Dreaming Purple Neon

I was invited to the ACME Theater to watch the film Dreaming Purple Neon, not really knowing what to expect. When I entered the crowded lobby, I was surprised to meet the director, Todd Sheets and some members of the cast and crew who were in attendance. This was just one of many serendipitous events that unfolded during the screening. First was the touching introduction to the film from the Director. It was informative and heartfelt and really helped put the film in perspective for me. The next pleasant surprise was the film itself.

Dreaming Purple Neon is a Horror film that could have existed in the 80s, maybe even the 70's. It truly brings back a feeling of that era, when I would go to the old video stores and search row after row of incredible artwork adorning big, over-sized video boxes. The movies would rarely live up to the images on those boxes when I would rush home to watch them. Dreaming Purple Neon actually does. In fact, it actually lives up to what my imagination would conjure in those fun VHS days. It's hard not to wonder why you never see horror movies like this anymore with crazy practical effects and the "anything goes" storyline. But don't mistake the nostalgia for a lack of originality. This film is like nothing I have ever watched before. It's so relentlessly shocking, gory, nasty and over the top that it's a hilarious, wild and fun good time, and that's what these '80s horror movies were best at. Blood splashing and splattering in every direction. There is also some relevant underlying themes about the dangers of drug addiction, and there are some surprising scenes with characters that I actually cared about. That's just the kind of movie this is: there are absolutely no limits, and anything can happen at any time. It's far from boring like many modern exploitation movies, and it has just the right combination of complex story and entertaining kills to make for perfect Friday night viewing with friends.

Dreaming Purple Neon is catnip for die-hard horror fans, and the 1980s style soundtrack and detail to Horrors of the past, the homages and in jokes, ad to the fun considerably. Seriously, I found myself wanting to raise a fist and make the "devil horns" while screaming HELL YEAH!!! It is a depraved, decidedly trashy, and rather stylish fright fest that oozes with style, incredible effects and true touches of micro-budget brilliance. Director Todd Sheets seems to be channeling Lamberto Bava's film DEMONS, HG Lewis, A bit of John Waters, the lighting of an old Argento film, a bit of Fulci's dream-like style and a bit of Evil Dead. Throw into a huge horror blender and you'll have a slight idea where this film takes you. The very low budget that the film was created with makes all of this even more shocking. It is simply unreal what they did on so little money. In his introductions, Director Sheets let us all in on his budget. Let's just say, it is lower than I could have ever imagined.

Not for the faint of heart and is sure to shock and surprise many viewers, the story, atmosphere and great gory effects create a splatter movie with grace, full of heart and passion. A trashy yet irresistible allure pulls you into the film from the first frame to the last. It takes you on a true journey into places that stick in your head long after the really fun end credits roll. And stay for the end, more surprises wait.

Caught the world premiere screening of DREAMING PURPLE NEON and I must say I was surprised. Having seen the trailer, I really looked forward to seeing the whole film. The trailer was pretty nostalgic really, with a ton of gore and old school charm. I figured I should not get my hopes too high because there was no way the film would live up to this trailer. I was wrong. Not only did the film give me all I had hoped for, it went further than I thought. This film was truly a great Halloween gift for those in attendance. The story is epic, with twists and turns aplenty.

I found DREAMING PURPLE NEON to be a visually stunning film, that also has the distinction of being Mr. Sheets most ambitious project to date. He pulls out all the stops here, creating one of the most visually arresting and brave micro budget films ever made. Everything is designed to hit the viewer with maximum effect. It's truly such a beautifully shot film. And Todd really piles on the shocks on this film. Buckets upon buckets of blood and gore, with several show-stopping effects sequences all done with little or no money. In fact, as the effects get more and more ambitious, the unreal mayhem that the Effects Team pulls off is nothing short of maddening brilliance. This truly is a film that kicks into maximum overdrive about 15 minutes in and never stops. Todd Sheets lays waste to about every taboo you can think of, making no excuses and pulling no punches. Yet with all the insanity happening, the story never loses focus, the film never derails. The film is an unrelenting splatterfest for sure, but there is a playfulness to Todd's direction that really makes me smile. This is like an ultimate party film, a true love letter to the Horror genre that is an incredible fun and wild ride.

At the heart of DREAMING PURPLE NEON there is a very effecting love story going on, and before you die hard Horror freaks roll your eyes, think of the classic "Dead Alive." Another great Horror flick with a romantic center that delivered the Horror. Though very different, this film has something similar to offer. The characters are very well defined for a splatter movie, making you actually care when all hell literally breaks loose. I was impressed with the sincerity and honesty in the performance of the two leads, Jeremy Edwards and Eli DeGeer in bringing this relationship to life. It seems real, not forced, not hokey. I also really enjoyed all the villains in the film, the main baddie Cyrus Archer played with menace and humor by Jack McCord, Tyrone Kane played by Ricky Farr and his sidekick RayRay, played perfectly by long time Todd Sheets alumni Antwoine Steele were highlights of the film, and of course the two Demons - the Queen and her minion The Demoness. The supporting cast were equally strong, with Millie Milan a highlight as well. I was also very impressed with Jerry, the caretaker and henchman for Cyrus Archer. He chews scenery with a vicious attitude and a dark streak of humor.

