Lemon

This is a great dramedy, in the sense that it actually is very funny and has some emotional moments too. I love the main actor (his work in Fleabag is great, but he's fully on display here). The concept of the film is a little dark, but really gets to the emotional core of being rejected. Love the supporting cast as well - def a recommend for this little-seen gem.

This is the only movie that I have ever taken the time to write a review for on IMDb, and my sole motivation is the hope that someone will see this and save themselves the 85 masochistic minutes that I just put myself through. This is one of those movies that you want to turn off from the moment you start but you just keep watching in the hopes that it will get better, and the next thing you know it's an hour in, the movie is still terrible, and screw it - you might as well finish it at this point because the prescription opiates haven't worn off yet.

My girlfriend roped me into this debacle with a trailer that promised a mix between Juno and Wes Anderson, but what I got instead was A Serious Man after it had been eaten by a 400 pound trucker named Larry, poorly digested, and ultimately deposited into a toilet bowl at a rest stop. This movie is so bad that I actually felt it was below Michael Cera to take this role. Michael Cera is too good of an actor to be in this movie. Let that sink in.

This "film" feels exactly like what it is - a poorly executed imitation of some of the great indie films of our time, written by a man and a woman who likely knew that no one in their right mind would make this thing so they had to make it themselves. It has all awkwardness and low-budget characteristics of Napoleon Dynamite but with none of the charm, and its attempts at humor are so forced that I'm not sure an entire bottle of Dulcolax could have moved things along.

We as a society love a good bit of cringe in our films, since art often imitates life. If you like a good cringe every now and then, you might look forward to the scene in which the protagonist (whatever his forgettable character name was) attempts to kiss his (also forgettably named) male co-star. On the surface, this scene should have made my skin crawl, but instead my skin was crawling as I thought about the fact that someone actually invested time and money to put this lightly-polished piece of garbage into the annals of film history and expect people to revere it as art. If this is art then the scab I tore off my leg while watching YouTube earlier today is a Van Gogh.

I could further analyze on a scene-by-scene basis, but frankly I am close to nausea already as I rehash just exactly how angry it made me to sit and watch attempt after attempt to be a quirky indie movie fall shorter than Tyrion Lannister.

I would rather lobotomize myself with a chopstick than watch this movie again.

I know this movie isn't for everyone, but it appears that many negative reviews are the result of people not being able to empathize and have compassion for the main character, rather than being focused on any specific qualities of the movie. While it is understandable that you might have a negative reaction to this dark, witty portrait of a very troubled man, it is a shame that so many will be turned off by the generalizations and surface complaints in many of the negative reviews and never have a chance to experience something different. And Lemon is different.

This is a movie about Isaac, played perfectly by Brett Gelman, who compulsively turns off everyone around him. He is obnoxious. He is self-centered. He has no "people" skills. Yet, he is trying. And that is the thread that ties the movie together. We witness a never-ending series of Isaac's attempts to connect with his girlfriend, who dumps him, and with the people he teaches in his theater class, and with a commercial director hilariously played in a cameo by Megan Mullally, and with a new love interest. There are excruciating scenes demonstrating Isaac's awkwardness in every situation, but the actor and the director, Janicza Bravo particularly mine the differences (real and imagined) between Isaac's eccentric white, Jewish family and his new love interest's African American family for some dry humor.

Throughout the movie, while it is exasperating at times to see Isaac ruin his relationships with his dysfunctional and at times even hostile behavior toward others, Gelman admirably gives Isaac a crucial likability, nonetheless, that keeps us hoping he will succeed at something, and with someone, and gives Isaac the humanity that gives some of us the empathy to understand that he is not evil - he's just a mess, emotionally and physically. This is a rare movie experience, albeit an often uncomfortable one. However, it is a real achievement that there is a lot of dark humor to smile about, and a lot of creative, realistic dialog that propels the story and makes us know and understand Isaac and the other characters enough to care about them. It was a pleasure to see this movie, and I hope there is a lot more to come from Bravo and Gelman, who are married in real life.

This had a point and nailed it. Nothing but dry completely over the top, 'those' people you may know in a less than functional, paint eating, middle and faux-upper 'modern/arty' society. Oy vey, hurts but no regrets.

This film tells the story of a socially awkward man, whose girlfriend of ten years left him suddenly. He tries to live his life as normal, but his life is anything but normal.

Honestly, the first ten minutes of the film is already horrible. The protagonist is such an socially awkward man, and he just does not know how to be around people. The film itself is super awkward as well, as there are dialogs such as a man saying "I need you", then the woman replies "my sister is double parking". This type of illogical conversation happens constantly in the film. The dialogs are so ridiculous and logically unconnected, that the plot just makes no sense. I do not find the film funny, engaging or sympathetic at all. It is a waste of my time, and my poorly informed decision to have watched this film.