El hombre que inventó la Navidad

The definition of the modern Christmas we celebrate can be traced to legendary author Charles Dickens who made the timeless classic A Christmas Carol. Such an epic story is stemmed in the spirit of giving, hope, and redemption, a symbol that we aspire to hit and often not succeed. Where did the inspiration come from though? How did he get the ideas? I don't know, but the movie I'm reviewing tonight attempts to answer that question in an entertaining manner. Robbie K here sharing his opinions on The Man Who Invented Christmas starring Dan Stevens and Christopher Plummer.

LIKES:

The World: If you read my reviews, you know I'm a big fan of world building and settings. The Man Who Invented Christmas recreates the nostalgic world of 19th century London and all the class that once inhabited the world. Seeing the society of the times reemerge from the London fog brought a homey feeling to me, invoking the beginnings of the Christmas season in a world that once treated as a minor holiday. The attention to detail is astonishing, primarily in all the chaotic organization that was Dickens' life, primarily the study to where he pondered all his works. It is this factor that will pull you into the movie as the stage continues to unfold.

Clever Presentation: When attempting to answer how Charles got his motivation and do it in an entertaining manner, the team has to think outside the box for this one. The Man Who Invented Christmas managed to do this quite well in most manners, primarily in rendering his thoughts as personified beings, capable of interacting with him. His conversations with the characters is a creative representation of the stresses of his mind and how they influence the progression of the story. And very much like a scene out of Slum Dog Millionaire, the movie was able to also bring his supposed history into the mix to also motivate moments of the book. Much of it was predictable, but it was a nice homage to his life that filled in the gaps I had forgotten.

The Acting: By far the best element for me though is the acting held in this movie. The secondary characters do their part in serving as obstacles, motivations, and support for Dickens himself, especially his best friend and his father. Yet, the main piece to watch are the characters of Scrooge and Dickens himself. Christopher Plummer still has life within his older bones, playing the pompous Englishman to the letter. He captured all the quips, jabs, and sarcasm of the character and managed to get that bitter attitude toward life. Yet, Plummer also got the humorous part of the role down pat, almost like a rival/mentor showing tough love to accomplish the task. As for Stevens, his portrayal of the talented writer with the obsession for perfection was fantastic. Stevens managed to take the dual role of Charles Dickens and personify the internal struggle that was his life as he pursued his muse of an epic story. All the anger, frustration, and joy were quite balanced in this movie, hooking me into his life and keeping me in my seat until the final sequence faded to black.

DISLIKES:

Scene Placement: The movie does a nice job filling in the gaps, but at times I didn't enjoy the placement of the scenes. Mainly the flashback scenes, much of Dickens' past was scattered through this movie, dropped at odd moments that offset the momentum of the sequence. Some of these moments could have been better delivered at earlier moments, and may have minimized the confusion of why he was so angry. Not sure whose direction it was to place things in this order, but it didn't work for me at times.

Background Characters: As you watch his story progress, you get to see new characters emerge as his world starts to motivate him to write. Yet unlike Scrooge, with whom he constantly interacts with, many of the other characters are just background bodies who smile, laugh, and kind of look odd. Sure, I understand the personification of what they mean during his writer's block and how they were connected to his central character, but why did they remain constantly in the background? I don't have those answers, but it was kind of odd having them randomly walking around with him and doing little past that. Sorry guys, not a fan of limited use characters.

The diluted emotion: I expected the movie about the guy who revolutionized Christmas to be a little more emotionally charged. Sadly, this film didn't quite pack the holiday joy and magic that his tale was able to elicit long ago when I watched the Muppet version long ago. While inspirational, I didn't get overwhelmed with feelings that made me embrace the holiday season. I felt this was due to some of the movie magic being left out of the movie, giving it that realistic twist, but unfortunately drying up the specialness those hokey, overdramatic effects bring to the table. This tale would have benefited from a page in the Hallmark channel book in terms of motivating you to inherit the spirit of Christmas.

