Miss Bala: sin piedad

I feel like I have written this review a million times. I'm sick and tired of people giving movies a 1 or 2 because it had weaknesses, 'wasn't as good as the iriginal' or they just didn't care for it. Try to at least be somewhat objective. This movie was entertaining, suspenseful, tense at times and had you torn as to which way you wanted the movie to end. And as a bonus, little or no gratuitous sex, violence and language!!

Greetings again from the darkness. One of the reasons I so enjoy movies is that I can usually find some positive to latch onto, even if most of the project fails to connect or generate much interest. Such is the case with this latest from director Catherine Hardwick (the excellent THIRTEEN, 2003). Actress Gina Rodriguez ("Jane the Virgin", ANNIHILATION) is a joy to behold as she navigates her way through one perilous situation after another.

Ms. Rodriguez plays Gloria, a southern California resident whose particular set up of skills are utilized in her work as a makeup artist. Gloria drives across the border to Tijuana in support of her friend Suzu (Cristina Rodlo) who is competing in the Miss Baja pageant. Their fun evening at the nightclub goes horribly wrong as evil-doers storm the club attempting to assassinate the director of the pageant. During the mayhem, Suzu gets kidnapped and Gloria proves for the first time (of many to come) that the film should have more accurately been titled "Miss Antibalas". No matter the size of the shootout - and there are many - there are no bullets for Miss Bullet (Bala being Spanish for bullet).

Of course that's not a spoiler because even in the trailer, it's quite obvious that this remake of director Geraldo Naranjo's 2011 Mexican movie sets out to become yet another action franchise. As a PG-13 film, it softens the edges from the original and seems to target younger viewers, possibly an attempt to empower teenage girls. It's a worthy mission despite the disappointing execution of the first feature film screenplay from Gareth Dunnet-Alcocer.

Gloria's attempts to rescue Suzu find her caught in a tug-of-war between Mexican crime lord Lino (Ismael Cruz Cordova, "Ray Donovan") and the DEA task force led by Matt Lauria playing an incompetent agent. Given today's political climate, bad guy Lino is presented as half-American and half-Mexican to quell any cries of racial stereotyping. Also appearing are Aislinn Derbez (daughter of Mexican movie star Eugenio Derbez) as Isabel, another woman caught up in Lino's web; and Anthony Mackie in an all-too brief two scenes that seem to play into the previously mentioned franchise hopes.

Corruption, drug smuggling and human trafficking are rampant throughout. I have no personal knowledge of whether Tijuana is the lawless frontier presented here, but the focus is really on one woman's ability to find her backbone - her inner strength - in a never-ending stream of dangerous situations. Despite the material, Ms. Rodriguez manages to hold her own and flash star quality. She is likeable and tough. On the other hand, Ms. Hardwicke's choices beg for second-guessing - from the cheesy shootouts to the lame and too-obvious musical choices (especially at the film's conclusion). She has certainly proven herself capable of better as a filmmaker, and will undoubtedly do so again.

The preview from Miss Bala suggested that the film was far more violent than it actually is. That isn't to say there are not some violent sequences, but the film is not per se a violence film as much as it is tense drama about an ordinary woman trying to survive under extraordinary circumstances. The acting is uniformly good and the Tijuana sequences are done very well.

Miss Bala

Thanks to all of the vacant space in their heads, beauty pageant contestants make for the best border mules.

Regrettably, the cartel in this action movie made the mistake of selecting a make-up artist instead.

While visiting her pageant contestant friend down south, Gloria (Gina Rodriguez) witnesses a gang shooting. But when she goes to the authorities, they take her straight to the gang responsible. Now she must run guns and money across the US border or else they will kill her friend. Meanwhile, the DEA (Anthony Mackie) is also using Gloria to gather Intel on the gang.

Featuring some of the worst dialogue ever uttered, not to mention the most banal action even scenes recorded, this needlessly convoluted adaptation of the Mexican original is all over the place and nowhere all at once.

Besides, the best way to smuggle across the US border is to label shipments: Border Wall Material. Red Light

You can see every plot twist. Eye rolling at its best. Wait for Netflix - wish I had.