Después de que un allegado caiga enfermo, la comediante Emily Martin vuelve a Austin, Texas, la ciudad donde estudió. Allí tendrá que afrontar asuntos del pasado así como nuevos encuentros.Después de que un allegado caiga enfermo, la comediante Emily Martin vuelve a Austin, Texas, la ciudad donde estudió. Allí tendrá que afrontar asuntos del pasado así como nuevos encuentros.Después de que un allegado caiga enfermo, la comediante Emily Martin vuelve a Austin, Texas, la ciudad donde estudió. Allí tendrá que afrontar asuntos del pasado así como nuevos encuentros.
- Dirección
- Guionista
- Elenco
- Premios
- 5 premios ganados y 4 nominaciones en total
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Screw the other reviews that say "Pointless from the get go". It isn't an SNL alumni movie, it's a filmmakers movie. Noel Wells uses startlingly amazing and nostalgic cinematography to portray the most authentic Austin I've seen in a movie.
Yes, it's plot is little, but it really explores an millennial that feels like she's watching her life and friends move through adulthood while she's still mentally a teenager. She basically says "No! It's gotta be something else's fault not mine." and acts totally out of immaturity.
It's a small movie, so do't see it if you want a blockbuster. I expect to see it at indie movie houses for years to come.
Noel Wells excels in her directorial debut in Mr. Roosevelt. I was unfamiliar with Wells' work until viewing this film despite her work on SNL. While directing, she also plays the lead role of Emily Martin who left her home and boyfriend to pursue comedy in Los Angeles. Emily is a struggling comedian who must quickly return home as her cat, Mr. Roosevelt, is dying. While in Austin, she stays with her ex-boyfriend and his girlfriend. The perfect set up for this comedy. Over the course of the movie, Emily learns much about the life she left behind and her own self. Throughout the film the viewer is dealt with awkward situations followed by Wells' quick witted humor. She has a lot of silly habits that I can relate with that make this movie more enjoyable. If you're into indie films put together by striving and thriving artists, Mr. Roosevelt is worth your viewing.
"Mr. Roosevelt" is fairly typical for an indie comedy, especially one written and directed by its star.
Indie movies used to be an alternative to Hollywood in that they would show you characters and situations that were something you wouldn't ordinarily see at the multiplex. Somewhere along the line that difference became a cliche. If you want to see something different, it doesn't help that you already know what that difference is going to be. Where's the surprise? Where's the challenge?
"Mr. Roosevelt" being an indie comedy means you can expect a lot of weird, off-hand lines of dialogue like "I forget what funny is", and nudity which, in a Hollywood movie, is usually a device to titillate audiences, but here just seems added to up the weird factor.
It's not unusual to see an unconventional lead in an indie flick, but I think Noel Wells doesn't really have star quality. Having written and directed the movie herself, of course she also cast herself in the lead role, but they can't all be Lake Bell (from "In a World") or even Lena Dunham ("Tiny Furniture"). The camera doesn't exactly love her. While watching the movie I found myself forgetting what she looked like occasionally, which is funny since she is in every scene.
The movie does have a few funny moments, though not many.
The plot concerns a struggling comedian who comes back to her hometown to say fairwell to her cat, the titular Mr. Roosevelt, as her ex-boyfriend and his new squeeze must have the cat put down.
The stage is obviously set for a "young person faces their past and confronts their issues" sort of movie, but here's the problem: I never believed that this character had a past, there or anywhere else, and I never believed that she cared about her cat enough to go all that way, or anything else. You can understand she might feel toward her ex's new lover, but the movie doesn't deal with them head-on, making her own feelings and motivations opaque, and making the character more distant than she ought to be.
Indie movies used to be an alternative to Hollywood in that they would show you characters and situations that were something you wouldn't ordinarily see at the multiplex. Somewhere along the line that difference became a cliche. If you want to see something different, it doesn't help that you already know what that difference is going to be. Where's the surprise? Where's the challenge?
"Mr. Roosevelt" being an indie comedy means you can expect a lot of weird, off-hand lines of dialogue like "I forget what funny is", and nudity which, in a Hollywood movie, is usually a device to titillate audiences, but here just seems added to up the weird factor.
