino. The characters are all fascinating in their oddities, and the animation style captures the mood in even the smallest details— like a dog limping in the background or a neon sign flickering on the street. Watch it for the violence, watch it for the dry humor, but definitely watch it because the visual style is artistic, emotional and insanely brilliant.

A cute little cartoon that is full of Chinese flavors and memories from the 90s. It is refreshing to see a cartoon that basically has no Japanese or American flavors, for just this the creators should be applauded for. The story is interesting too, and somewhat befitting of the structure, as it is simple, direct and ridiculous. The ironic humor of the film flows propels then story forward and pokes fun at so many aspects of society, but it can only carry it to a certain extent. The film lacks depth to be truly impactful even though it is full of heart.

This is an experimental piece of animation, so that pacing and feeling is different from a mainstream movie. But at the same time, the art is surprisingly compelling and beautiful to look at. The commentary on Chinese society is also biting.