La historia se centrará específicamente en un joven Willy Wonka y en cómo conoció a los Oompa-Loompas en una de sus primeras aventuras.La historia se centrará específicamente en un joven Willy Wonka y en cómo conoció a los Oompa-Loompas en una de sus primeras aventuras.La historia se centrará específicamente en un joven Willy Wonka y en cómo conoció a los Oompa-Loompas en una de sus primeras aventuras.
- Dirección
- Guionistas
- Elenco
- Nominada a1 premio BAFTA
- 3 premios ganados y 44 nominaciones en total
Resumen
Reviewers say 'Wonka' is a whimsical prequel with Timothée Chalamet's performance receiving mixed reactions compared to Gene Wilder. Hugh Grant's Oompa Loompa cameo is praised for humor. Musical numbers are divisive, with some finding them nostalgic and others forgettable. Vibrant visuals and production design are lauded. Themes of resilience and creativity are central, though darker elements from Dahl's work are missing. The film's age suitability is debated, and comparisons to previous Wonka films yield mixed opinions.
Opiniones destacadas
On paper, Wonka is a cynical cash grab of an idea but in the hands of the extremely talented duo of Paul King and Simon Farnaby it becomes another heartwarming story of a kind person who just wants to make the world a better place. Even if it feels its run time more than King and Faranby's previous work it still remains thoroughly entertaining and emotionally investing.
Timothée Chalamet lacks the darker edge with this interpretation of Willy Wonka and that really doesn't matter considering what the film is going for. His Wonka is innocent to a fault, morally pure with a high level of quirk that Chalamet is able to communicate in his enunciation and movement. It's a nice change of pace compared to his usual roles.
The supporting cast is full of comedians who take it in turns stealing scenes. Hugh Grant's Oompa Loompa is an uncanny highlight who takes a while to appear and is absolutely worth the wait. Paterson Joseph excels at playing a full on pantomime villain complimented by Matt Lucas and Matthew Baynton to make for a delightfully evil trio.
Paul King's direction brings the expected whimsy with a nice level of energy to the musical numbers. The songs by Neil Hannon are generally fine, suitably entertaining in the moment without staying power so it successfully goes back to Pure Imagination a few times, with Joby Talbot's score happily sprinkling it in throughout.
Timothée Chalamet lacks the darker edge with this interpretation of Willy Wonka and that really doesn't matter considering what the film is going for. His Wonka is innocent to a fault, morally pure with a high level of quirk that Chalamet is able to communicate in his enunciation and movement. It's a nice change of pace compared to his usual roles.
The supporting cast is full of comedians who take it in turns stealing scenes. Hugh Grant's Oompa Loompa is an uncanny highlight who takes a while to appear and is absolutely worth the wait. Paterson Joseph excels at playing a full on pantomime villain complimented by Matt Lucas and Matthew Baynton to make for a delightfully evil trio.
Paul King's direction brings the expected whimsy with a nice level of energy to the musical numbers. The songs by Neil Hannon are generally fine, suitably entertaining in the moment without staying power so it successfully goes back to Pure Imagination a few times, with Joby Talbot's score happily sprinkling it in throughout.
Listen, I liked this movie. It was good, I just wished it gave me more. Felt like there was some underutilizing of potential, so it felt s little hollow for me.
It didn't tug on my heart strings or emotions ever, but it made it chuckle and Timothee was great as Wonka. A lot of unecessary singing. I can fully get into a good musical if the songs are good and properly placed and spread out, but I can't stand it when they sing songs just to sing, when they could just... talk. Some of the songs the movie weren't really catchy or even good, and felt pointless.
Positives: great casting, funny, beautiful sets and costumes. Could watch it at home just to watch a cozy movie (if you're into musicals), but not worth seeing in the theaters like I did.
It didn't tug on my heart strings or emotions ever, but it made it chuckle and Timothee was great as Wonka. A lot of unecessary singing. I can fully get into a good musical if the songs are good and properly placed and spread out, but I can't stand it when they sing songs just to sing, when they could just... talk. Some of the songs the movie weren't really catchy or even good, and felt pointless.
Positives: great casting, funny, beautiful sets and costumes. Could watch it at home just to watch a cozy movie (if you're into musicals), but not worth seeing in the theaters like I did.
