CALIFICACIÓN DE IMDb
5.6/10
24 k
TU CALIFICACIÓN
La esposas de los mafiosos de Hell's Kitchen en Nueva York, siguen operando el negocio después de que sus esposos fueran encarcelados.La esposas de los mafiosos de Hell's Kitchen en Nueva York, siguen operando el negocio después de que sus esposos fueran encarcelados.La esposas de los mafiosos de Hell's Kitchen en Nueva York, siguen operando el negocio después de que sus esposos fueran encarcelados.
- Dirección
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- Elenco
- Premios
- 1 nominación en total
- Dirección
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- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
I hadn't heard of this movie before I watched it, but I was interested because of the 70's NYC setting and I'm a fan of the leading actresses. It's not perfect, but I really enjoyed it. I liked the story line of these women taking care of business while their husbands are away in a time period when that wasn't expected. There are a lot of dead bodies and murders, but it's a mob movie, so that's expected. I thought parts of the plot twist toward the end were a little anticlimactic, but otherwise a good movie. Excellent song choices, also.
Novice writer Andrea Berloff makes her directorial debut, and manages to do a better job (for a newbie) with the camera, than her story.
The story started off good and held my attention, until the boys got out of jail. Then the writing just got ridiculous, convoluted and full of plot issues, and tanked from there. The entire conflict towards the end (especially the whole 'black power' component) between McCarthy and Haddish's characters was just dumb and unnecessary. There were so many more much better options the films' direction should've headed to after the boys got out. I wanted more... more action and suspense - in good old fashion mob storytelling, instead of this equal rights and gender equality garbage.
This was more of a drama, than the gangster film it wanted to be. The gals all played their roles well, but their story was just bland and unconvincing from the start. The 102 min length felt longer with the slow pacing and some dragged out and unnecessary scenes, especially towards the end. The editing was terrible. The cinematography and score were on point.
It's certainly no female Goodfellas, nor anything close to a Scorsese film... it's a dumbed down version of Widows, albeit still enjoyable - if there's nothing better to watch.
It's a 6/10 from me.
The story started off good and held my attention, until the boys got out of jail. Then the writing just got ridiculous, convoluted and full of plot issues, and tanked from there. The entire conflict towards the end (especially the whole 'black power' component) between McCarthy and Haddish's characters was just dumb and unnecessary. There were so many more much better options the films' direction should've headed to after the boys got out. I wanted more... more action and suspense - in good old fashion mob storytelling, instead of this equal rights and gender equality garbage.
This was more of a drama, than the gangster film it wanted to be. The gals all played their roles well, but their story was just bland and unconvincing from the start. The 102 min length felt longer with the slow pacing and some dragged out and unnecessary scenes, especially towards the end. The editing was terrible. The cinematography and score were on point.
It's certainly no female Goodfellas, nor anything close to a Scorsese film... it's a dumbed down version of Widows, albeit still enjoyable - if there's nothing better to watch.
It's a 6/10 from me.
Although I cannot fault the excellent performances of Melissa, Tiffany, or Elisabeth, who all do justice to characters that are way too complicated, the film itself left a lot to be desired. First of all the situations seemed so totally unlikely that it was hard to swallow the overall plot. Another thing that I found irritating was that there ended up being no one I felt like rooting for, and I do mean no one. Overall, not a complete waste of time, but certainly not very memorable.
Side note, I did not know that this film was based on a DC Vertigo comic book series. I wanted to see this because of the sheer star power in the film. Elisabeth Moss is steadily growing rightfully because of her recent role in A Handmaid's Tale. Tiffany Haddish has boomed in comedic roles recently. While Melissa McCarthy has been on the scene for a while and been in some really bad films, she has talent as evidenced in Can You Ever Forgive Me? Unfortunately, The Kitchen does not really live up to what it could have been.
The film is about three wives that come together when their mobster husbands are put in prison for three years. The women need to make a living so they start taking over the crime scene in NYC (particularly the Hell's Kitchen area) and start getting money from local businesses that they shake down, while butting heads with rival mobsters. They trio soon see an unprecedented rise in status, respect, and wealth but with that comes a great price as they make a lot of enemies.