It's not unusual to see an unconventional lead in an indie flick, but I think Noel Wells doesn't really have star quality. Having written and directed the movie herself, of course she also cast herself in the lead role, but they can't all be Lake Bell (from "In a World") or even Lena Dunham ("Tiny Furniture"). The camera doesn't exactly love her. While watching the movie I found myself forgetting what she looked like occasionally, which is funny since she is in every scene.
The movie does have a few funny moments, though not many.
The plot concerns a struggling comedian who comes back to her hometown to say fairwell to her cat, the titular Mr. Roosevelt, as her ex-boyfriend and his new squeeze must have the cat put down.
The stage is obviously set for a "young person faces their past and confronts their issues" sort of movie, but here's the problem: I never believed that this character had a past, there or anywhere else, and I never believed that she cared about her cat enough to go all that way, or anything else. You can understand she might feel toward her ex's new lover, but the movie doesn't deal with them head-on, making her own feelings and motivations opaque, and making the character more distant than she ought to be.
"Mr. Roosevelt" is about a young woman, a struggling actress and comedian, who spends most of the film acting like a petulant teenager. I mostly get impatient with movies about adults who can't grow up, and whether or not I can tolerate them is wholly dependent on how much the person at the film's center can make me like him or her. Noel Wells, who also wrote and directed this movie, isn't hilarious, and in another mood I might have found myself irritated by her, but she was funny enough to keep me watching, and when I think back on this film I do so with fondness. It's no big deal, and it doesn't really show us anything we haven't seen before, but it has that low-key indie vibe that's easy to relax into. And I did really appreciate the protagonist's attitude about her Facebook-obsessed generation, born of equal parts envy and legitimate frustration, because they're attitudes I've felt myself.
If you go in with reasonable expectations there's a good chance you'll like this one.
Grade: A-
If you go in with reasonable expectations there's a good chance you'll like this one.
Grade: A-
I liked the way this film pushes back against the prevailing indie wisdom that anyone with a smidge of artistic talent just needs to follow their dreams until they catch them... The script may seem flimsy at times (maybe one too many chance meetings, even for a small college town?), but the setup's quite ingenious: UT Austin grad Emily's leading the dreary life of an aspiring sketch comic in LA when the cat she left behind with her ex gets sick.
Back in Austin, things have changed: her ex, a struggling rock guitarist, is hoping to get his real-estate license; his new S.O.'s a stylish, code-writing "entrepreneur," and the remnants of Emily's old life have been consigned to a backyard shed. At dinner with the couple and their bougie friends, Emily has a serious meltdown. Suffice it to say that it takes her a while to resolve all her issues... Richard Linklater fans will enjoy the scenes set in historic weird Austin; Daniella Pineda stands out as a kickass rock drummer/waitress.
Back in Austin, things have changed: her ex, a struggling rock guitarist, is hoping to get his real-estate license; his new S.O.'s a stylish, code-writing "entrepreneur," and the remnants of Emily's old life have been consigned to a backyard shed. At dinner with the couple and their bougie friends, Emily has a serious meltdown. Suffice it to say that it takes her a while to resolve all her issues... Richard Linklater fans will enjoy the scenes set in historic weird Austin; Daniella Pineda stands out as a kickass rock drummer/waitress.
¿Sabías que…?
- TriviaDaniella Pineda's only career nude scenes, as of July 2025.
- ErroresWhile Emily is talking to her boss on a silver Iphone by the lake, when it cuts back to her, it has changed to a broken Iphone for when she throws it.
- Citas
Emily Martin: Jen, am I a bad person?
Jen Morales: No. There's no way in hell you're a bad person. You're a good person... with really bad execution.
- Bandas sonorasFlamingo
Written by Eric D. Johnson
Performed by The Fruit Bats
Courtesy of Sub Pop Records
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- How long is Mr. Roosevelt?Con tecnología de Alexa
Detalles
- Tiempo de ejecución
- 1h 30min(90 min)
- Color
- Relación de aspecto
- 1.85 : 1
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