The VERDICT:

The Man Who Invented Christmas is an immersive film that uses setting, presentation, and incredible acting to bring the 19th century to life. Despite all the cool insights into Dickens' life though, this movie lacks cinematic magic, logical use of characters, and pacing that is important in films. This movie could have done well on a television release, or streaming movie rather than a theater presentation. It does hold potential for a church outing, but this reviewer recommends holding out until it comes to home viewing.

My scores are:

Biography/Comedy/Drama: 8.0 Movie Overall: 7.0

This was my favorite Christmas movie of 2018. That said, you can watch this movie any time of year because it's not really solely a Christmas movie. It's about Charles Dickens trying to write and get "A Christmas Carol" published. So most of the story actually takes place in the fall as he struggles with writers block. It's more an inspiring story about a creative person struggling to accomplish something worthwhile, and because of the elements of the story he's writing, it has Christmas elements now. Save it for Christmas 2019, or watch it now. But just watch it!!!

"The Man Who Invented Christmas" is a fictional biographical look at famed English author, Charles Dickens, and the circumstances of his life and time that led to the writing and publication of "A Christmas Carol." The full title by Dickens then was "A Christmas Carol in Prose: Being a Ghost-story of Christmas." Dickens first published it himself in 1843, after a falling out with his regular publishers.

From start to scratch, it took Dickens just six weeks to give the world what would become one of the great classic stories of all time. At least, that's the premise of the film, which itself is based on a 2011 novel of the same title by Les Standiford. The book's subtitle explains a little more, lest there be any confusion regarding the much older Christmas origins of St. Nicholas and of the birth of Jesus. It's about "How Charles Dickens's A Christmas Carol Rescued His Career and Revived Our Holiday Spirits."

According to some reviews, Standiford did considerable research for his book. The background on Dickens's family, his writing to that time, and his precarious financial situation then is likely in public records. Still, much of that part of the story is interesting and probably not that well known by most people, including fans of Dickens books. The very colorful segments of imagination in this movie are another matter. How much of that may have been able to be traced to notes by Dickens himself, or to other sources, is uncertain. But, this serves as a very good technique for the author, and the filmmakers, to get across to a non-writing public how a great story teller may come to the plots and characters of a book he or she will write. After all, who can't remember a time as a child when one's thoughts roamed freely into a world of make-believe?

So, what we would come to call day-dreaming, is a very likely and real way that Dickens, and some other authors like him (surely, the great story-tellers, at least) would have thought up and developed their plots and characters. And, the interplay of the hero's daydreams here, with constant interruptions from family and friends, helps one understand the frustrations and difficulties Dickens had as he hurried to get out a Christmas book in time - something his publishers deemed would not fly. Of course, everyone knows the outcome, but this story is well done, and the film is very good.

The acting is mostly superb throughout "The Man Who Invented Christmas." Dan Stevens gives believable life to the character of Dickens. He even looks very much like Dickens from a portrait of the author around that age - 31. Justin Edwards is very good in the role of Dickens's friend, John Forster. Forster was himself a writer, and it was his 1872-74 biography of Charles Dickens that is the best and most authoritative source on Dickens. Moryfdd Clark plays Dickens's wife Kate, and Jonathan Pryce plays Charles's father, John Dickens. Christopher Plummer plays the character of Scrooge in Dickens's daydreams. That and some other small parts lend some humor to the story.

There are some small deviations in the script from the real background in Dickens's life. For instance, it implies that he didn't like reporting or journalism work and calls it names. In real life, he was a reporter, general writer and editor of newspapers and magazines. One interesting thing to note is that this film was shot entirely in Ireland. The cast is mostly made up of English and Irish actors, with an occasional Italian or French actor here or there. And, while they aren't mentioned in the movie, the three "flops" alluded to, for which Dickens was now in dire straits, would be: "Nicholas Nickleby" of 1838-39, "The Old Curiosity Shop" of 1840, and "Barnaby Rudge" of 1841. Of course, all have been published since then, and none are considered flops.

"A Christmas Carol" must top any serious list of Christmas movies, and there are a number of variations with prominent actors playing the different roles over the ages. This film, about the author and origin of the classic novella, is a very good and most enjoyable story to add to one's Christmas collection. An ideal family situation at yuletide might be to show this film first and then watch the favorite (or two) renditions of "A Christmas Carol" movie.

