CALIFICACIÓN DE IMDb
7.2/10
13 k
TU CALIFICACIÓN
Una madre furiosa se propone arruinarle la vida a cuatro delincuentes que abusaron sexualmente de su hija en una fiesta y quedaron en libertad.Una madre furiosa se propone arruinarle la vida a cuatro delincuentes que abusaron sexualmente de su hija en una fiesta y quedaron en libertad.Una madre furiosa se propone arruinarle la vida a cuatro delincuentes que abusaron sexualmente de su hija en una fiesta y quedaron en libertad.
- Dirección
- Guionistas
- Elenco
- Premios
- 9 premios ganados y 14 nominaciones en total
Sridevi
- Devki Sabarwal
- (as Sridevi Kapoor)
Sajal Ali
- Aarya Sabarwal
- (as Sajal Aly)
Pitobash
- Guard Baburam Pandey
- (as Pitobash Tripathy)
Adarsh Gourav
- Mohit Chadha
- (as Adarsh Gourav Bhagvatula)
Yuvraj Singh Bajwa
- Cop
- (as Yuvraj Bajwa)
Aayush Agarwal
- Rishi
- (as Aayush Agarwal)
Triptii Dimri
- Aarya's Classmate
- (as Tripti Dimri)
Opiniones destacadas
A very stimulating movie which includes an used plot and borrows certain elements from older and more recent movies like 'Pink' and 'Jazbaa', but still manages to make an impact.
Another movie which focuses on how the women in our country are really unsafe, and the state of law in the country where people can really get away with such serious crimes. Though the movie tends to focus more on the revenge than the trial, unlike 'Pink' whose chief focus was on the trial. The first half is moving and can even be slightly disturbing, but the second half loses grip and becomes slightly obvious.
In terms of performance, all the actors are pretty impressive. Sridevi and Nawazuddin make an impact. Sajal ali, as the daughter and the rape victim, was believable. Akshaye khanna, as the cop, was gritty and maybe he should have received more screen time. Adnan siddiqui as the dad wasn't up to the mark and perhaps the writers didn't do enough justice to his character.
The downside of the movie is that there are no twists and turns and the plot is pretty straightforward, and sometimes becomes a bit too predictable, which does not do justice to its 'thriller' tag.
Overall rating : 7/10.
Another movie which focuses on how the women in our country are really unsafe, and the state of law in the country where people can really get away with such serious crimes. Though the movie tends to focus more on the revenge than the trial, unlike 'Pink' whose chief focus was on the trial. The first half is moving and can even be slightly disturbing, but the second half loses grip and becomes slightly obvious.
In terms of performance, all the actors are pretty impressive. Sridevi and Nawazuddin make an impact. Sajal ali, as the daughter and the rape victim, was believable. Akshaye khanna, as the cop, was gritty and maybe he should have received more screen time. Adnan siddiqui as the dad wasn't up to the mark and perhaps the writers didn't do enough justice to his character.
The downside of the movie is that there are no twists and turns and the plot is pretty straightforward, and sometimes becomes a bit too predictable, which does not do justice to its 'thriller' tag.
Overall rating : 7/10.
Very nice effort by director Ravi Udyawar. It is one of the most sensitive and realistic Hindi movies that I have seen in a long time. Almost all the actors have done justice to there roles. Sridevi as we all know was an amazing actress and she did an excellent job once again. Nawazuddin appeared in a cameo all did very well, but the most impressive of the lot was Sajal Ali, she was exceptional with her expressions sometime she did not even speak but her eyes tells the pain and anger that she was going through. Adnan Siddiqui also was impressive.
Sridevi's acting was tremendous in MOM. She just nailed it with her performance. Nawazuddin Siddiqui also did great acting. He just transformed himself. Others (including Akshay Khanna and Sajal ALi) did their job very well. A good screenplay and story makes the movie attractive. The second half of the movie is brilliant. The way by which Sridevi takes revenge is totally different and is awesome. This movie excellently captures the motherly love . So a must watch for everyone who loves his/her mother
Words could not express the shock and disbelief that I felt upon hearing the sad news of Sridevi's sudden and untimely demise. It's still hard to believe that this beautiful woman, who was only 54, looked so much younger, and whose graceful presence and impeccable talent have been an integral part in the lives of so many lovers of Indian cinema, is no more. That's what made me watch this movie right away. We had planned to see the film before; little did we imagine that it would inevitably become her last film which would be watched after her passing.