This movie seemed to have it all. All of the actors played parts well and Timothee Chalamet is certainly fun to watch. The bits with the Oompah Loompa, played by Hugh Grant, should have been expanded. The sets, costumes and special effects were amazing. The music was from the original Wonka movie so that was nice. The story was almost completely new which I hoped to be nice too. Not so much. The spark I was looking for in the new story was missing for me, even though the actors and director were clearly giving it their best shot at it. I think the writing was the culprit. I was a bit bored in parts. If the writers were looking to get laughs, I don't recall breaking a smile more than once or twice and I think it was something that Rowan Atkinson was doing as the Priest. I did not hear anyone laugh in the theater the whole time. Most of the jokes I think we were supposed to laugh at were pretty lame. I will not be recommending this movie to any adult or child I know. I don't see it appealing to any age unless they are big fans of someone appearing in the film.
Proving that his work on the one two punch that was Paddington and then it's universally praised sequel was not per chance, British director Paul King has managed to bring the same amount of energy, charm, heart and smarts he delivered with his marmalade loving bear to this high profile Willy Wonka prequel that should become the crowd pleasing hit of this years festive/holiday period.
Utilising his comedy background and career making work on the cult UK TV series The Mighty Boosh (fans of which will be pleased to see a key role for Rich Fulcher here), King ensures that his musical infused adventure that follows Timothée Chalamet's young Willy Wonka during his first attempts to conquer the chocolate world with his magical inventions and colorful showmanship, is a film that constantly is on the move and one that ensures it's filled to the brim with wonder, whimsy and wackiness that should find it appealing to a wide ranging age-group and audience.
It's not as though the world was exactly crying out to find out more about the beloved character many of us fell in love with either in Roald Dahl's original book or the Gene Wilder starring classic film from 1971 but King and his screenwriting partner Simon Farnaby instantly make us engaged and interested in this tale that has a wide ranging reach and works in a number of facets without ever losing momentum.
Rarely pausing for breath between its colourful character interactions, enjoyable song and dance numbers and more poignant aspects that make Wonka more than just all sugar and no substance, King's enjoyable ride harbours a clear labour of love at its core that gels perfectly with its more old-school film-making vibe and delivery that once more acts as an example that Hollywood's incessant nature to try and be "hip" and boundary pushing isn't always needed to find a winning formula.
Within King's winning Wonka formula he has managed to create and gift a number of memorably fun performances from his talented cast and while Chalamet gives it his best shot in easily his most challenging performance yet, his role as Willy Wonka doesn't always seem ideally suited to his acting sensibilities, it's in the supporting cast that Wonka finds its comedic gold.
From Olivia Colman's yellow-toothed nasty Mrs. Scrubbit, Tom Davis's wild-haired Bleacher, Keegan-Michael Key's sweet-toothed police chief and Hugh Grant's (bizarrely controversial) scene-stealing Oompa-Loompa, Wonka's cast of newbies and industry vets alike all have a blast playing their parts here and Wonka's overall feeling and end result seems to be the product of a film that was a lot of fun to make and bring to life.
There may not be any groundbreaking new messages taking place here and I don't suspect Wonka will ever be regarded as the type of family friendly all-time classic as its original source material or first film iteration are seen as but it would take a hard-hearted and Scrubbit like viewer to not find enjoyment from such an entertaining and imaginative new take on one of the worlds most well-known properties.
Final Say -
Another resounding success for director Paul King, who has here further established his reputation as the leader of family friendly cinematic adventures, Wonka is a charming and enjoyable big screen ride that deserves to be this years most resounding holiday hit.
4 unsolved murders out of 5.
Jordan and Eddie (The Movie Guys)
Utilising his comedy background and career making work on the cult UK TV series The Mighty Boosh (fans of which will be pleased to see a key role for Rich Fulcher here), King ensures that his musical infused adventure that follows Timothée Chalamet's young Willy Wonka during his first attempts to conquer the chocolate world with his magical inventions and colorful showmanship, is a film that constantly is on the move and one that ensures it's filled to the brim with wonder, whimsy and wackiness that should find it appealing to a wide ranging age-group and audience.
