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Jesper Tøffner and Rasmus Bjerg in Så længe jeg lever (2018)

Noticias

Så længe jeg lever

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Nightwatch: Demons Are Forever Review
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Plot: Thirty years after the events of the 1994 serial killer thriller Nightwatch, the daughter of two of the deeply damaged surviving characters takes her dad’s old job as night watchman at the Department of Forensic Medicine. Investigating the events that ruined her parents’ lives, she accidentally kicks off a new killing spree.

Review: Back in 1994, Danish filmmaker Ole Bornedal brought the world a serial killer thriller called Nightwatch, about a young law student named Martin (played by future Game of Thrones star Nikolaj Coster-Waldau) who takes a job as night watchman at the Department of Forensic Medicine in Copenhagen and inadvertently gets mixed up in the investigation of the serial killer case that has been providing the morgue with a lot of fresh corpses. By the end of the film, Martin, his girlfriend Kalinka, and his best friend Jens have all had close calls with the killer, who is...
Mira el artículo completo en JoBlo.com
  • 16/5/2024
  • de Cody Hamman
  • JoBlo.com
Ole Bornedal
Danish Film Insitute gives its largest ever feature film grant
Ole Bornedal
Ole Bornedal’s World War II drama Shadows In My Eyes receives $2.4m.

As part of its new mandate to back higher-budget films, the Danish Film Institute has awarded its largest-ever feature film production grant - Dkk 16m ($2.4m) - to Ole Bornedal’s new film.

The World War II drama Shadows In My Eyes is about the real-life tragedy of 1945, when instead of bombing the Gestapo headquarters in Copenhagen, the Royal Air Force mistakenly hit the French school, killing several children and nuns.

Danish broadcaster TV2 and Sf Studios are also backing the film with a total budget of $8.6m.
Mira el artículo completo en ScreenDaily
  • 10/5/2019
  • de Wendy Mitchell
  • ScreenDaily
Home-Grown Hits Drive 2018 Nordic Box Office
Last year, Danish, Icelandic and Norwegian films triumphed with local audiences, fueling general attendance. In Sweden, local fare also upped their share of an overall sluggish market, while Finland had a quieter year after a record 2017. Everywhere “Mamma Mia-Here We Go Again” was number one except in Denmark where local films were back in favor.

Denmark

After two years of slide, Danish films were back in favour with local crowds, and boosted general admissions to 13 million (up 4.6%) and box office to Dkk 1.1 billion ($173 million). With 3.8 million admissions (up 34.2% from 2017), representing Dkk 290.9 million ($44.5 million) in revenue, local titles claimed a 29% market share, the success target just set in new Danish Film Agreement for 2019-2023.

“In a country like Denmark with a relatively small feature film production [21 films in 2018], the box office will inevitably vary from one year to the next,” commented Claus Ladegaard, CEO at the Danish Film Institute. The latter welcomed the...
Mira el artículo completo en Variety Film + TV
  • 28/1/2019
  • de Annika Pham
  • Variety Film + TV
Christoffer Boe
Nordic box office report 2018: a strong year for local films
Christoffer Boe
Denmark, Iceland and Norway registered rises in 2018, but Finland and Sweden saw dips.

Denmark

Denmark has had a strong year for local films, led by Christoffer Boe’s The Purity Of Vengeance (also known as Journal 64), the Nordisk Film release that has already broken records as the highest-ever grossing local film in Danish cinemas and will remain on release until at least January 2019.

The film is the fourth and final feature that Zentropa has produced based on the bestselling Department Q series of novels, about two mismatched detectives solving cold cases; it has earned $10.1m (dkk66.4m) as of December...
Mira el artículo completo en ScreenDaily
  • 18/12/2018
  • de Wendy Mitchell
  • ScreenDaily
Christoffer Boe
Nordic box office report 2018: a strong year for local films
Christoffer Boe
Denmark, Iceland and Norway registered rises in 2018, but Finland and Sweden saw dips.

Denmark

Denmark has had a strong year for local films, led by Christoffer Boe’s The Purity Of Vengeance (also known as Journal 64), the Nordisk Film release that has already broken records as the highest-ever grossing local film in Danish cinemas and will remain on release until at least January 2019.

The film is the fourth and final feature that Zentropa has produced based on the bestselling Department Q series of novels, about two mismatched detectives solving cold cases; it has earned $10.1m (dkk66.4m) as of December...
Mira el artículo completo en ScreenDaily
  • 18/12/2018
  • de Wendy Mitchell
  • ScreenDaily
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