Un joven estudiante de diecisiete años se enamora del nuevo asistente de investigación de su padre.Un joven estudiante de diecisiete años se enamora del nuevo asistente de investigación de su padre.Un joven estudiante de diecisiete años se enamora del nuevo asistente de investigación de su padre.
- Dirección
- Guionistas
- Elenco
- Ganó 1 premio Óscar
- 107 premios ganados y 263 nominaciones en total
Maria Caggianelli Villani
- Elio's Friend
- (sin créditos)
Krystal Ellsworth
- Astonished Store Customer
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
First, to all the Americans on here outraged about the film "endorsing" a criminal act - NEWS FLASH!! Just because the age of consent is 18 in your country, doesn't make it so everywhere else in the world! 18 is comparatively old by global standards. I believe the average age is 16 (as in my country) and in Italy where the film takes place it's actually 14. Whether you agree with it morally or not, no criminal act takes place - US law does not apply!
However, I agree with many reviewers that Armie Hammer is miscast in terms of his character's age. He is 31 and looks it, whereas Oliver is meant to be 24. His age is never referred to in the film, so viewers who haven't read the book are left with the impression of a 30-ish man engaging in a relationship with a 17-year-old, which Timothee (20 at the time) does convincingly portray. I can fully understand how that would ring alarm bells for many. If they'd had an actor who actually looked 24 I think that would have created a very different dynamic. Even so, the relationship is hardly of a paedophilic nature. And I don't think most people would regard 17-year-olds as "children" physically and emotionally, even if they may be legally.
Timothee Chalamet gives an incredible performance fully deserving of all the accolades, but I found Armie's inconsistent at best. He does get better as the film goes along. Maybe it's just that I didn't find his character particularly appealing... to me he comes across as rather abrupt and arrogant, and weirdly passive-aggressive and patronising towards Elio for much of the time. The physical scenes between Oliver and Elio were excruciatingly awkward to watch and didn't ring true to me - but I'm a straight female so what would I know? I haven't had that reaction with the (admittedly few) other gay films I've seen though. Maybe it was supposed to reflect real life, or maybe I am just too accustomed to male-female depictions. Ultimately the relationship seemed to consist of Elio being infatuated and Oliver enjoying being the object of that infatuation, rather than a true love story.
Personally the relationship I found most touching in the film was that between Elio and his parents. Although they aren't given much to work with, both the actors playing his parents do beautiful, nuanced work... and the much-lauded scene near the end with his father was stunning and truly moving. It was refreshing to see a such a loving and accepting child-parent relationship, done in a natural and non-affected way. It rang very true to my own experience as an only child and it was nice to see this portrayed on film for once, instead of the tension-filled relationships American films usually depict.
Overall I thought the film was absorbing and well-done, but neither the masterpiece or great love story it's being hyped as.
However, I agree with many reviewers that Armie Hammer is miscast in terms of his character's age. He is 31 and looks it, whereas Oliver is meant to be 24. His age is never referred to in the film, so viewers who haven't read the book are left with the impression of a 30-ish man engaging in a relationship with a 17-year-old, which Timothee (20 at the time) does convincingly portray. I can fully understand how that would ring alarm bells for many. If they'd had an actor who actually looked 24 I think that would have created a very different dynamic. Even so, the relationship is hardly of a paedophilic nature. And I don't think most people would regard 17-year-olds as "children" physically and emotionally, even if they may be legally.
Timothee Chalamet gives an incredible performance fully deserving of all the accolades, but I found Armie's inconsistent at best. He does get better as the film goes along. Maybe it's just that I didn't find his character particularly appealing... to me he comes across as rather abrupt and arrogant, and weirdly passive-aggressive and patronising towards Elio for much of the time. The physical scenes between Oliver and Elio were excruciatingly awkward to watch and didn't ring true to me - but I'm a straight female so what would I know? I haven't had that reaction with the (admittedly few) other gay films I've seen though. Maybe it was supposed to reflect real life, or maybe I am just too accustomed to male-female depictions. Ultimately the relationship seemed to consist of Elio being infatuated and Oliver enjoying being the object of that infatuation, rather than a true love story.
