CALIFICACIÓN DE IMDb
5.6/10
6.2 k
TU CALIFICACIÓN
Es el Salvaje Oeste, alrededor de 1870, Samuel Alabaster, un pionero rico, se aventura a través de la frontera estadounidense para casarse con el amor de su vida.Es el Salvaje Oeste, alrededor de 1870, Samuel Alabaster, un pionero rico, se aventura a través de la frontera estadounidense para casarse con el amor de su vida.Es el Salvaje Oeste, alrededor de 1870, Samuel Alabaster, un pionero rico, se aventura a través de la frontera estadounidense para casarse con el amor de su vida.
- Dirección
- Guionistas
- Elenco
- Premios
- 3 nominaciones en total
Gabriel Casdorph
- Anton Cornell
- (as Gabe Casdorph)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
The type of Western that you could see the Coen Brothers putting their name behind, Damsel is further proof that there's life in the age-old genre yet as filmmaking duo David and Nathan Zellner take us on a darkly comedic trip to the wild west.
It's not to say Damsel is a roaring success, as its slowly paced and rather emotion-free experience is often far too ponderous and cold for its own good, but the twisting, turning and non-conforming tale the Zellner's have created is an odd beast that is sure to find its fair share of fans amongst the many likely detractors.
Filmed in the eye-capturing surrounds of the American wilds, Damsel is a pretty sight indeed that's anchored by creative actors Mia Wasikowska and Robert Pattinson, as the two young lovers reunite after years apart, as the Zellner's take us on a zany journey through a time and place that was filled with more than its fair portion of colourful and cuckoo characters, all on a quest to find meaning and purpose in a harsh unforgiving land, filled with much promise and even more dreaming.
We never really get much of a backstory or foundation of where Wasikowska's competent Penelope or where Pattinson's more dim-witted but well-meaning Samuel Alabaster come from or what shaped them into the people they are as we meet them but it's quite clear we can gather Samuel has been on some type of journey (with a miniature pony in tow), it's just a shame we couldn't get to partake in any of it, as the Zellner's choose not to relay any of this in Damsel's near two hour run-time.
It's a runtime that at times draws to a near halt as the story at the heart of it flows rather slowly and despite the good work of Wasikowska and Pattinson, Damsel struggles to maintain an energy and vibe to keep it going and you do wish that someone like the aforementioned Coen Brothers could've lead the charge here as Damsel feels as though it had the potential to be quite special.
There's brief moments where darkly attuned humour and hilarious encounters (Adams apple comparisons and town hangings) happen throughout Damsel, while David Zellner's side character Parson Henry and other oddball creations add spark to proceedings at certain times but it's not enough to enlighten the film as a whole as you feel as though Damsel missed the opportunity to maximize its unique tale.
Final Say -
Damsel is a curious entry into the western genre with some nice moments of black humor and well-staged strange happenings but overall the Zellner's film ends up being a rather forgettable feature.
2 ½ miniature ponies out of 5
It's not to say Damsel is a roaring success, as its slowly paced and rather emotion-free experience is often far too ponderous and cold for its own good, but the twisting, turning and non-conforming tale the Zellner's have created is an odd beast that is sure to find its fair share of fans amongst the many likely detractors.
Filmed in the eye-capturing surrounds of the American wilds, Damsel is a pretty sight indeed that's anchored by creative actors Mia Wasikowska and Robert Pattinson, as the two young lovers reunite after years apart, as the Zellner's take us on a zany journey through a time and place that was filled with more than its fair portion of colourful and cuckoo characters, all on a quest to find meaning and purpose in a harsh unforgiving land, filled with much promise and even more dreaming.
We never really get much of a backstory or foundation of where Wasikowska's competent Penelope or where Pattinson's more dim-witted but well-meaning Samuel Alabaster come from or what shaped them into the people they are as we meet them but it's quite clear we can gather Samuel has been on some type of journey (with a miniature pony in tow), it's just a shame we couldn't get to partake in any of it, as the Zellner's choose not to relay any of this in Damsel's near two hour run-time.
It's a runtime that at times draws to a near halt as the story at the heart of it flows rather slowly and despite the good work of Wasikowska and Pattinson, Damsel struggles to maintain an energy and vibe to keep it going and you do wish that someone like the aforementioned Coen Brothers could've lead the charge here as Damsel feels as though it had the potential to be quite special.
There's brief moments where darkly attuned humour and hilarious encounters (Adams apple comparisons and town hangings) happen throughout Damsel, while David Zellner's side character Parson Henry and other oddball creations add spark to proceedings at certain times but it's not enough to enlighten the film as a whole as you feel as though Damsel missed the opportunity to maximize its unique tale.
Final Say -
Damsel is a curious entry into the western genre with some nice moments of black humor and well-staged strange happenings but overall the Zellner's film ends up being a rather forgettable feature.
2 ½ miniature ponies out of 5
Such a strange movie. Much like watching two separate movies. At least there were a few laughs to be had in the first half.
"The Old West is not a certain place in a certain time; it's a state of mind. It's whatever you want it to be. -" Tom Mix
I should have liked the Zellner brothers' Western comedy, Damsel, much better than I did. It has elements of Mel Brooks and the Coen brothers when they mine the satire of a genre very long in the tooth. The difference: writing.
Brooks with his inspired goofiness (Blazing Saddles) and the Coens with their light-hearted larceny (Raising Arizona), have characters using language much smarter than they are, whereas The Zellners' lines are deadpan but dull even though they use elevated diction as the Coens so often do. Using contemporary lingo like "win win" and "real deal" doesn't titillate as it should. In addition, Zellners' language lacks strong affinity with bigger issues.
