Agrega una trama en tu idiomaA former stagecoach robber is hunted by a vengeful US Marshal.A former stagecoach robber is hunted by a vengeful US Marshal.A former stagecoach robber is hunted by a vengeful US Marshal.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 nominación en total
Artine Tony Browne
- US Marshal Adams
- (as Artine Brown)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
This movie was horrible. Bad script, bad acting, even the gun fights were horrible. Just bad, bad bad bad bad! Not even of B movie quality. The few people you will recognize have always played side character, and this movie will show why the should stay there. This was one of the worst movies I have seen in a long time.
Masked men led by Nathaniel Reed (Trace Adkins) rob a stagecoach driven by Calhoun (Kim Coates). Some years later, Nathaniel is three months behind on his mortgage. His wife Laura Lee Reed (Michelle Harrison) is sick. Former running mate Frank Bell arrives with news of another former mate being killed after tortured for information. Despite the warning, Nathaniel refuses to run. Calhoun is now a Marshall and arrives with Bonnie Mudd looking to capture him alive. In the gunfight, Calhoun kills Laura Lee. Nathaniel goes back to robbing with Frank and another mate Sid (Judd Nelson).
My first complaint may seem petty but it is important. I don't like some of the gunshot sounds especially inside the house. They sound soft almost like a cap gun. They need more power. The second annoying thing is the need to make Nathaniel the hero of the story. He insists on not hurting people during the robberies. It's such a weak and obvious move. He's almost a gentleman in the way that he's written. While Trace Adkins has functional acting skills, it is nowhere deep enough to be an emotional performance. All in all, this is not exciting. It is not insightful. It is not that interesting other than getting me to skim through Nathaniel Reed's wiki page.
My first complaint may seem petty but it is important. I don't like some of the gunshot sounds especially inside the house. They sound soft almost like a cap gun. They need more power. The second annoying thing is the need to make Nathaniel the hero of the story. He insists on not hurting people during the robberies. It's such a weak and obvious move. He's almost a gentleman in the way that he's written. While Trace Adkins has functional acting skills, it is nowhere deep enough to be an emotional performance. All in all, this is not exciting. It is not insightful. It is not that interesting other than getting me to skim through Nathaniel Reed's wiki page.
I have to admit I was not glued to the screen for this one. It looked like it might be good. But it just felt flat and sterile. Kind of like a diet soda. It's all there but something tells you its not the real thing. The story was OK, pretty typical. visually it is again passing. The acting is flat and the characters are hard to care about. It does try to be clever and have cool memorable lines but it comes of forced. Things like the firearms having no visible recoil is annoying. Maybe that is nitpicky but this is a moving about gun fighting. It makes the weapons seem impotent/harmless. If you have ever fired a single action .45 i'm sure you'll agree with my observation. "I want you to see this live!" compared to what? I'm pretty sure everything people saw back then was "live". Anyway, I guess I can't say don't watch it. Give it a try. It just did not work for me. Good modern westerns = Tombstone, Unforgiven, even Wyatt Erp, etc. This is far far away from those.
Disappointing in almost every single way.
Where to start...the dialogue felt like the characters had just stumbled off some sit-com set, and were discussing what's for dinner or the latest on who's dating who. I can't think of a single character who delivered their lines with any grit, as we have come to expect in the Western genre. Some realistic acting limited to the facial expressions, at least - occasionally.
Some of the gunfights are almost comical, childish. Two enemies leaning around corners and shooting at nothing much, while their opponent is out of sight. Which is partly interrupted by some dialogue. Don't think I've seen guns fired on screen anytime, ever, where there was absolutely no tension. It is farcical at times.
The music feels like something from a video game. No variation, the dynamics are almost distracting from what is happening on-screen as they do not seem to match. Occasionally the music cuts out before resuming again 'for effect' I guess that was supposed to be. Interesting that the score is performed, recorded and mixed by just one man. Midi I am guessing then (that would make total sense, in hindsight).
I'm repeating what other reviewers have said, that it just feels like it is going through the motions. We are never captivated by the characters.
In its defence, the setting and the props (carriages, not so much the guns) seem fairly true to the genre. It gets 2 rather than 1 star for evoking something of the wilderness of the Western setting effectively.
Where to start...the dialogue felt like the characters had just stumbled off some sit-com set, and were discussing what's for dinner or the latest on who's dating who. I can't think of a single character who delivered their lines with any grit, as we have come to expect in the Western genre. Some realistic acting limited to the facial expressions, at least - occasionally.
Some of the gunfights are almost comical, childish. Two enemies leaning around corners and shooting at nothing much, while their opponent is out of sight. Which is partly interrupted by some dialogue. Don't think I've seen guns fired on screen anytime, ever, where there was absolutely no tension. It is farcical at times.
The music feels like something from a video game. No variation, the dynamics are almost distracting from what is happening on-screen as they do not seem to match. Occasionally the music cuts out before resuming again 'for effect' I guess that was supposed to be. Interesting that the score is performed, recorded and mixed by just one man. Midi I am guessing then (that would make total sense, in hindsight).
I'm repeating what other reviewers have said, that it just feels like it is going through the motions. We are never captivated by the characters.
In its defence, the setting and the props (carriages, not so much the guns) seem fairly true to the genre. It gets 2 rather than 1 star for evoking something of the wilderness of the Western setting effectively.
...should stick to music.
Saw a few good reviews for this one and assume that they were either part of the cast or watching a different movie.
Lame story. Bad acting. Apparently couldn't even be bothered to come up with new names for the characters. Not engaging, not amusing, not up to the standards of your cheesiest spaghetti western. Fan of B movies and this doesn't even hit that standard. Kept waiting for some redeeming feature...nothing showed.
Way too many minutes of my life gone forever.
Saw a few good reviews for this one and assume that they were either part of the cast or watching a different movie.
Lame story. Bad acting. Apparently couldn't even be bothered to come up with new names for the characters. Not engaging, not amusing, not up to the standards of your cheesiest spaghetti western. Fan of B movies and this doesn't even hit that standard. Kept waiting for some redeeming feature...nothing showed.
Way too many minutes of my life gone forever.
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- ConexionesFeatured in Sven Uslings Bio: Stagecoach: The Texas Jack Story (2022)
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Viễn Tây Sinh Sát
- Locaciones de filmación
- Mission, British Columbia, Canadá(Movie Credits)
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 2,200,000 (estimado)
- Tiempo de ejecución
- 1h 30min(90 min)
- Color
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