Charismata

Charismata is billed as a psychological horror from co directors Tor mian and Andy Collier. As with all independent productions you're never sure what to expect but I have to say that with Charismata I was pleasantly surprised. Even after the first few scenes the quality of cinematography, colour grading and acting performances assured me that I was about to experience a polished offering.

The storyline revolves around Rebecca Faraway (Sarah Beck Mather) a homicide detective working with her partner Eli Smith (Adonis Anthony) on a series of gruesome sacrificial murders. As the investigation progresses she begins to experience an increasing amount of disturbing visions and hallucinations leading her to question her own sanity. After being asked to take a back seat on the case she independently digs deeper to try to find a link between her visions and the prime suspect, property magnet Michael Sweet leading to a cat and mouse chase with an occultist mad man where the line between reality and insanity becomes more and more unclear. With good to great cast performances and an unobtrusive but excellent score Charismata in not without its faults but they are far outweighed by its positives.

Sometimes you have the most fun through accidental circumstances. I admit I watched this because I was forced by a friend who usually has very bad taste! I hope he is reading this. Maybe he has found me one of my favorites of the year.

English detectives chase a killer that may or may not be a demon. Can you guess the twist?

Sometimes obvious but also very good fun. Lots of black humor and a heavy creepy atmosphere throughout with strong surrealism. Strong Argento and Bava influences in presentation. If you are a fan you will love this.

The London location is cool. The villain is very entertaining and old school diabolical! I have lived and worked in London and I tell you both are accurate! Haha.

I watched this in America but can't find anywhere in Germany. What gives? I think this would play very well here and England is a lot closer than New York. Also, I want to watch it again when I am not drunk to make sure I enjoyed it as much as I did. It's one of those !

Even though there is probably no genre I watch more of, I do not expect too much from my low budget horror. Horror is almost a comfort blanket for me. Lots of time it's background ambiance. That might sound a bit sick and twisted but it's rare I sit up and pay attention to a low budget horror that hasn't been heavily publicized beforehand. There is just so much of it that in some ways I have become desensitized. Generally speaking I tune in and zoom out. So did Charismata make me sit up? Almost.

Charismata suffers from many of the usual pitfalls of the genre. This includes cheap and cheesy CGI and uneven acting. Crucially it is always engaging and excels in two important places.

First Sarah Beck Mather. Playing a British detective losing her mind as she investigates a murder, she is nothing short of sensational. I don't know how well known she is in the UK but I hope to see more of her in the US in the future. The other performances are not bad on the whole. Just more in keeping with what you expect from the genre. The lead though is fantastic and it's not hyperbole to say it is one of the best performances I have seen all year. A star is born. Or at least deserves to be.

Second. Apart from a strange misstep this is one of the best written horror films I have seen in some time. The dialogue sings and while there is nothing entirely original here I was still left guessing until the end.

The most important question when assessing a horror film is it scary?

Sadly, not really. There is an interesting lurid tone, a couple of average jump scares but noting made my skin crawl or my heart race. I would hesitate to even call it a horror. It's much closer to a murder mystery or a quirky Cohen brothers drama set in England. It reminded me more of A Barton Fink or Fargo than it did a Conjuring or Hereditary. This is not a bad thing. In fact it can be taken as a compliment. Just don't pretend it's something that it isn't.

6/10 if you are going in wanting a low budget horror fix.

8/10 if you just want an usual and entertaining movie.

Don't get fooled by the reviews and awards. This is another over-hyped horror by the studio. So many of these always. It only gets hype because hipsters think its cool to like any film that is foreign that's all. I know that this is English language but you will have to watch it with subtitles when the accents are so heavy. Sometimes I couldn't even understand what they are saying. Some english cops chase a killer who is also a demon. It's okay. Not scary and boring most of the time. 2 good scenes and okay acting or I would score it even less. Cheap looking. If you want to watch great foreign horror you should watch J-Horror instead. They do it so much better. I will make a list.

A rookie female detective cracks under the pressure of dealing with a constant stream of misogyny from her douchey colleagues while hunting an occultist serial killer who turns his supernatural(?) powers against her. I enjoyed this.

The good

Like the other Brit film Kill List from a few years ago, there is a weird, gritty-yet-off-kilter vibe running all the way through this. Like David Lynch directed an episode of Cops, but in England. I liked.

Sarah Beck Mather is just superb as the lead. One of the best female horror leads in a while. In the first scenes she looked as bitchy as the men, but you soon see that this is a shield she puts up and she's already close to cracking.

The bad

Pacing problem. The first part was very slow and the gloriously fun last part seemed rushed. If they took 10 minutes from the start and added 10 to the end then the movie might have been outstandingly good.

The ugly

After using some really effective practical effects for most of the run time, the last minute was full of schlocky low budget horror CGI.

Overall. Not quite as good as Kill List, but still pretty good and well worth your time.