Of all the many versions of "A Christmas Carol" being made yet well into the 21st century, I don't think any can compare to the best films of the mid-20th century. At the top of my list is the 1951 film that stars Alastair Sim. Close behind that is the 1938 film that stars Reginald Owen and Gene Lockhart. The best TV film made so far, is that of 1984 that stars George C. Scott. And, for those among younger audiences who can't stand black and white films, the 1951 classic with Alastair Sim has a colorized version.

But, whatever version or film of the Dickens classic one watches, it's sure to help take the humbug out of the Christmas season as it did in England on that Christmas of the mid-1800s.

Here are some favorite lines from this film.

Elizabeth Dickens, "No one is useless in this world..." Charles Dickens, "...who lightens the burden of another - I know." Elizabeth, "For all his faults, you won't find a kinder man." Charles, "Hmmm. How long he is growing up to be one."

Mr. John Dickens, "We must not disturb the poet when the divine frenzy is upon him."

Charles Dickens, "Oh, skittle shins to Mrs. Fisk."

Mr. John Dickens, stepping off the train in London, "Ah! Nothing like the air of the metropolis to put color in your cheeks, eh, mother?"

Mr. John Dickens, "Procrastination is the thief of time, eh Charles?"

After missing this 2017 film, I agreed with my family: Considering the hot summer months and the rising political and social temperatures as well, an early visit to Christmas and the man who helped remind us what the holiday is all about was a pretty good idea (as in, why can't we think like this all year-round?).

"The Man Who Invented Christmas" revolves around Charles Dickens (played by Dan Stevens of "Downton Abbey" fame) and the personal and creative journey he took in writing his beloved novel, "A Christmas Carol."

Dickens, who wrote the book in 1843, intended it to "strike a sledge hammer blow" for the poor, an idea that sprang from a trek to Manchester, where he observed the plight of manufacturing workers, and from what he had seen at the Field Lane Ragged School.

History tells us that his characters leapt to life in his consciousness and that he became so engrossed he "wept and laughed, and wept again," and that he "walked about the black streets of London fifteen or twenty miles a night when all sober folks had gone to bed."

The film is sumptuous, the production values and photography lush and appealing and, when appropriately necessary, cautionary and convincing.

Stevens is excellent as the driven author, moving from warmth to near creative madness without overdoing either, but Christopher Plummer as the imaginary Scrooge he conjures in his mind nearly steals the show, trading barbs and supplying the logic of someone who has forgotten the meaning of love and life.

It's a special fascination to see how artists think and work, borrowing bits and pieces from the people and happenings around them to knit a separate entity that then stands alone by itself.

I didn't find the film preachy or message-driven, though it's impossible in the current climate not to think that some of what's going on here and across Europe may not have seeped into the production. Art usually reflects the fervor of its time.

Still in all, viewers across the political spectrum will find the film more than enjoyable and a welcome reminder that we should _ and can _ celebrate each other all the time, not just in advance of exchanging Christmas presents and knocking back a cold one.

Adding some spice to the film is some clever humor delivered by actors top to bottom who clearly have the training and experience to bring a funny line into the winner's circle.

It's said that "A Christmas Carol" reawakened the spirit of Christmas in both Britain and America.

I think watching this movie does the same thing for viewers too no matter the time of year, and considering what we're experiencing now, that ain't a bad thing.

This is a wonderful film and will be especially delightful for people familiar with "A Christmas Carol" and with Dickens in general, but you don't need any background to enjoy it. Basically the film tells the story of how Dickens came to write this classic. The writer's process imagined in this film is true to life for many of us who are writers, though it isn't the only way from pen to paper.

Great acting, good sets, and great music with an excellent script help make this a new classic. The only deficit I saw was the less than opulent sets, which is why I gave it a 9 instead of a 10.

The special gift in this film is seeing Christopher Plummer back on the big screen. Jonathan Price also stands out as Dicken's father.

Go see this film. Go see it especially at the Xmas season.