Watching DREAMING PURPLE NEON with an audience was a TRULY amazing experience. The minute I thought that the film makers could not possibly go any farther "over the top" than they already had, something else happened that made me stare at the screen in astonishment and shock. This is a VERY original movie with a huge heart, crafted with love and care by a group of people that truly love Horror movies. It is modern and different but still nostalgic. Much like infusing his previous film, "House of Forbidden Secrets," with his love of Italian Horror, Todd Sheets has brought the VHS Generation into the new modern age of Horror, bringing us an homage to the classics of yesterday that also throws new ideas and images at the audience, many of them this reviewer has never experienced before. Track it down, plop your butt in a seat and be prepared for an incredible wild ride done with quality and passion. While shocking and likely to be quite upsetting in many ways for modern PC audiences, the viewer senses that the director has no agenda other than to entertain us and give us a good time. If you are a Horror fan, you should not miss it.

One of the most striking aspects of this movie is its wonderful ability to top each shocking moment with imagination and a true sense of never knowing when it can go too far. Nothing seems to be off the menu in Dreaming Purple Neon, a horror film that goes over the top and does so with no apologies or regard for good taste. And that is a good thing.

Director Todd Sheets, known for being a pioneer of microbudget gore movies has crafted a sort of low budget epic here, a wildly entertaining demon movie cramming a handful of incredible effects scenes with thought-provoking themes and some actual interesting political views poking through all the bodily fluids. At the heart of the film is a pretty strong story about a guy, Dallas, returning home to make amends with his ex girlfriend Denise, played by genre vet Eli Degeer. But the town is not the same as he left it. Seems an evil cult has taken control of everything through the spreading of a demonic drug known as PURPLE NEON. The cult is led by Cyrus, played with marvelous menace by newcomer Jack McCord. He makes a deliciously evil bad guy, only topped by another fresh face, Ricky Farr as Tyrone Kane. Ricky, along with Sheets' mainstay Antwoine Steele as his side man Ray Ray, truly have the best bad guy scenes in the movie, with their banter back and forth coming straight out of the glorious action movies of the 70s.

The breakout performance for me was Millie Milan as Cat. Her character seemed to be the reason the two story lines meet in the middle and all hell breaks loose. Millie makes Cat a likable character despite her flaws and we really feel for her as the story progresses and she pays for her mistakes. And so do all her friends, including Dallas and Denise. Another great character is the Dentist, played by Nick Randol. I enjoyed watching him go from mild mannered nice guy to demon ass kicking hero.

It's a horror exploitation film deep in its twisted soul and it certainly delivers. For every instance of naked flesh, blood and gore, there's an insightful sequence that propels the story and makes you give a damn about the characters involved, some scenes explore the nature of humankind and our nasty addictions, and the depiction of sex as an evil tool that leads to further corruption of the body. And there is an abundance of nudity here. Both men and women. Full and in your face with no regard for political correctness. I truly applaud the actors and actresses who had the guts to do these scenes. Some of them are truly shocking in a modern horror film. And the scenes do not feel gratuitous. It actually MAKES SENSE why they are naked, not like many horror films that just throw in nudity because they lack talent to do anything else. Not the case here. Director Todd Sheets shows true skill at making these scenes matter and doing so with a assured hand and some real style.

But this movie isn't really here to deliver a character study or deep, thoughtful moments between damaged people. It's about horror, splatter, gore and having fun at all costs. And with Dreaming Purple Neon, Todd Sheets delivers as much as his no doubt meager budget will allow. There is blood, gore, splatter, goop, slime and more blood. I have to give a special moment to the special effects team for all of this wonderful, old school effects work. It is all practical. And truly most of the film never uses CGI. There are some computer generated effects, but they are perfectly integrated at the end of the film, and considering the budget, they are very impressive. Without giving away spoilers, I will just say that the effects succeed in bringing Hell on Earth.

And Dreaming Purple Neon is a great looking movie. The visual approach points towards Suspiria, Alucarda, The Devil's Rain and other 70s demonic movies while also adding original artistic touches. The use of color is smart, not overdone, and emphasizes mood and atmosphere in important areas of the movie. The camera-work and composition show a great eye for detail that is both pleasing and busy enough to keep your attention visually. The location work, and the huge complex sets are lush by comparison with many other microbudget horrors, and Sheets makes sure to utilize them to their fullest potential. In many ways, these locations become almost as important as any of the characters in the film. In addition, even though it is an homage to 70s and 80s horror and drive in movies, The film shows some shocking originality throughout its running time. Clocking in at 1 hour and 49 minutes, it never feels slow or padded. Every minute of the running time seems needed to tell the epic story.

