Una vida oculta

Terence Malick has made some unique and wonderful films. This time, I feel he's reached a 'style over substance' moment that can't be overlooked. The story of a conscientious objector during WWII is certainly a workable topic. But this movie seems determined to be another ethereal art piece that's sort of a movie. The narrative is kept simple, not reaching the soulful depths i was expecting. The cinematography is fine but it's not life-changing. I mean, the location is really the star, and the angles and shots are merely relaying a background of beauty; in other words, filming in the Bavarian Alps you tend to get a lot of breathtaking shots. So what you end up getting is three hours of overindulgence in movie-making, and not a satisfying experience. I think Malick's deepest fan base will like it, but objectively, I don't see the greatness in this film, but perhaps great material to debate in a college classroom.

Nearly half a century lies between this film and the only previous Terrence Malick I'd seen, BADLANDS, which I admire very much and have watched a number of times. As might be expected, he's a very different film maker now. I found A HIDDEN LIFE something of a puzzle. It is undoubtedly beautiful to watch, even as its subject matter gets progressively grimmer. Its religiosity was something of a challenge to me, as was its stilted dialogue. Its story is the familiar one of a man suffering for what he believes. It is the story of John Procter, the hero of Arthur Miller's play THE CRUCIBLE; it is the story of Ibsen's Dr Stockmann, in the play ENEMY OF THE PEOPLE. And of course it's the story of Jesus Christ. There is a tragic grandeur to all of these, and, whatever my reservations about it, there is tragic grandeur to A HIDDEN LIFE. My husband found it unbearably pretentious. I can see why. But I admire the way that this film isn't like anyone else's, that Malick has, in the course of the last half-century, found a way of working that delivers something unique. It certainly won't be to everyone's taste, and aspects of it test one's patience. All the same, I was glad to have seen it, not least for the cinematography and the performances, and the retelling of a story that we all still need to hear in these troubled times.

The visually outstanding war drama "A Hidden Life" tells a true, hitherto hardly publicly perceived story of a resistance fighter who rebelled without any great gestures against Hitler and the Third Reich in a lyrical-meditative style as a Jesus allegory. This film works as a philosophical love story, which, precisely because it tells a different view of the Second World War, stands out particularly and is another well-made work by the long-established director Terrence Malick.

"Better to suffer injustice than to do it..."

I don't have many words tonight. A lot of thoughts and emotions. I didn't expect a perfect score from me this year, but I am just floored and overwhelmed by the visual poetry and spiritual magnitude of it all. It feels transcendent. With a beauty that permeates all the way to one's own relationship with God.

Based on true events, A Hidden Life is Malick's most direct exploration of faith since To the Wonder, and perhaps his most fully realized work yet. It is an allegorical story about a man of extraordinary faith. A real-life parable of perseverance and free will. A spiritual journey centered in not just our humanity, but on what it means to truly walk the steps of Christ. And on what it means to choose what we believe is right and just, when we are given every reason not to.

Malick doesn't glorify the central character's ideals or deeds. Rather we focus on the humble threads of love and the storm they weather--and the romantic chemistry is perfect. August Diehl & Valerie Pachner are both exceptional and so incredibly in love. Seconds into the film and you already know it. Pachner gives a particularly moving performance deserving of an Oscar nomination (she is in SF this week doing Q&A's!). Every touch, glance, or embrace between these two is personal, powerful, believable. You can see the stress leave their shoulders each time they first see each other. Sincerity fills the screen as their thoughts, worries, desires, and personal bond resurface in the context of God.

The cinematography is superb, with DP notably credited to Jörg Widmer and not Emmanuel Lubezki. There is a rare seamless quality achieved blending in old footage as well as in choosing to entirely forgo subtitles in a film spoken in equal parts English and German. The music is the best I've heard all year. A beautiful traditional theme by James Newton Howard (Blood Diamond, TDK) with Handel, Dvorak, and other great classical works mixed in.

A Hidden Life is a film that may stay with you for some time. This is quintessential Malick, joining the ranks of The Thin Red Line and The Tree of Life. Go in with an open mind and heart, ready for a spiritual experience.

Malick at his best. The actors, some of them well known in the German speaking world, shift between English end German. I did not believe this could work, but it does. Cinematic poetry, powerful. a film worth 3 hours.