Antiporno

I exist. I exist here. I know I exist. I exist, but not today. Today comes constantly. It'll come until I die. But I don't exist today. We don't exist in the todays we've lost. It appears as if we do, but we don't.

You wake up from a nightmare where your life is just a character evolving on stage, for the amusement of others. But you wake up. To reality. Or ... are you still on stage? If yes... where is the exit? Where?

An item that appears repeatedly throughout the movie gets a very strong meaning at the end of it. A lizard who grew too big to ever get out of the bottle he's in! Where's the exit? Where?

Antiporno is not a porn movie. It contains some nudity scenes, vulgar language and many shocking scenes. And color. A lot of color sometimes. Liquid even. But besides, it's hard to say what it is. Perhaps for someone more familiar with the work of Japanese director Sion Sono, things are clearer. It is a symbolic film, requiring an effort to understand it. And I believe that a profound knowledge of Japanese society is indispensable.

I don't think it is a masterpiece.

Yes, I can understand the theme even if I'm not familiar with Japanese cinematography. There is a lot of symbolism and it acts as an abstract social commentary and I'm sure it resonates a lot better with the repressed Japanese society than it does with me.

However, this doesn't mean it is a good movie. A similar movie that breaks the fourth wall is Dogville. But that movie makes sense. The plot is interesting. There is coherence to it. It hits you hard, emotionally. The final scene feels right even if it is so wrong. It is a masterpiece compared to this.

This movie is a set of almost random scenes that are connected by an overall theme of feminine repression and sexuality and chaos. It's the movie that critics will look at and say "wow, this is so freakin' deep" when as an experiment in cinematography, is fine, but as a movie, fails dramatically.

Sure, you can think I'm a moron and that I don't understand conceptual cinematography and that this movie is not for a caveman like me. But I've seen similar movies and theatre and I don't mind the idea. The idea and concept are goods. The execution itself is flawed. I should have feel shocked or disgusted or thoughtful or anxious at the end and I'm not. I felt bored. I was asking myself "c'mon, when does this end?". The first part was interesting, especially breaking the fourth wall, but overall, I found it a waste of time.

Well, let's say... it's not simple at all. You need to know some works of Japanese cinematography and paths they leads, 'cause otherwise Anchiporuno will be a big pile of trash with screaming naked girls and messed storyline. Actually it is. But digging deeper expose another level - a brilliant poetic style and very sensual emotion, just like dissonance sonates in early XX's. It's a searching, passion, movement and goal of what's happens in the movie.

Plus naked screaming girls. Don't forget, this is important.

Or just I think so.

I don't think that it has some message, pointing to sexual problems of Japanese society (but if you find it, that's okay, I'm not judging), rather uncertain sense of madness binding by personal disorder. Sexual ego jumping upside down, but in some kind of wild baroque dance.

Awesome.

When you're watching works by Sion Sono you can't just rate it in half-ten stars or seven, or any other way, you either catch his wave or spit on the screen in agony. This one is a perfect Sono- catching.

P.S. Mariko Tsutsui acting is 10/10.

Okay it's a given that Sion Sono is an alien. He's crazy. Strange. There are no rules, boundaries, with him. That's why we love him.

This movie didn't just break the 4th wall. This movie broke my stomach linings. I want to puke, vomit, throw up. Gross. I'm not just into this stuff. I know we were about to see porn-ish here but man I'm not just into woman-to-woman action. There's just a bad taste in my mouth after watching this. So my bias here would be evident. But I'll try to be ahem, objective.

What I love about Sion Sono is he doesn't just overwhelm you, he will really outdo your expectations. Time to build a shrine for him. Women and feminists, let's hold hands. Brace yourselves before watching this because you might want to hold on to a Rosary.

Ami Tomite, the lead, as Kyoko, was well utilized here. Her insane monologue at the beginning of the film, with a classical piece as background, showcased her versatility (and her privates too). A lonely artist who ambitions to be a whore. ????. I hope IMDb doesn't censor this,the movie itself says that word. Question marks everywhere but you need to get past that. She vomits a lot here too.

She lives a light in the limelight. Her secretary, Noriko, knocks on the door, reciting her schedule for the day. Kyoko transforms into a sadist master who exploits her slave. She's about to have an interview. The crew enters the scene. Noriko goes full nude. Kyoko remains insane. I just can't at this point, I thought of bailing out.

But I'm glad I didn't. Let's get past the nudity (but I still can't with my virgin eyes!!!!!!). Kyoko is a sad young woman. Her family and past has forced her to enter this industry. There's a notable family dinner scene that will just send you laughing, facepalming, or cursing Sono for his genius.

The movie puts a lot of colors, both literal and figurative. It looks like its set on just one setting, with just walls separating the different acts but there's really a lot of questions and deep themes presented here. Exploitation can very well define this movie. Both the innate theme and on its surface, well, I would say in a way the actresses here were made to do whatever they did. I believe there are a lot of symbolism here but you can put it which way you deem fit. And I'm not the most knowledgeable person to narrate what deep themes are being symbolised here. You'll feel it when you watch this.

The movie has a short runtime but the impact it leaves will linger for long.

If like me, you're not as aware to the medium or rather genre this is a love letter to (no pun intended), you may miss certain things this nods to. Having said that, most things are apparent or at least as crazy as you'd expect them in a Sion Sono movie. Hard to grasp entirely and apprently just one of about 8 things he worked on in that year ... this is almost mind blowing.

Color and framing, the set up, everything that is put in here (or rather out there), works quite nicely. While overall I felt the title works like when you call a movie an Anti War movie - you still get war and scenes of mayhem and fighting, but they are supposed not to excite you. I would argue the same is true for this. Lots of nudity, lots of craziness. If you can deal with that and the fact there is a lot of breaking the fourth wall ... and intimidation and punishment and ... not so much arousment - you're going to be fine. Just fine