Personally the relationship I found most touching in the film was that between Elio and his parents. Although they aren't given much to work with, both the actors playing his parents do beautiful, nuanced work... and the much-lauded scene near the end with his father was stunning and truly moving. It was refreshing to see a such a loving and accepting child-parent relationship, done in a natural and non-affected way. It rang very true to my own experience as an only child and it was nice to see this portrayed on film for once, instead of the tension-filled relationships American films usually depict.
Overall I thought the film was absorbing and well-done, but neither the masterpiece or great love story it's being hyped as.
Although I am a straight person, I loved this movie in all the ways. A beautiful, heart warming love story, makes me want to fall in love again again. This movie gives me the feeling that there is nothing more wonderful than falling in love for the first time. The cinematography, sound track, adopted screenplay is perfect. I personally loved the acting of Timothee Chalamet, wonderful. It makes me feel that being homo sexual is perfectly normal, there is nothing wrong about it, Absolutely perfect..
This film is pure sensuality and emotion. You can see through the character's eyes, taste through their mouths but most importantly you feel, by God how you feel. Luca Guadagnino manages to extract the very best out of his actors: Armie Hammer's performance shows unprecedented depth and Timothee Chalamet is the essence of awe inspiring acting, this film will land him an Oscar nomination at the very least.
Saw 'Call Me By Your Name' as someone trying to see as many films from 2017 as possible, because same sex love has been portrayed beautifully more than once and because it was one of the best received films of the year with a lot of award attention as we speak.
A distinction more than well deserved. 'Call Me By Your Name' is certainly one of my favourites of a pretty hit and miss 2017 (with some great films, bad films and films in between and near but not quite both extremes) and, like another gay love-themed film from 2017 'God's Own Country', one of the films of the year that really touched me. It is much more than just a "gay movie" and shouldn't be dismissed as just that, that on the most part it hasn't is a good thing.
'Call Me By Your Name' is most striking for its emotional impact. The erotic elements are tasteful and sensual, but it's the relationships that are even more beautifully done. The subject matter is handled with subtlety and surprising wit and the central relationship is tender and compassionate with a little tension. Just as, even more, impressive is the father and son relationship, which was sincere and touching, again with just as much burning intensity, and boasted the film's most powerful scene. The joy and pain of love and desire is portrayed in a way that really touched my soul and comes over as surprisingly relatable.
The acting is another big strength, advantaged by that the characters are interesting and not stereotypical with conflicts that are genuine and not predictable. Timothee Chalamet is especially remarkable and has a great future ahead of him if he continues in this direction. Armie Hammer is hardly inferior in perhaps his best performance to date, a very sympathetic performance which helps make the central relationship as powerful as it is. Michael Stuhlbarg also should be highlighted, a very wise and sincere performance and he has never been this poignant.
Luca Guadagnino directs beautifully, bringing the best out of his actors and the gorgeous scenery just as gorgeously shot. The sincerity, wisdom, compassion and wit of the source material is ideally captured in the script and as indicated the film looks great. The music has whimsy and understatement which suits the story perfectly, and while the pace is Merchant/Ivory-influenced-like deliberate it never felt dull to me due to being swept up in the emotion and being riveted by the writing and performances.
In conclusion, a beautiful film with much more to it than what it can easily be dismissed as. 10/10 Bethany Cox
A distinction more than well deserved. 'Call Me By Your Name' is certainly one of my favourites of a pretty hit and miss 2017 (with some great films, bad films and films in between and near but not quite both extremes) and, like another gay love-themed film from 2017 'God's Own Country', one of the films of the year that really touched me. It is much more than just a "gay movie" and shouldn't be dismissed as just that, that on the most part it hasn't is a good thing.
