Doua lozuri

I happened to watch the movie inside the TIF film festival. I wasn't expecting much, cause it seems Romanian movies tend to follow a pattern. This was not the case, and it was such a nice surprise. A good script, with awesome dialogues and interactions. At the end of the movies the crew came to salute everyone and were opened to questions. The second surprise wasn't the fact that they were friendly and answered all the questions, but by the age of the crew and the "lack" of experience they said they have, even though by watching the film you would never experience is a issue. I haven't had the opportunity to watch it again, but if the opportunity appears for either of you I highly recommend you check it out. I did and made my day, Cheers

Haahah.I am only 15 but i can say this is a excellent movie.It's bad that some...can't swear but i can name them only idiots come here and give like 1 star, even they didn't see the movie.I am passionate about old movies, and saw a lot from my country and i am sure this will going to be a movie to remember and 20-30 years from now i will show it to my kids and told them about it. I think this is the best Romanian comedy that i ever saw.I know, there are a lot others Romanian movies, but from what i see so far this is the best one.Of course that are more movies that i like from Romania, but i say it again, this is the best one. Only the think that i see the real living in Romania: Dacia cars, people how try to earn money and the oldish style of the taverns; give me goosebumps.

If you're not Romanian and have seen any film from there at all, it's most likely a festival prize winner by a neo-realist director like Mungiu or Netzer. If you meet a Romanian and ask them what they thought about those, you will quite likely have heard that these films are not really that great, because they do not represent how people live.

There is a scene just like that in this short and mildly black comedy, in which Dragos Bucur explains this to a hitch hiker, giving the plot of "Stuff and Dough" as an example, and how boring it was. The very Romanian irony is that Dragos Bucur was the star of "Stuff and Dough", it was his breakout film, so it's just plain hilarious to hear him trash-talk about it.

There are lots of similar jokes in this little gem produced at a budget of just about €5000. If you're Romanian, you'll constantly snicker because you'll invariably know characters who act like those in the movie. If you're a Westerner, you get a chance to see what we are really like, even if you won't get much of the humor.

This is the perfect film to watch for Eastern - Western couples if you've always found yourself unable to explain just what the difference between us is. It's light, it's fun and unlike most films these days not too long.

And although it says so in the content description, this is not based on some British comedy, but (loosely) on a 19th century play.

Somebody keeps giving 1 to this movie. Don't mind, it's just a stupid game. The movie is a masterpiece in it's way. Every word, every look, every gesture has it's effect and a lot of humor. When you less expect a boost of laugh strikes the assistance and yourself.

Briefly, three good stupid guys - like many - win the jackpot. But where is the ticket? Well, it has been stolen. These guys really need the money! You feel sorry for them and you have no choice but to accompany them in a journey to find the robbers and the ticket. Every step, every mile and every encounter is a reason of laugh. At the end of the day you may conclude that money is not exactly what they need - they are better than this.

Why „Două lozuri" (Two Tickets)? You'll have to see the movie to find out the second one.

"Comedy" is not a genre American arthouse audiences traditionally associate with Romanian cinema. But this out of left field sleeper is very much a comedy--and a perfectly scaled, beautifully executed and acted one. I was reminded of the early films of Jim Jarmusch (particularly "Stranger Than Paradise" and "Down by Law").

There was also a soupçon of Milos Forman's Czech New Wave movies like "The Fireman's Ball." I went into this expecting, well, not much of anything (I'd never heard of the director before, and knew that it had a 2016 copyright date which didn't inspire much confidence), and was pleasantly surprised to say the least.

Somebody should buy the remake rights. I could definitely picture an American version set in, say, Atlanta with three African-American leads as the lugheads who lose a winning lottery ticket.