The Coldest Game

But give this a chance. I once played chess against an internationally respected player when when we were both under the influence and I played the game of my life - I won at about 2:30 in the morning and he replayed every move of the game to show me where he went wrong.

Freeing up the mind might seem impossible to many people, but for imagination to take flight, don't dismiss the idea of letting a drink take you to realms you haven't thought of.

I'm not advocating alcoholism, but I am saying this film shows that puritanism can be extremely boring and restrict what is good for everyone.

Love chess, love different thinking - take a chance on this movie making you think differently.

The Coldest Game is a relatively unknown film whose scene is set in the deepest moment of the cold war, i.e. the Cuban missile crisis. It is a well made film, professionally directed and produced, despite a slightly old fashion a d artisanal look-and-feel. The plot, though well conceived, is affected by a few mistakes which to a certain degree put me off; one is a detail of general context: every time the players get of the cars there is a crowd of paparazzi waiting for them....paparazzi in Warsaw in 1962? Excuse me? Then there are a few more substantial mistakes regarding the espionage tradecraft: is it possible that there was no more discreet place for a Russian spy to pass a super secret microfilm to the opposition than a crowded chess world championship at the centre of everybody's attention? Lastly, there are a few too many murders, and it is well known that killing was a means used very very exceptionally by field agents in the course of their operations. Nevertheless the movie is a decent one and quite watchable.

This is a great and original spy thriller that cleverly knits together real historical events: the Cuba crisis, the Cold War and a politically laden chess match between a Russian and an American. But the film could have been much, much better if the writers had incorporated more realistic elements. As for other movies: fewer special effects, and more consultants (or a bit of Wikipedia), please...

To begin with, the narrative of the Cuba Crisis is outdated. The crisis had in fact been triggered by the earlier American deployment of nuclear SM-78 Jupiter missiles in Turkey, right on the border with the Soviet Union. The Soviets simply responded in kind to the aggression. And Kennedy did not 'stare down' Khruschev, saving the Free World. The crisis was resolved when he negotiated a then-secret treaty that included dismantling his Jupiters. Secrecy was important because Kennedy was very concerned with his re-election, and perhaps less so with annihilating the planet...

The chess match did indeed take place, but it was ten years after the crisis. Sadly, the movie gets few chess details right, even if many elements are indeed taken from the chess world. To begin with, top level players are not old men. These days, as in 1972, it is all healthy guys in their twenties. And you don't just come out of retirement for this; top players must constantly follow and study opening theory, and their opponents' repertoires and styles. Also, during such a match, top players have seconds, to help prepare games. Such a match could never have taken place behind the Iron Curtain; the 1972 Fischer-Spassky match was played in Reykjavík, Iceland. The movie also suggests that players move immediately after one another. This never happens, except in time trouble or during (very) obvious exchanges. When a player offers a draw, he may call an arbiter, not a "judge", and these offers are made after one has moved, not before. Players never, ever discuss the position during a game; you refuse a draw offer simply by making a move. There never are/were '15 minute breaks' in chess- the clocks just keep ticking. Games could be adjourned for the next day, where one player would secretely note down his next move in a sealed envelope that was kept by the arbiter. Finally, the chess talk in the movie is mostly nonsense- knights and bishops are equivalent pieces that are exchanged, is never a "sacrifice". Nonexistent gambits and other openings are cited.

What is true is that a world champ (Max Euwe) was a math teacher (not a professor), another had an alcohol problem (Aljechin) and players (Korchnoi, a dissident, playing Karpov) complained being 'hypnotized' by people in the audience. Also, in the famous 1972 match the paranoid and boorish (but brilliant) Bobby Fischer indeed failed to show up for (and forfeited) a game.

Perhaps more importantly, the movie's epilogue highlights the dangers of the nuclear arms race; the US and Russia have indeed recently torn up their treaty on intermediate missiles, following violations by the latter. Also, nuclear powers are obliged to reduce their nuclear arsenals, says the Nuclear Proloferation Treaty that many countries signed, but that is not quite happening while the SALT agreements are expiring ("do as we say, not as we do") making threats against rogue states that also want nuclear power (Iran, N-Korea) sound hollow.

As far as Netflix-produced movies go, this is one of the best I saw. At least, it has a script that actually makes some sense, albeit in a formulaic way. After all, this is the Cold War and we've pretty much seen everything about that period in time and movie rules (and history) dictate that the Russians are the villains and nobody is to be trusted.

In this movie, the story takes place mostly in Warsaw, which makes a nice change of place from the usual Berlin. A chess championship is taking place during the Cuban missiles crises and a drunkard American professor (Bill Pullman) must act as the go-between spy, besides being the chess champion defying Russia.

Pullman looks a lot like Dennis Hopper and does a good job as the brilliant, unstable genius. His handlers are three suspicious characters, one of whom must be a mole.

My favourite scene takes places in the men's lavatory and it is edited in such a way as to make you wonder what is going on. The previous scene established a character who may also not be what he looks like and the whole plot is directly linked to the opening scene.

Quite enjoyable and suitably gritty, even if I usually don't enjoy movies where the main character is an addict.

Right off the bat (or board?), there is the fact that this is or rather was based on true events. You'll either be into that or not. Bill Pullman does everything to keep you engaged though. The movie or rather the story is a bit muddled and there certainly will be confusion for many. And while Bill Pullman is a pole, some might have a problem with engaging with the movie.

Feeling something, being excited and so forth. So there are flaws, there are certain things that could be better. But it also has some fine points and there are some interesting plot points happening and some characters and places (short cuts) that are almost worth watching this alone. Again, massively flawed but also quite entertaining in a weird way