Opiniones de Metacritic

The House of Tomorrow is a charmer that will incite a smile from ear-to-ear with each and every scene brimming with hope in the face of downtrodden situations and a world that tells you no.

It might not always gracefully connect its plot dots, but “Tomorrow” is almost always watchable.

“More with less” is a rewarding concept when it comes to indie movies, and writer-director Peter Livolsi’s The House of Tomorrow delivers just that in a brisk 90 minutes, telling a sweet, tart, and intelligently life-affirming story of teenage friendship and outsider spirit with a supremely light touch, and a winning collection of performances.

The House of Tomorrow sticks to a time-tested coming-of-age template that’s as common in the indie world as the superhero origin story is in the studio world. But there’s good news, too: When it’s not busy hitting the usual notes, Peter Livolsi’s film, which is based on a novel by Peter Bognanni, manages to be a touching exploration of what “tomorrow” actually means.

As a film about punk rock, living on the edge and coming into your own, The House of Tomorrow is a strong debut from Livolsi.

The impressionistic tenor of the unabashedly energetic final sequences is so wondrous that you may wish that writer-director Peter Livolsi had utilized it as The House of Tomorrow's guiding principle.

It’s not much of a movie, but it feels good and leaves you with life-affirming optimism.

For a film that atonally screams praises of the destructive power of punk rock, The House of Tomorrow is disappointingly, if crowd-pleasingly, textbook. The pedestrian narrative still makes for a winsome coming-of-age tale, buoyed as it is by a talented cast and visually striking setting.

A mawkish coming-of-age story that marries Sundance vibes with a soft punk spirit, Peter Livolsi’s The House of Tomorrow never manages to flesh out its skeleton of quirks, but its heart is definitely in the right place.

Working from Peter Bognanni’s 2010 novel, the writer and director, Peter Livolsi, has created a painfully quirky tale that’s so contrived you can almost hear the gears of the plot grinding.