Mr. Roosevelt

I liked the way this film pushes back against the prevailing indie wisdom that anyone with a smidge of artistic talent just needs to follow their dreams until they catch them... The script may seem flimsy at times (maybe one too many chance meetings, even for a small college town?), but the setup's quite ingenious: UT Austin grad Emily's leading the dreary life of an aspiring sketch comic in LA when the cat she left behind with her ex gets sick.

Back in Austin, things have changed: her ex, a struggling rock guitarist, is hoping to get his real-estate license; his new S.O.'s a stylish, code-writing "entrepreneur," and the remnants of Emily's old life have been consigned to a backyard shed. At dinner with the couple and their bougie friends, Emily has a serious meltdown. Suffice it to say that it takes her a while to resolve all her issues... Richard Linklater fans will enjoy the scenes set in historic weird Austin; Daniella Pineda stands out as a kickass rock drummer/waitress.

Screw the other reviews that say "Pointless from the get go". It isn't an SNL alumni movie, it's a filmmakers movie. Noel Wells uses startlingly amazing and nostalgic cinematography to portray the most authentic Austin I've seen in a movie. Yes, it's plot is little, but it really explores an millennial that feels like she's watching her life and friends move through adulthood while she's still mentally a teenager. She basically says "No! It's gotta be something else's fault not mine." and acts totally out of immaturity. It's a small movie, so do't see it if you want a blockbuster. I expect to see it at indie movie houses for years to come.

Yes, it's your typical navel-gazing Austin indie.

But it's cute, refreshing, real, and it delivers some good insights a lot of people may need to grow as a person.

May appeal to women more than men, despite lots of nudity.

"Mr. Roosevelt" is about a young woman, a struggling actress and comedian, who spends most of the film acting like a petulant teenager. I mostly get impatient with movies about adults who can't grow up, and whether or not I can tolerate them is wholly dependent on how much the person at the film's center can make me like him or her. Noel Wells, who also wrote and directed this movie, isn't hilarious, and in another mood I might have found myself irritated by her, but she was funny enough to keep me watching, and when I think back on this film I do so with fondness. It's no big deal, and it doesn't really show us anything we haven't seen before, but it has that low-key indie vibe that's easy to relax into. And I did really appreciate the protagonist's attitude about her Facebook-obsessed generation, born of equal parts envy and legitimate frustration, because they're attitudes I've felt myself.

If you go in with reasonable expectations there's a good chance you'll like this one.

Grade: A-

Noel Wells excels in her directorial debut in Mr. Roosevelt. I was unfamiliar with Wells' work until viewing this film despite her work on SNL. While directing, she also plays the lead role of Emily Martin who left her home and boyfriend to pursue comedy in Los Angeles. Emily is a struggling comedian who must quickly return home as her cat, Mr. Roosevelt, is dying. While in Austin, she stays with her ex-boyfriend and his girlfriend. The perfect set up for this comedy. Over the course of the movie, Emily learns much about the life she left behind and her own self. Throughout the film the viewer is dealt with awkward situations followed by Wells' quick witted humor. She has a lot of silly habits that I can relate with that make this movie more enjoyable. If you're into indie films put together by striving and thriving artists, Mr. Roosevelt is worth your viewing.