Cuando Diana Lockhart pierde todos sus ahorros deberá de empezar desde cero en una nueva firma de abogados.Cuando Diana Lockhart pierde todos sus ahorros deberá de empezar desde cero en una nueva firma de abogados.Cuando Diana Lockhart pierde todos sus ahorros deberá de empezar desde cero en una nueva firma de abogados.
- Nominado a 2 premios Primetime Emmy
- 7 premios ganados y 68 nominaciones en total
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Love the show, but I hate the cartoon shorts. It totally interrupts the flow of the show. Otherwise great actors, great show.
I loved this series up top season 5.
Definitely needs a change in the writing team...could have done better than copy and paste real life events. Seem like they've run out of ideas after Trump. And those fake courts. What a waste of time.
I like the cast though.
Definitely needs a change in the writing team...could have done better than copy and paste real life events. Seem like they've run out of ideas after Trump. And those fake courts. What a waste of time.
I like the cast though.
I liked The Good Wife, but at time The Good Wife could be predictable. The Good Fight however is a lot edgier and I must give it Two Thumbs Up for integrating the Black Community with the corporate World. Christine Baranski is at her best and I have always been a fan of Delroy Lindo. It is also wonderful to see supporting staff from The Good Wife on The Good Fight. The Good Fight is well written and well acted.
8ac68
I watched this show out of curiosity as someone taking a law class right now and actually found it pretty interesting. I always liked the character of Diane on The Good Wife and it's neat to see a very different type of law firm than the one on the Good Wife-- I'm honestly more invested in the success of the firm.
In a way, this reminds me of The West Wing. It's that same kind of fast paced, jargon-y, liberal comfort food. Rose Leslie's bad American accent is really distracting and I'm not all that into some of the random story lines but it's a great show to lean back and relax with on a Sunday night.
CBS has produced a very well-made drama that isn't necessarily groundbreaking but uses previous formulas and tropes in a captivating way.
In a way, this reminds me of The West Wing. It's that same kind of fast paced, jargon-y, liberal comfort food. Rose Leslie's bad American accent is really distracting and I'm not all that into some of the random story lines but it's a great show to lean back and relax with on a Sunday night.
CBS has produced a very well-made drama that isn't necessarily groundbreaking but uses previous formulas and tropes in a captivating way.
Exceptional cast and great story-line opportunities. Unfortunately actors can only do so much when working with an ideologically captured writing team. I can understand incorporating current events and climates, but to have absolutely everything be focused on race or politics (especially blatantly one-sided politics) gets old really fast, and that comes from someone with no political leanings. Most people don't watch television or films to have a narrative constantly shoved down their throats, it's to escape the ills of the world and focus on something else entirely. Otherwise we'd exclusively watch documentaries. The incorporation of silly cartoons meant to do nothing other than push one specific narrative was also lazy and tiring. There was such a good opportunity here to create another great show like "The Good Wife", yet it fell drastically short of even palatable entertainment. In the words of Morgan Freeman: "Stop talking about it. I'm going to stop calling you a white man, and I'm going to ask you to stop calling me a black man." Can't we just return to great entertainment with creative story-lines?
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- TriviaFor the pre-credits sequence of exploding items in slow motion, co-creators Michelle King and Robert King hired visual effects artist Lawson Deming (The Good Wife (2009)) to create something quite different. In conjunction with f/x specialist Tom Ceglia, Deming utilized a camera capable of shooting 25,000 fps and a trunnion gun to fire both glass and steel balls at the fragile items. For the larger solid items such as the chair and table, they used a detonation cord capable of greater fragmentation. For the 40 seconds that make up the dynamic intro, the team spent 24 hours of actual shooting, 12 hours of testing, weeks of prop building, and days of editing to complete the sequence.
- ConexionesFeatured in The Late Show with Stephen Colbert: Christine Baranski/Hans Zimmer (2017)
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