Moothon

No words to say stunned by nivin pauly bold attempt by the team too

Moothon sets an new genre to Malayalam cinema.it tells a story as deep as dark in his way it self. It is interesting even it is an drama by plot. You can try this for a new experimental Malayalam movie. By performance Nivinpauly and Mathew carried this film on their shoulder. Music and cinematography are remarkable.

Great acting and direction. Very dark but excellent making. Intense scenes and great camera work. Best of malayalam industry.

This film really deserves its due credits. The narrative itself is so much touchy that the dark and raw essence of the emotion is still intact in it. A beautiful love story taking such a dark turn. The first thing which is to be appreciated is the performances. I would say each and everyone were great but Nivin Pauly took his dark character seriously to the next level. Playing a guy who hides his pain in the first part and then as a drug addict in the second one. Its unbelievable that it is the same guy I witnessed as a tamed personality in Bangalore Days. Roshan Mathew too, in a short screen time without uttering a single dialogue beautifully potrayed a character through his spellbound expressions and his eyes. The camera work too is phenomenal. The panning of the camera for recording the rain sequence and atlast the distorted camera work during the outburst of the character was something brilliantly done. Moreover, the messaging of the film is very much touchy and surely one of a kind. I will surely recommend this movie. Do give it a watch. Its something which probably you have never witnessed with such an ease.

A teen boy idolizes his older brother, who was a star in a Moslem ritual dance. However, his brother has left mysteriously for Bombay, and, chafing under his guardian, steals a boat and escapes the island, with only a phone number to make contact.

Getting into Bombay, he falls into a society that is darker than depicted in Lion, There is the orphanage with child abuse, human traffickers, prostitutes, and eunuchs. Along the way, themes of homosexuality, gender identity and gender expression are also explored.

Much as I wanted to like the film, I have reservations. Like Lion, the boy does not speak the language of the city he ends up in, and subtitling loses that distinction. There is a long flashback sequence explaining why the elder brother left home, but not why he did not choose a better path for his exit. Finally, the coincidences that are needed to make the film work are unbelievable.