Roma

I feel very similarly to Roma as I did to Dunkirk, though they are extraordinarily different films and subject matters. Both are made by directors I love, and both I appreciate the constant technical brilliance shown in each scene. Ultimately in both cases I was emotionally detached and thought it was a good movie but not at all a memorable one. There is no doubt that Roma leans entirely on Aparicio, and she knocks it out of the park. The subtlety to her acting and her body language and uses of silence are excellent. As is Cuaron's hallmark, the cinematography is excellent, and particularly the 360 pan with Cleo turning off the lights was well shot. The childbirth and ocean scenes were enrapturing and tense. The scene in the furniture store was my favorite of the movie - the intersection of the small private world we've seen with the family and the student protests outside was well shot and executed. I can intellectually appreciate all the things Roma has to offer, and can understand why some think it's a masterpiece and the best of the year. If it emotionally connected with people and had them crying at the end, I just didn't have that experience. It's a very well done slice of life movie that focuses on appreciation for a maid who does everything for a family, and in going through her daily life we see other major events unfold. But despite consistently great acting and cinematography and several really good scenes, the vast majority of the movie varied from smart but detached filmmaking to mundane, every day life. Maybe the black and white and Spanish elements also contributed, but I just didn't particularly enjoy most of the individual scenes. Reflecting on it as a full piece and the motifs that we see throughout allow me to enjoy and appreciate it more, but while watching it I just wasn't invested. I'm glad most love it and think this is just me not connecting with the film, but while Roma is a technical marvel, it was just a fine story.

This film starts as if in slow motion and very little seems to happen as we observe the mundane actions of a young woman. I did wonder if I was going to stay the course. Gradually the pace picks up and draws you in to the daily life of the young woman who we learn is the maid, and the life of the family she works for. The ups and downs of life are in this chaotic city are well conveyed with the ordinary and the dramatic side by side. Beautifully shot with every frame counting it has heart and soul and is very moving at times. If it has a weakness it is a lack of narrative drive, it is essentially anecdotal but gripping none the less if you allow yourself to be drawn into this world.

I really do not remember the last time we had such an art in the theaters, apart from the story line which could be stronger but the production, editing, screenplay and directing such an art is really fantastic. I highly suggest it. True passion, undeniable life facts, pain and challenge.

Full of life in every shot, Alfonso Cuaron has proven that he is one of the greatest directors of all time. Deserved every nomination and it's going do dominate the Oscars for Sure.

I already want to see "Roma" again.

It took me a good while to settle into the rhythms of Alfonso Cuaron's critically acclaimed new film, and by the time I did I wanted to go back and start it over to see what I might have missed. A lot comes at the viewer in "Roma," and it's hard to take it all in on a first viewing. No...that's the wrong way to put it. Nothing comes at you -- you have to go after it. That's what makes "Roma" unique. Cuaron crams his frame in any given scene with tons of movement and sound, but he shoots almost everything in medium and long shots and chooses to pan his camera rather than insert a lot of edits. The result is you have to decide what you want to look at, and while the main protagonist is in virtually every scene, she's not always necessarily the focal point.

That protagonist, by the way, is Cleo, maid to a wealthy family and played in a quiet and quietly devastating performance by Yalitza Aparicio. "Roma" is an episodic assemblage of scenes that shows what life is like for Cleo, without big showy emotional moments or much editorializing. She's treated fairly well by the family she works for, but make no mistake -- they rarely let her forget she's their employee. The film is a lot about privilege. The family treats Cleo as one of their own when they feel like it or when it's convenient to, but don't when it's not. She's part of their most intimate moments and they her's, but she'll never really be one of them. She has much to take care of, but nothing of her own to really care for. And there's a big wide world out there, the movie makes clear, that will never include people like Cleo.

For a while I was a little disappointed that I wasn't feeling "Roma" as much as I wanted to and as much as rapturous reviews led me to believe I would. I was engaged by it, but I didn't feel heavily involved emotionally. But then pretty far into the movie something happens to Cleo, and in that moment I realized how invested I was in how things turned out for her. "Roma" sneaks up on you in that way.

Grade: A