Una bella luz interior

Good actors with great casting, Paris as the backdrop, but the story is a complete dud. This was a total disaster as far as the writing, a failure both in the story as well as the insipid dialogue.

Being, more or less, in the age bracket of Benoche and her character, I find it a bit ridiculous that she stagnates in an adolescent passive-aggressive attitude with men. Say what you mean and mean what you say, someone once said. If you want someone, at this age you can't waste a lot of time being coy or clever.

Just what she saw in the banker is beyond my ability to read what women want. Physically unattractive, arrogant and abusive with the bartender, and dismissive of her feelings point to the fact that what? She's with him for his money?

I'm not saying that people my age can't find "true love" but I think we have to be rational adults while looking for it. The scene in the car and then in her apartment were both so incredibly awkward, worse than anything I suffered in my teens. Grow up! I hated both of those scenes. Thoroughly unromantic.

And then they manage to somehow shoe-horn in a dialogue with Gerard Depardieu?

I was forced to watch the film with inadequate English subtitles that didn't begin to translate the true sense of the French original dialogue, but my French isn't quite good enough to watch it without subtitles. I can never find French films with French subtitles which is the perfect combination for me. People learning English as a second language never have a problem finding English subtitles for English films and TV shows, so stop being so smug about the fact that you speak English.

I hadn't seen a preview or even read a precis before going, but I generally like French movies, so I went. I didn't know what to make of it -- at the beginning I thought it was a drama, but then the scenes got absurdly exaggerated, and I decided it must be a comedy that the language barrier kept me from finding funny. So I was surprised to learn from the reviews here that it was not a comedy! I still don't know what to make of it. So, my advice is, if you have to pay money to see this and you don't speak fluent French, don't bother (in my case, I have a theater membership that allows me pretty much unlimited movies, so I do tend to take chances).

I don't recall any other time when I related with a protagonist in a film this much. Every aspect of the lead character, Isabelle was portraying me ...some much so that I felt 'naked' emotionally. Claire Denis is a living legend. Juliette Binoche is an amazing actress...definitely a performance worthy of an Oscar

... in its focus on unsatisfactory relationships - and it even has Depardieu in a pointless cameo role!

At one level, it's not too surprising that a well-regarded female artist of a certain age would have trouble finding a suitable partner following her divorce. However, her inability does seem at least somewhat self-inflicted, as she keeps latching on to married and otherwise unavailable men - some of whom are clearly complete arseholes. Indeed, there were so many of these I lost track of who was supposed to be "just a friend" and who was her current lover, and what might happen in her future.

Worth a look, but not Binoche's best, IMHO.

The tension between wanting something from someone and the fact that it must be given freely and not asked for is at the heart of this film with its typically brilliant performance from Juliette Binoche. Does Isabelle (Binoche) really know what she wants? It seems to be long-lasting romantic love. She hasn't had a lot of luck in that area, despite being beautiful, charming and successful in her career as an artist. We first see her with an unappealing married man. After a lengthy discussion with him, she seems to give up and moves on to a handsome, much younger actor (Nicolas Duvauchelle). He's also married and undecided about divorcing his wife. A typical dilemma, but for Isabelle it seems to be a pattern. These men are simply not available. Later, at a dance club, Isabelle meets someone who seems quite interested, even if he looks like an aging rock star (the kind who didn't get fat). We soon see the same conflict develop: Isabelle wants something the man cannot give, or not right away anyway. There follows a very brief flirtation with a friend of a friend and Isabelle ends up meeting with a counselor of some kind (Gérard Depardieu) who seems to tell her that her life has simply gone as it should...most enigmatically, that she will meet a man who understands and connects with her, but he too will not be "the one". The counselor says that Isabelle must become aware of her "beautiful inner sun" and be content with herself as she is.

In some ways this recent work of Claire Denis can remind a viewer of a film of Eric Rohmer, LE BEAU MARIAGE in particular. Endless discussion about what the protagonist wants. Simply wanting something from someone is not enough to make it happen. But the cinematic style of Claire Denis is miles away from Rohmer's. The editing alone puts UN BEAU SOLEIL INTÉRIEUR firmly in the art film category. Editing and narrative technique, mainly carried out through one-on-one conversation are sometimes elliptical and leave a viewer to decide what has happened. There is also an odd 'nature walk' with strangers who have a lot to say about seemingly nothing, causing Isabelle to go mad for a moment. Perhaps this is to show the extent of her frustration with life and with people in general. Denis chooses to end the film with the counselor scene: a long sequence composed mainly of close-ups of Depardieur while the final credits run, superimposed over the actors' faces.

An often funny film, very compelling thanks to Binoche's exasperating yet amiable characterization.