The final thing I want to mention is how much fun this movie was. It was actually a really good time! The pacing was perfect, really creating a rhythm that works. The editing is sharp, the composition is tight and the effects are perfectly splattery. This is one of my favorite movies of 2016 and I am ready to watch it again, this time with a room full of friends, a few beers and pizza. No better movie to watch with a group of horror fans! Part homage to classics of a bygone time and part modern horror with no rules, Dreaming Purple Neon certainly lived up to my expectations and actually shocked me a few times as well.

From the beginning of the low budget horror movie Dreaming Purple Neon, two things are obvious; One, this is a well made movie where care has been taken to give the production real quality. Second, this has an actual story to tell. It is not just another slasher movie and has more going on than a typical splatter mess. Not to say that there isn't a huge amount of nasty gore and bloodletting. There is more here than probably a few horror movies combined, but there is also care given to characters and a pretty complicated set up. It takes about 15 minutes or so to introduce the characters and lay the groundwork for all that follows. One good thing is that it moves very fast. Not one frame seems wasted here and the dialogue in the movie is fun and memorable. The performances, while not award winning, are pleasantly organic for the most part. The bad guys are over the top and that adds to charm.

And what follows is pure horror bedlam. Once all our characters converge and interact, things take a very crazy turn and it never stops. A relentless display of effective shocks, creepy atmosphere some actual suspense, Dreaming Purple Neon takes so many twists and turns that at one point I paused the film to catch my breath and collect my thoughts, reflecting on what I had seen. It wasn't because the film is confusing, it is more that it really moves at a fast pace and so much is happening that I really wanted to take a minute to let it sink in. Actually, it is a very linear and easy to understand story with so much going on and I never got lost.

But most fans of these type of movies do not watch for deep characters or complex story lines. They want to know if the film delivers the thrills, gore and nastiness that director Todd Sheets is known for. It does. In fact, gore is abundant throughout the film. One super gross out scene in particular is so over the top in it's chunky excess that I could barely rewind it to watch again. A couple of times. My ass still hurts. There are very few movies today that walk the line between horror and exploitation as well as this one does. For all the graphic scenes of violence this film contains, at its heart there is a wink-and-a-nod sensibility that has the viewer both rooting for the bad guys and waiting gleefully for their comeuppance..

And they do that in ways that I not will spoil here. The blood is plentiful and shocking and the special effects are pretty nasty and impressive. As this movie gets closer and closer to the ending, I honestly had no idea where it would go next. It is one of the most pleasing films in that regard. You can not predict the nest scene. Every new door hides new craziness. And the ending was perfect, but I honestly never knew it was coming. And then there's Gene Simmons. In a movie full of twists and surprises, that scene tops everything else and is worth waiting for. Trust me. Best ending in a movie all year. As a matter of fact, that part alone has made the whole movie shoot up my list and I would call it my favorite low budget film of 2016.

Todd Sheets has done an exceptional job here, crafting a tight thrill ride that is ambitious, original and really over the top. He has done it all with a budget so small that you would not believe it. It's barely enough to buy a good HD TV to watch it on. The lighting and style remind me of horror flicks of the 70s and 80s but also of the old Italian horror movies like Suspiria. But that is not to say it is just a retro rehash. The real pleasure comes from watching a low budget filmmaker who truly has a grasp of their craft, who actually knows how to make a movie, attempt to get as much as possible from a good location and a tiny budget. It is a fantastic horror film that embraces the lack of money and uses new ideas and audacious gore to embrace the low budget horror crowd. This is unpredictable horror and is undoubtedly an impressive achievement.

To be honest, I really don't know all the history of "splatter/gore horror", so it's a layman's review from me... You can see SO much work went into the creation of this film. You want more guts than an Oscar Mayer production line? Gallons of blood? Blaxploitation era heroes? Hellish demons? This will NOT disappoint. Part movie, part haunted house exhibit voyeurism, every scene takes you to a new encounter in horror. Even if I didn't know this was a Todd Sheets film, I'd be able to spot his signature, and that's a film that is as much audio as visual. Every death drawn out for maximum viewer experience, you can hear every wet squish, stretch and spray. There are moments of needed comic relief- from the kid in the video store buying all Sheets' movies, to one-liner comebacks. Watching clear through the credits (and you want to!) it clocks in at just under two hours, but the BTS photos makes you wish you were part of the cast and crew. You can see a lot of love in this film. Just check outside when you're done to make sure all Hell HASN'T broken loose....!