It's not as though the world was exactly crying out to find out more about the beloved character many of us fell in love with either in Roald Dahl's original book or the Gene Wilder starring classic film from 1971 but King and his screenwriting partner Simon Farnaby instantly make us engaged and interested in this tale that has a wide ranging reach and works in a number of facets without ever losing momentum.
Rarely pausing for breath between its colourful character interactions, enjoyable song and dance numbers and more poignant aspects that make Wonka more than just all sugar and no substance, King's enjoyable ride harbours a clear labour of love at its core that gels perfectly with its more old-school film-making vibe and delivery that once more acts as an example that Hollywood's incessant nature to try and be "hip" and boundary pushing isn't always needed to find a winning formula.
Within King's winning Wonka formula he has managed to create and gift a number of memorably fun performances from his talented cast and while Chalamet gives it his best shot in easily his most challenging performance yet, his role as Willy Wonka doesn't always seem ideally suited to his acting sensibilities, it's in the supporting cast that Wonka finds its comedic gold.
From Olivia Colman's yellow-toothed nasty Mrs. Scrubbit, Tom Davis's wild-haired Bleacher, Keegan-Michael Key's sweet-toothed police chief and Hugh Grant's (bizarrely controversial) scene-stealing Oompa-Loompa, Wonka's cast of newbies and industry vets alike all have a blast playing their parts here and Wonka's overall feeling and end result seems to be the product of a film that was a lot of fun to make and bring to life.
There may not be any groundbreaking new messages taking place here and I don't suspect Wonka will ever be regarded as the type of family friendly all-time classic as its original source material or first film iteration are seen as but it would take a hard-hearted and Scrubbit like viewer to not find enjoyment from such an entertaining and imaginative new take on one of the worlds most well-known properties.
Final Say -
Another resounding success for director Paul King, who has here further established his reputation as the leader of family friendly cinematic adventures, Wonka is a charming and enjoyable big screen ride that deserves to be this years most resounding holiday hit.
4 unsolved murders out of 5.
Jordan and Eddie (The Movie Guys)
Getting the audience to commit to a musical requires some work. Wonka has a few extra hoops to jump through on top of that, they're building off of an existing property that they have to pay respects to as well. Establishing the world is paramount, we need to want to believe that Wonka could imagine these confections and use only the rarest of ingredients to make people fly or experience an entire party in a moment. Clearly Wonka's production budget was huge and the creative team uses it to great effect. The fantastical energy the movie is cultivating is dependent on how real a chocolate flower looks or how plausible it is for a giant chocolate vault guarded by monks seems. The practical sets were impressive and I wasn't annoyed by Wonka's use of CGI. It all blended together well and I have to credit everyone involved for selling it as successfully as they did. I'll caution that if you can't accept any fantastical elements, this movie is going to annoy you very quickly. You need to suspend disbelief and accept some dark quirks (like indentured servitude for orphans) on top of this completely fanciful adventure.
I read Charlie and Chocolate Factory as a kid, I enjoyed it and I've seen the Gene Wilder Willy Wonka & The Chocolate Factory. I think you'll enjoy Wonka more if you're a fan of the property but it also works as a standalone story. Wonka's continued optimism in the face of failure and difficulty could go either way depending on how you see it (inspiring or annoying? You decide). His journey to becoming a successful chocolate maker isn't exceptionally deep but it's charming and it's clearly made with kids in mind. I think from that perspective, Wonka triumphs in taking the audience on a journey that should delight the younger members of the family and keep the less judgmental adults entertained.
As much as there's lavish production design and a light and bouncy script, Wonka lives and dies by Timothee Chalamet's performance Willy Wonka. Timothee is an ascending talent and I liked him in the sci-fi epic Dune. I think Wonka proves he's got the talent to do almost anything. He does great work here, he brings a lot of kindness and warmth to the character and he anchors Wonka capably. He also skips around the fact that he's not the strongest vocalist. He still delivers during the musical numbers and there's some good sleight of hand to shield him from having to belt it out like it's a Broadway musical. The supporting cast is great across the board, they're all playing it big (Olivia Coleman, Tom Davis, Paterson Joseph, Matt Lucas, Mathew Baynton and Keegan-Michael Key are all enjoyably hammy as the villains of the piece) but that's also the genre and while they could have been toned down a little, I had to put it aside as a concession to the tone of the film. Kudos to Calah Lane who's portraying Noodle, she's very earnest to the point of being potentially cheesy but that's more of result of her character than her acting.
