Tremors: A Cold Day in Hell

Well, you know what you are getting yourself into when you sit down to watch this kind of movie. Especially since the "Tremors" franchise doesn't seem to lay down to die. The recent movies haven't been outstanding and "Tremors: A Cold Day in Hell" is no different.

This is an enjoyable enough movie for what it is, which is mediocre entertainment.

Michael Gross revisits the role of Burt Gummer, and he alone well and the worms of course are the sole instrument from the original movie that keeps this franchise afloat. And believe you me, they are boiling soup on a very weak broth by now.

The special effects and the creature effects are good, though and they definitely make the movie more watchable. As for the story, well let's just say that this movie offers nothing that haven't already been seen in the franchise, except for it being set in a colder climate.

If you enjoy the "Tremors" movie, then you will enjoy this movie. But if you are new to the franchise, I would strongly recommend that you start with the first movie. Yeah, the one with Fred Ward and Kevin Bacon.

I have to concede to be an old "Tremors" fan from the gitgo. However, I approached this iteration with some anxiety: I appreciate "Burt" fro the beginning and really appreciated the chemistry in the first two issues, yet was this one going to be worth my time?

Happily, this one measures up to a solid B film status and if you are a "Tremors" fan such as I am, then you will appreciate this one.

Part of the joy of this series is its capability of knowing exactly what it is. There is no pretense of anything beyond what you see: a romp with some cheesy effects.

I appreciate that this one also is aware of where it fits in the cycle: there are references to Reba and Kevin in this one that I enjoyed.

There are huge plot holes and obvious flaws in character development. The effects are splatters and that is about it. Got those viewers of a post CGI generation, this miststep will diseffect you.

If, however, you know this franchise and you appreciated the first ones, then you'd enjoy this pleasant way to spend an evening with old friends.

There are two types of people in this world; namely the ones agreeing with the statement that "Tremors" is the most entertaining monster-movie ever accomplished, and the ones who are just plain wrong for disagreeing! Say what you want about all the sequels, but the 1990-original is a bona-fide classic. How deeply you worship the original also determines how much you can tolerate the long list of sequels, or at least that is what yours truly firmly believes. In case you consider the original film to be a fun but largely insignificant flick, you will not care at all for any or the sequels, or probably not even know they are at number 6 already. If, however, you love the original and know all the dialogues between Val and Earl by heart, you'll also be appreciative of the sequels.

"A Cold Day in Hell" isn't a particularly good film. None of the sequels are, in fact, but they surely always deliver in the entertainment departure, and this sixth film in the series isn't an exception. What I respect is that every new entry in the series tries to add one or two new and innovative aspects to "Tremors"-universe, but also inserts at least one throwback-aspect to the original. The additions to "A Cold Day in Hell" are the Arctic setting, and the plot-twist of good old Burt Gummer needs a transfusion with blood from a living Graboid. The throwback is that one of the supportive characters, Valerie, supposedly is the daughter of Valentine McKee and Rhonda LeBeck of the original adventure. I noticed a 7th instalment - entitled "Shrieker Island" - is out already as well, which I'll surely watch sooner or later.

There are sequels where it doesn't mean anything if you have or have not seen the previous entry (or entries for that matter). The Tremors franchise really is different in that sense. It also does evolve. Though some may miss the good old days of practical effects (versus the CGI we get).

We get recurring characters though and some may feel a bit too comfortable in their sense of humor for my taste. Especially the one you may know from the Scream franchise. Don't get me wrong, I loved his schtick in that other franchise, it just seems a bit redundant here. Our main hero (unlikely hero to be frank, especially considering the journey he took from the very early days of Tremors) remains as stoic and "fun" (I would consider him funny but others may not) as ever.

So while the movie overall is flawed, anyone liking the Tremors movies and has kept watching them, will not be too disappointed. Nicely done for anyone who still cares

If nothing else, Tremors: A Cold Day in Hell is a vast improvement over Tremors 5 in every single way. Unlike the previous entry, this sequel feels more tonally similar to the first four Tremors films. The humor is more tongue-in-cheek (and yes, way more juvenile), the special effects are improved, and the whole affair is about as entertaining as one could reasonably expect from a direct-to-DVD sequel that's the sixth in a series.

Michael Gross continues to appear to be having a great time playing Burt Gummer, who is just as over-the-top and nutty as ever. Most actors simply would be phoning it in at this point, but Gross makes the best of the so-so script and meager budget to elevate the material to something actually worth watching. Jamie Kennedy, returning as Gummer's son, is thankfully given way better dialogue than he had in Tremors 5, and delivers one of the most enjoyable performances of his career. The supporting cast is fine, although leaves much of a lasting impression. The real stars of the movie, of course, are the graboids. They still look don't quite as cool as they did in the original Tremors, though given that the first one was a theatrical release while the sequels have all been direct-to-DVD, that's hardly a big surprise. While the monsters would benefit from having more money put behind them, they at least aren't Syfy original movie quality. Like Tremors 5, Tremors: A Cold Day in Hell is gorier than the other sequels, and there's a fair amount of blood to go along with the monster attacks. It would be great to one day get an R-rated Tremors film, but this one works well enough as a PG-13. If I had to guess, a Tremors 7 isn't more than a few years away. As long as Gross comes back and the filmmakers can come up with a fresh take, I'll gladly check it out. 6/10