Firstly, all three actresses are great in this. This is the strongest Tiffany Haddish performance to date as we've rarely seen her in a serious element. The writing in this film is messy, uneven, and somewhat bland. Its also hard to root for the characters. Sure, they have been put down in their relationships but they are full fledged criminals and murderers, are we meant to want them to succeed? After a while you just go through the motions and realize that what we see could have been a lot better and more engaging.
I feel like Widows does a similar story way better than The Kitchen ever could have. Its also too on the nose that this is about women coming out of the shadows of men and dropping ball jokes along the way. You can have strong female characters without having to make the gender statements. Overall, messy writing is the real downfall in a film that could have and should have offered a lot more for its viewers.
5/10
The film is about three wives that come together when their mobster husbands are put in prison for three years. The women need to make a living so they start taking over the crime scene in NYC (particularly the Hell's Kitchen area) and start getting money from local businesses that they shake down, while butting heads with rival mobsters. They trio soon see an unprecedented rise in status, respect, and wealth but with that comes a great price as they make a lot of enemies.
Firstly, all three actresses are great in this. This is the strongest Tiffany Haddish performance to date as we've rarely seen her in a serious element. The writing in this film is messy, uneven, and somewhat bland. Its also hard to root for the characters. Sure, they have been put down in their relationships but they are full fledged criminals and murderers, are we meant to want them to succeed? After a while you just go through the motions and realize that what we see could have been a lot better and more engaging.
I feel like Widows does a similar story way better than The Kitchen ever could have. Its also too on the nose that this is about women coming out of the shadows of men and dropping ball jokes along the way. You can have strong female characters without having to make the gender statements. Overall, messy writing is the real downfall in a film that could have and should have offered a lot more for its viewers.
5/10
Violent crime drama.
Set in 1978, 3 wives of Irish mobsters take over after their husbands are imprisoned for armed robbery. After a weak start the movie progresses at a better pace although I couldn't help thinking Melissa McCarthy was badly cast and her rise to power was all too easy.
The movie made me think of 'Widows', which I didn't enjoy much either. The whole movie is pro extortion, murder, and corruption in the manner of Scorsese but not really made in a way that can be compared.
Probably not one to watch.
Set in 1978, 3 wives of Irish mobsters take over after their husbands are imprisoned for armed robbery. After a weak start the movie progresses at a better pace although I couldn't help thinking Melissa McCarthy was badly cast and her rise to power was all too easy.
The movie made me think of 'Widows', which I didn't enjoy much either. The whole movie is pro extortion, murder, and corruption in the manner of Scorsese but not really made in a way that can be compared.
Probably not one to watch.
¿Sabías que…?
- TriviaWhen referring to a site for a planned convention center project, Alfonso Coretti mentions "some millionaire's kid, a little s**t-for-brains." The project would become the Javitz Center, and the millionaire's kid is Donald Trump who owned the option on the rail yard site that the Center would eventually be built upon.
- ErroresAt the 12:34 mark when Elisabeth Moss' character leaves the diner, an address number next door shows 6920. That shows that the shot was nowhere near Hell's Kitchen. (Actually it's 3rd avenue in Bay Ridge, Brooklyn.)
- Citas
Kathy Brennan: Bunch of men that have forgotten what family means.
Ruby O'Carroll: So we remind them.
- Créditos curiososRetro-style versions of the Warner Bros. and New Line Cinema logos are used, suiting the film's 1970s setting.
- Bandas sonorasIt's a Man's Man's Man's World
Written by James Brown and Betty Newsome
Performed by Etta James
Courtesy of Columbia Records
By arrangement with Sony Music Entertainment
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- También se conoce como
- The Kitchen
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 38,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 12,180,032
- Fin de semana de estreno en EE. UU. y Canadá
- USD 5,527,410
- 11 ago 2019
- Total a nivel mundial
- USD 15,980,032
- Tiempo de ejecución1 hora 42 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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