Mom is a very nice thriller, very well thought of, written and directed. It's a little too dramatic at some points, but everything is within context and is not overblown. There's no need to give away any sort of details about the story and the proceedings, but one thing, as expected, remains its central force, and it is of course Sridevi herself, and her astounding performance. Sridevi had a vast career graph, with films in many languages, among which sadly not many were great masterworks. Her extraordinary, intense acting talent had always transcended the quality of any film she was in, however, and Mom, while a very good film in and of itself, is no exception in this regard. Her Devki is an amazing portrait of quiet determination and exhilarating strength. Just see the scene when Devki is notified of her daughter having been raped. This act brings back, just for one moment, the uninhibited, trademark Sridevi style that people love to see and probably not expected in an otherwise restrained portrayal. Her full-outburst reaction shows, for the umpteenth time in the career of this gifted actress, her ability to perform the most difficult scenes with ease, full authenticity, and the most alarmingly intense levels of expression. The great thing about this performance, however, is that it is not just a performance of great moments - her overall character development is the great moment itself, and her presence alone speaks volumes. She is real, genuine, and plays the most basic and casual bits with amazing depth and conviction, which never take away from her cinematic appeal. She was a true master of her craft in terms of commanding the attention of her audience at any point.
Twenty years ago, Sridevi, who had by then long been arguably one of the most hard-working and prolific actresses in India, retired from films to devote herself to her family and to being a mom. It's so ironic that her last, full-fledged film appearance ended up being this film, simply titled Mom. It's a little comforting that her screen farewell is such a nice film. This, along with her previous venture, English Vinglish, are the two ultimate, memorable goodbye presents Sridevi gifted her fans with before leaving, just to seal the illustrious list of films in her impressive career. Long live Sridevi, may her remarkable legacy in cinematic history live on forever in the hearts of anyone who loves films and appreciates true acting talent.
Mom is a very nice thriller, very well thought of, written and directed. It's a little too dramatic at some points, but everything is within context and is not overblown. There's no need to give away any sort of details about the story and the proceedings, but one thing, as expected, remains its central force, and it is of course Sridevi herself, and her astounding performance. Sridevi had a vast career graph, with films in many languages, among which sadly not many were great masterworks. Her extraordinary, intense acting talent had always transcended the quality of any film she was in, however, and Mom, while a very good film in and of itself, is no exception in this regard. Her Devki is an amazing portrait of quiet determination and exhilarating strength. Just see the scene when Devki is notified of her daughter having been raped. This act brings back, just for one moment, the uninhibited, trademark Sridevi style that people love to see and probably not expected in an otherwise restrained portrayal. Her full-outburst reaction shows, for the umpteenth time in the career of this gifted actress, her ability to perform the most difficult scenes with ease, full authenticity, and the most alarmingly intense levels of expression. The great thing about this performance, however, is that it is not just a performance of great moments - her overall character development is the great moment itself, and her presence alone speaks volumes. She is real, genuine, and plays the most basic and casual bits with amazing depth and conviction, which never take away from her cinematic appeal. She was a true master of her craft in terms of commanding the attention of her audience at any point.
Twenty years ago, Sridevi, who had by then long been arguably one of the most hard-working and prolific actresses in India, retired from films to devote herself to her family and to being a mom. It's so ironic that her last, full-fledged film appearance ended up being this film, simply titled Mom. It's a little comforting that her screen farewell is such a nice film. This, along with her previous venture, English Vinglish, are the two ultimate, memorable goodbye presents Sridevi gifted her fans with before leaving, just to seal the illustrious list of films in her impressive career. Long live Sridevi, may her remarkable legacy in cinematic history live on forever in the hearts of anyone who loves films and appreciates true acting talent.
Very good revenge thriller. Good Acting. Sensitive subject. Overall a nice movie.
¿Sabías que…?
- TriviaIt is set to hit the silver screen on July 7, the same date that Sridevi debuted in the industry with her first release in 1967.
- ConexionesReferenced in 63rd Jio Filmfare Awards (2018)
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Detalles
Taquilla
- Total a nivel mundial
- USD 20,642,399
- Tiempo de ejecución2 horas 26 minutos
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