November
- 2017
- 1h 55min
CALIFICACIÓN DE IMDb
7.1/10
6.8 k
TU CALIFICACIÓN
En un pueblo estonio medieval, un grupo de campesinos vive de la magia y los remedios populares para sobrevivir al invierno.En un pueblo estonio medieval, un grupo de campesinos vive de la magia y los remedios populares para sobrevivir al invierno.En un pueblo estonio medieval, un grupo de campesinos vive de la magia y los remedios populares para sobrevivir al invierno.
- Premios
- 25 premios ganados y 7 nominaciones en total
Jörgen Liik
- Hans
- (voz)
- …
Enn Lillemets
- Ärni
- (as Ernst Lillemets)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
10Metin_7
If you like surrealism and dark fairy-tales, and you haven't seen November yet, watch it before reading my review, because I wouldn't want to influence your expectations.
When I started watching November all I knew was IMDb's Drama, Fantasy, Horror categorization. Little did I know that I was about to experience two hours of a beauty so mesmerizing that it would almost bring tears to my eyes.
November is one of those rare cinematic creations that transcends the medium from mere entertainment into a profound work of art. I can think of only a handful of directors that have lifted the art of cinema to this level, such as Akira Kurosawa, Stanley Kubrick, David Lynch and Lars von Trier.
November is a surreal, dark fairy-tale that takes place in a mediaeval Estonian village. The story is a mix of Shakespearean romantic drama and rural folklore that pleasantly reminded me of the magical countryside fairy-tale atmosphere in the works of the Croatian naive art painter Ivan Generalic, as well as the imaginative surreal comics by the Greek-French comic creator Fred (Frédéric Aristidès).
The most breathtaking aspect of November is its cinematography. The film is shot in moody, darkly romantic black and white photography with beautiful lighting and screen compositions.
But November is filled with beauty in multiple layers. A beautiful soundtrack - incorporating Beethoven's Mondschein-Sonate - intensifies the atmosphere, the costumes, sets and overall art direction are gorgeous, and there's even lyrical poetry of a poignant grace. It will be a challenge to create something more romantic than November has established.
Last but not least, the casting and actors are also laudable. The two main female characters radiate a magnetic beauty, and the peasants look like they have been time-transported from an actual mediaeval village.
When I started watching November all I knew was IMDb's Drama, Fantasy, Horror categorization. Little did I know that I was about to experience two hours of a beauty so mesmerizing that it would almost bring tears to my eyes.
November is one of those rare cinematic creations that transcends the medium from mere entertainment into a profound work of art. I can think of only a handful of directors that have lifted the art of cinema to this level, such as Akira Kurosawa, Stanley Kubrick, David Lynch and Lars von Trier.
November is a surreal, dark fairy-tale that takes place in a mediaeval Estonian village. The story is a mix of Shakespearean romantic drama and rural folklore that pleasantly reminded me of the magical countryside fairy-tale atmosphere in the works of the Croatian naive art painter Ivan Generalic, as well as the imaginative surreal comics by the Greek-French comic creator Fred (Frédéric Aristidès).
The most breathtaking aspect of November is its cinematography. The film is shot in moody, darkly romantic black and white photography with beautiful lighting and screen compositions.
But November is filled with beauty in multiple layers. A beautiful soundtrack - incorporating Beethoven's Mondschein-Sonate - intensifies the atmosphere, the costumes, sets and overall art direction are gorgeous, and there's even lyrical poetry of a poignant grace. It will be a challenge to create something more romantic than November has established.
Last but not least, the casting and actors are also laudable. The two main female characters radiate a magnetic beauty, and the peasants look like they have been time-transported from an actual mediaeval village.
A not very coherent mishmash of Estonian unrequited love; witches; supernatural; folklore/myth; the devil; werewolves all very loosely connected to each other. You really don't see much, if any, of the above - just suggestive through a few props (Kratts - explained in a moment), makeup, and suggestive scenes in counterpoint to each other. The best part was the very believable, gritty, dirty, raw portrayal of peasant life. No, the best part were these brought to life assemblages of branches or farm implements to form a somewhat living thingy (a Kratt). Very realistic (except I think I saw a support line at one point), and actually scarier than any CGI creature I've seen. One of the creatures reminded me of Picasso's "Bull's Head". Another movie featuring these creatures would be creatively scarier than hell.
"November" is a beautiful, poetic, darkly comedic, fantastical, tragic love story that will absolutely dazzle arthouse audiences (and probably no one else). The film was made in Estonia, shot in stark black and white, and the script features encounters with the dead and the devil, bargains with witches, bullets made of sacramental bread, magic spells, hidden treasure, a bewitched Baroness, a literal personification of pestilence, an omniscient snowman, and tools that are bewitched into creatures that speak and work. The film has many scenes where there's very little dialogue, and the viewer is forced to often forced to piece together what it is that is happening, or, if what is happening is completely real or metaphorical. "November" is a fantasy masterpiece on par with many of the films that Guillermo Del Toro ("Shape of Water") and Terry Gilliam ("Brazil") have put out.
To all those who have difficulties understanding November: this is not Tarkovsky, Bergman, or Bunuel! This is just plain good art, with a story, good acting, awkward turns and situations - so get up from your Hollywood-trained armchair and give yourself a chance!
Adaptation of an Estonian novel, it is a fine, subtle, inspired mix of fairy tale, magic and pagan community. A fascinating meeting of love, stealing and forbidden secrets. Embroidery of dark humor and poetry and high sensitivity. Impressive cinematography, it is not surprising but real well crafted. Short, just an Estonian gem.
¿Sabías que…?
- TriviaDespite Estonia being ruled by Germanic nobles, Estonia was part of the Russian empire at the time (as Germanic nobles still controlled much of Estonia under Russian control). This puts the date somewhere between 1720-1900. Neither Russia nor Germany clamped down on pagan beliefs until well into the late 19th century, making Estonia one of the last pagan states in Europe. Due to the Soviet's policy of forced atheism in the early 1900s, Estonia remained secular for many years, leaving it as one of the least religious countries in the world as of the 21st century.
- ConexionesFeatured in Folk Horror: Bosques sombríos y días de embrujo (2021)
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- How long is November?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- Kasım
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- EUR 1,450,000 (estimado)
- Total en EE. UU. y Canadá
- USD 19,084
- Fin de semana de estreno en EE. UU. y Canadá
- USD 3,354
- 25 feb 2018
- Total a nivel mundial
- USD 19,084
- Tiempo de ejecución1 hora 55 minutos
- Color
- Relación de aspecto
- 1.85 : 1
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