'Call Me By Your Name' is most striking for its emotional impact. The erotic elements are tasteful and sensual, but it's the relationships that are even more beautifully done. The subject matter is handled with subtlety and surprising wit and the central relationship is tender and compassionate with a little tension. Just as, even more, impressive is the father and son relationship, which was sincere and touching, again with just as much burning intensity, and boasted the film's most powerful scene. The joy and pain of love and desire is portrayed in a way that really touched my soul and comes over as surprisingly relatable.
The acting is another big strength, advantaged by that the characters are interesting and not stereotypical with conflicts that are genuine and not predictable. Timothee Chalamet is especially remarkable and has a great future ahead of him if he continues in this direction. Armie Hammer is hardly inferior in perhaps his best performance to date, a very sympathetic performance which helps make the central relationship as powerful as it is. Michael Stuhlbarg also should be highlighted, a very wise and sincere performance and he has never been this poignant.
Luca Guadagnino directs beautifully, bringing the best out of his actors and the gorgeous scenery just as gorgeously shot. The sincerity, wisdom, compassion and wit of the source material is ideally captured in the script and as indicated the film looks great. The music has whimsy and understatement which suits the story perfectly, and while the pace is Merchant/Ivory-influenced-like deliberate it never felt dull to me due to being swept up in the emotion and being riveted by the writing and performances.
In conclusion, a beautiful film with much more to it than what it can easily be dismissed as. 10/10 Bethany Cox
Beauty in the midst of all the ugliness we're living in, it's like a shock. I wept like I hadn't wept in a movie since I was very young. It made me think and remember summers of my own life. It made remember sounds and smells. I was transported. The smartness, candor and gentleness of this unexpected love story goes beyond anything I've ever seen. Luca Guadagnino is rapidly becoming one my favorite directors working today. Armie Hammer completely demolished my preconceptions with a performance that is total perfection and I haven't mention Timothee Chalamet yet. No I need to dedicate the lasts paragraphs to him because his performance goes beyond perfection. I didn't know him at all. Now I' a fan. It reminded me of the first time I saw Daniel Day Lewis playing a gay punk in "My Beautiful Launderette" An explosion of beauty when you least expected. Thank you for that.
Director's Trademarks: The Films of Luca Guadagnino
Director's Trademarks: The Films of Luca Guadagnino
Suspiria director Luca Guadagnino takes IMDb through his approach to filmmaking, from longtime collaborator Tilda Swinton, to why he hopes he doesn't have a "style."
¿Sabías que…?
- TriviaTimothée Chalamet learned to speak Italian and play the classical piano pieces used in the film.
- ErroresAt the car, when Elio and Oliver prepare to head off to Lake Garda with Sam, Elio has his right foot up on the open back door panel during their conversation; however, when the shot changes to Oliver's point of view in the front seat, Elio clearly has his left foot up on the door frame. Back outside it's his right foot again.
- Citas
Mr. Perlman: We rip out so much of ourselves to be cured of things faster that we go bankrupt by the age of thirty and have less to offer each time we start with someone new, but to make yourself feel nothing so as not to feel anything - what a waste.
- Créditos curiososAlthough the movie has a full opening credits sequence, the title of the film is not shown on screen until the end credits begin.
- Bandas sonorasHallelujah Junction
Written by John Adams (as J.C. Adams)
Performed by John Adams
Published by Hendon Music Inc.
Administered in Italy by Casa Ricordi Srl
Courtesy of Nonesuch Records
By arrangement with Warner Music Italia Srl
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- How long is Call Me by Your Name?Con tecnología de Alexa
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- También se conoce como
- Call Me by Your Name
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- EUR 4,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 18,095,701
- Fin de semana de estreno en EE. UU. y Canadá
- USD 412,932
- 26 nov 2017
- Total a nivel mundial
- USD 67,485,643
- Tiempo de ejecución2 horas 12 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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