I wasn't planning to go see this movie in theatres but I went out with a couple of friends and I had a surprisingly good time with this film. The lavish production budget, well rounded cast and an inherent sweetness (no pun intended) to the proceedings stripped me of any preconceived bias. Timothee Chalamet's exemplary performance sealed the deal. Wonka still isn't in my wheelhouse and if you don't enjoy musicals, I'm hesitant to recommend it. But if you're attached to the Charlie and the Chocolate Factory story or if you're in the mood to be swept away into a fantastical world of imagination, I think you'll enjoy Wonka wholeheartedly.
I read Charlie and Chocolate Factory as a kid, I enjoyed it and I've seen the Gene Wilder Willy Wonka & The Chocolate Factory. I think you'll enjoy Wonka more if you're a fan of the property but it also works as a standalone story. Wonka's continued optimism in the face of failure and difficulty could go either way depending on how you see it (inspiring or annoying? You decide). His journey to becoming a successful chocolate maker isn't exceptionally deep but it's charming and it's clearly made with kids in mind. I think from that perspective, Wonka triumphs in taking the audience on a journey that should delight the younger members of the family and keep the less judgmental adults entertained.
As much as there's lavish production design and a light and bouncy script, Wonka lives and dies by Timothee Chalamet's performance Willy Wonka. Timothee is an ascending talent and I liked him in the sci-fi epic Dune. I think Wonka proves he's got the talent to do almost anything. He does great work here, he brings a lot of kindness and warmth to the character and he anchors Wonka capably. He also skips around the fact that he's not the strongest vocalist. He still delivers during the musical numbers and there's some good sleight of hand to shield him from having to belt it out like it's a Broadway musical. The supporting cast is great across the board, they're all playing it big (Olivia Coleman, Tom Davis, Paterson Joseph, Matt Lucas, Mathew Baynton and Keegan-Michael Key are all enjoyably hammy as the villains of the piece) but that's also the genre and while they could have been toned down a little, I had to put it aside as a concession to the tone of the film. Kudos to Calah Lane who's portraying Noodle, she's very earnest to the point of being potentially cheesy but that's more of result of her character than her acting.
I wasn't planning to go see this movie in theatres but I went out with a couple of friends and I had a surprisingly good time with this film. The lavish production budget, well rounded cast and an inherent sweetness (no pun intended) to the proceedings stripped me of any preconceived bias. Timothee Chalamet's exemplary performance sealed the deal. Wonka still isn't in my wheelhouse and if you don't enjoy musicals, I'm hesitant to recommend it. But if you're attached to the Charlie and the Chocolate Factory story or if you're in the mood to be swept away into a fantastical world of imagination, I think you'll enjoy Wonka wholeheartedly.
¿Sabías que…?
- TriviaIn the opening number, Willy Wonka drops a coin down a storm grate. In Willy Wonka y su fábrica de chocolates (1971), Charlie Bucket finds a coin in the storm drain which allows him to get his golden ticket.
- ErroresWonka and the Oompa Loompa discuss Wonka's theft of four cocoa beans, when in fact what he stole were four cocoa pods, each of which contains many cocoa beans.
- Citas
Willy Wonka: May I present, Willy Wonka's wild and wonderful wishy-washy Wonka walker! Please, don't make me say that again.
- Créditos curiososThe end credits feature one more Oompa Loompa song (summarizing what happened to several main characters after the film's end) followed by one more short scene with Mrs. Scrubitt & Bleacher.
- ConexionesFeatured in AniMat's Crazy Cartoon Cast: Little Orange Nathan Lanes (2021)
- Bandas sonorasPure Imagination
Written by Leslie Bricusse and Anthony Newley
Arranged by Neil Hannon
Performed by Timothée Chalamet
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- How long is Wonka?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- Вонка
- Locaciones de filmación
- Bath, Somerset, Inglaterra, Reino Unido(October 2021)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 125,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 218,402,312
- Fin de semana de estreno en EE. UU. y Canadá
- USD 39,005,800
- 17 dic 2023
- Total a nivel mundial
- USD 634,502,312
- Tiempo de ejecución1 hora 56 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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