Madeline's Madeline

Movies about mental illness are a dime a dozen, and it's hard to find one that has a take on the subject that hasn't already been done, but "Madeline's Madeline" comes pretty close. It's a very experimental film in some ways and one that will likely frustrate some viewers. I will admit to finding my patience tested at times, but overall I will say that the movie rewards sticking with it until its ambiguous end.

Madeline is a young woman whose acting talent either encourages her illness or gives her an outlet for it, depending on your perspective. Certainly her mom, played by Miranda July, is suspect of Madeline's troupe of acting friends and especially her acting teacher, but whether this suspicion arises from a mother's natural instinct for managing her daughter's fragile mental state or the threat that her control over her daughter might be jeopardized is not made entirely clear. Perhaps it's a bit of both? Certainly she has some reason to be concerned, because Madeline's teacher has no qualms about exploiting her illness for what it brings to the vague theater project she's working on. I've always only half-jokingly believed that the very best artists the world has produced are always a little bit crazy, and "Madeline's Madeline" seems to suggest that the fine line between sanity and artistic brilliance is a fuzzy one.

The chaotic film making, with its abrupt cuts, jumpy camera, and disorienting whirls and spins can be read as a visual representation of Madeline's disassociated mental state, but I wished the director would have calmed down a bit.

Grade: B

I disagree with the 1 Star review who says this movie has no reason to exist. Everyone is different right? I'd say mental illness is one of the more worthy themes to explore in a film. It's really well edited and shot. It's got some laughs. It's a bit erratic and dark and anxious, like the main character. The music and sound design is great. I'd say the 3 principal characters (Madeleine, her mum, the director) all give performances worthy of an Oscar nom. Yep, it's got an experimental vibe, it's kinda weird, but it's not eraserhead weird. Enjoy.

'MADELINE'S MADELINE': Three and a Half Stars (Out of Five)

An experimental indie drama about a teenage girl with severe mental issues, who begins bringing her personal drama into her theater performance. It was directed and co-written by Josephine Decker, and it stars newcomer Helena Howard. The film also costars Molly Parker and Miranda July, and it's gotten mostly positive reviews from critics. I really enjoyed it's bizarreness, and it's sensitive depiction of mental illness, but it's also really slow-paced and somewhat hard to follow (because it's so strange). The performances are all more than decent though, and the directing is more than adequate as well.

I had no idea what to expect from this, but it turned out to be such a visceral, well-done atmospheric and experimental film.

During the first few minutes of this film, I found myself ready to be disappointed, thinking it was going to essentially be "Theatre Kids: The Movie", which it really isn't. About ten minutes in, I got more used to the film and started to kind of see what parts of it were going for and it became a much more enjoyable experience. Throughout my time watching this movie, there was both very much and very little for me to say. 'Madeline's Madeline' is a very challenging film on multiple levels, and I'm not exactly sure how I feel about it. My time watching it was certainly mostly positive, but whether or not it achieves true greatness is totally lost on me. It is especially difficult for me to pinpoint my exact feelings on the film's ending, which may or may not be both lacking and overflowing with ambiguity.

However, there are a few things about this film that are for certain. For starters, it is (in my opinion delightfully) weird, oozing with absurd humour, surrealistic imagery, and an ever increasingly uncomfortable atmosphere. The editing and camerawork go hand in hand to make this a visually fascinating and impressive work. The psychological depths explored in the film are perfectly portrayed thanks to director Josephine Decker's incredible vision and talent for realizing said vision. Equally impressive is the acting. Miranda July is surprisingly intimidating and unsurprisingly awkward and Molly Parker is able to juggle likability with a strange undercurrent of suspicion on the part of the viewer extremely well. However, the real highlight of the film's performances comes from Madeline herself, played by newcomer Helena Howard. If the visionary visuals, editing, and score aren't enough to convince you to watch this film, her performance should. There is a particular sequence towards the end that was legitimately breathtaking due to her emotive and powerful performance. In many ways, it is an extremely pronounced performance, and in many other ways it is extremely subtle. To see such a young actor display so much incredible talent makes me excited to see her future career, and makes this film all the better.