Only Humans

A sensitive, believable, and lovely film. I truly appreciated the maturity of the storytelling. The lack of judgement and allowing the characters to be flawed, human and real. And to grow at their own pace. This is the kind of beautiful work you often see in international filmmaking but rarely here in the U.S. So refreshing! I found the film to be brave, honest and just very affecting.

By presenting attraction between teen and adult and giving it the leash to play out without condemnation, director and co-writer Vanessa Knutson self-imposes a minefield she then beelines straight across, setting off incendiary little explosions in the engrossing "Only Humans." This is a deceptively plain-faced, socially taboo tale told with a deft hand. And the fact it doesn't hand out prison sentences is sure to enrage those demanding a retributive moral to the story.

When sixteener Sarah (Ivy Matheson) needs driving lessons, mom Nancy (Peri Gilpin) pairs her with decidedly adult male Vince (Micah Hauptman), who could use a hand cleaning out his house in preparation for its sale. Attraction happens, and it's acted upon. Of course we know it's legally and socially verboten, so whether we have the taste for it being reflected in our entertainment is subjective. For these exact reasons, "Only Humans" is paradoxically compelling stuff.

"Only Humans" will perhaps be best received by an audience comfortable with films that portray an immoral situation, yet don't hold any subsequent expectation that its creator must then offer their clear and personal condemnation. This is an impacting film that many will applaud for the same reasons it'll incite others. See for yourself. - (Was this review of use to you? If so, let me know by clicking "Helpful." Cheers!)

Great cast in a better than average film concerning loneliness, love & guilt. Relatable on more than one level. The movie's done tastefully & with sensitivity. Good performances from everyone involved. Not a time waster.

While sometimes people can be disturbed by what they see in movies, unless a documentary, they are fictional stories exploring human traits, depths, and relationships. "Gigi," the Oscar-winning film of 1958, was about a man who falls in love with a schoolgirl. She puts him off when he wants to marry her after she grows up from a girl to barely a woman but ends up falling for him. A bit reverse to this premise of the teenage girl falling for an older man, but this premise does happen quite a bit, and this film explores the journey's ups and downs, to present that love or the idea of love can happen in the most unconventional ways. It also makes us think about the nature of love and human emotions, of right and wrong, and to consider if there is ill intent on anyone's part. Whether or not we agree with the movie's intent or outcome, I enjoy indie films that get us talking. That's when you know the filmmaker has captured the audience. "The Graduate" is another film of a similar genre that still has people talking about it today.

Major eye roll to all the reviews claiming this film glamorizes pedophilia. Do you write reviews about what a terrible person Tarantino is for glamorizing murder? No. It's entertainment, people. Geez! If you don't hold a microscope up to these sort of issues, you will never understand them. And if you don't understand them, then you can't stop them from happening. This film examines relationships without being judgemental or preachy. It takes an honest look at the human condition and I truly appreciated that. I really enjoyed the ride this film took me on. It was well acted and it had a beautiful story that was delicately told.