Samuel (Robert Pattinson), a rich pioneer, engages a sham preacher, Henry (David Zellner), to officiate at Samuel's wedding to Penelope (Mia Wasikowska). In their journey with a miniature horse, gift to Penelope (not the waiting Penelope of the Odyssey), the two must deal with their naiveté and the vagaries of raw Western staples like rot-gut whiskey, duplicitous Indians, and bad campfire ballads (Samuel's ballad to Penelope, called My Honeybun, is a weak companion to Brooks' notorious campfire scene)
While this set-up is rich fodder for satire, most of the jokes fall as flat as Penelope's affect and as dry as the joke about a fool in a barrel being strung up for no obvious reasons. Westerns are ripe for satire, but the flat line here comes not from the fine performances but the tepid minimalist script and uninspired cinematography.
Wasikowska is marvelous as the independent and bitter love interest, Pattinson showing once again that he is much more than a teen heart-throb. The Zellners have the right motif about loneliness; they just need to beef up the languid language and droll action.
I should have liked the Zellner brothers' Western comedy, Damsel, much better than I did. It has elements of Mel Brooks and the Coen brothers when they mine the satire of a genre very long in the tooth. The difference: writing.
Brooks with his inspired goofiness (Blazing Saddles) and the Coens with their light-hearted larceny (Raising Arizona), have characters using language much smarter than they are, whereas The Zellners' lines are deadpan but dull even though they use elevated diction as the Coens so often do. Using contemporary lingo like "win win" and "real deal" doesn't titillate as it should. In addition, Zellners' language lacks strong affinity with bigger issues.
Samuel (Robert Pattinson), a rich pioneer, engages a sham preacher, Henry (David Zellner), to officiate at Samuel's wedding to Penelope (Mia Wasikowska). In their journey with a miniature horse, gift to Penelope (not the waiting Penelope of the Odyssey), the two must deal with their naiveté and the vagaries of raw Western staples like rot-gut whiskey, duplicitous Indians, and bad campfire ballads (Samuel's ballad to Penelope, called My Honeybun, is a weak companion to Brooks' notorious campfire scene)
While this set-up is rich fodder for satire, most of the jokes fall as flat as Penelope's affect and as dry as the joke about a fool in a barrel being strung up for no obvious reasons. Westerns are ripe for satire, but the flat line here comes not from the fine performances but the tepid minimalist script and uninspired cinematography.
Wasikowska is marvelous as the independent and bitter love interest, Pattinson showing once again that he is much more than a teen heart-throb. The Zellners have the right motif about loneliness; they just need to beef up the languid language and droll action.
...But different in a good way or a bad?? I even bought this movie (still can't believe I did!) on Apple TV, cause I thought it was a romantic movie in Wild West and since I love Pattinson and love Wasikowska, I was pretty sure it would be at least descent. But No. This whole story was a 2-hour-wtf movie. I was literally jaw-dropping and face-palming the whole time -but in a boring way -if possible!!?! But yes, this movie was impossible. Why why why and why did I waste my time and money for this?! And why oh why did these good actors make this movie? What's the meaning of the story? That damsels don't need saving?! Ffs. The only nice thing was the scenery.
I still do not understand why some folks can get away with a single paragraph review, and the rest of us must write at least 600 words before we can post our own.
Much like how the film Damsel has comedy all over the place, yet it really tries to cram it in in both unexpected and expected places.
The average film is going to be predictable to a certain degree these days, but even though that is the case, the ridiculous moments of hilarity in this film through my family and I for a loop.
"What is this random film?" I would shout.
I often thought this was directed by the Cohen ( Coen?) Brothers, but the timing was a bit too off most of the time. THe whole movie just could not decide if it really was a comedy or a pure western. Very arthousey therefore, and worth a watch if you are bored. Just dont expect too much. Some laughs may ensue. YOu are welcome for a nonsensical revies lol.
Much like how the film Damsel has comedy all over the place, yet it really tries to cram it in in both unexpected and expected places.
The average film is going to be predictable to a certain degree these days, but even though that is the case, the ridiculous moments of hilarity in this film through my family and I for a loop.
"What is this random film?" I would shout.
I often thought this was directed by the Cohen ( Coen?) Brothers, but the timing was a bit too off most of the time. THe whole movie just could not decide if it really was a comedy or a pure western. Very arthousey therefore, and worth a watch if you are bored. Just dont expect too much. Some laughs may ensue. YOu are welcome for a nonsensical revies lol.
¿Sabías que…?
- TriviaRobert Pattinson first read the script, but passed it on because he thought a movie like this would never get financed because he couldn't really categorize it. A few weeks later, he randomly watched the directors previous film Kumiko, the Treasure Hunter (2014) at the cinema and loved it. Wanting to know who the directors were, he asked his agent about them and found out that he read the script for Damsel a few weeks earlier.
- Citas
Samuel Alabaster: Regular horses don't have names, they're just, uh, you know, regular.
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- How long is Damsel?Con tecnología de Alexa
Detalles
Taquilla
- Total en EE. UU. y Canadá
- USD 305,136
- Fin de semana de estreno en EE. UU. y Canadá
- USD 20,291
- 24 jun 2018
- Total a nivel mundial
- USD 323,235
- Tiempo de ejecución1 hora 53 minutos
- Color
- Relación de aspecto
- 2.39 : 1
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