Un ex boxeador transformado en narcotraficante, aterriza en un campo de batalla de la prisión después de que un trato se vuelve mortal.Un ex boxeador transformado en narcotraficante, aterriza en un campo de batalla de la prisión después de que un trato se vuelve mortal.Un ex boxeador transformado en narcotraficante, aterriza en un campo de batalla de la prisión después de que un trato se vuelve mortal.
- Premios
- 4 nominaciones en total
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Because writer/director Zahler has taken his audience back to an era when films were simpler, direct, and,above all, unrelenting in their pursuit of a single theme or idea.
He has manufactured a true guilty pleasure -- a film about a man making bad choices that is driven by brilliant characterizations, raw Adrenalin, and a compelling narrative that makes you watch no matter how much you know you should look away.
In the grand tradition of Charles Bronson and Clint Eastwood, Vaughn, an actor once relegated to romantic comedies, does "the" physical role of his career and it is a barn burner.
There is no pretense at class. This is 1960s grindhouse from start to finish and if you have any doubts just listen to the closing music at the 2:05 mark --- a brisk orchestral piece that sounds more fitting to a vaudeville act than a melodrama. Zahler ends the show by signalling that he was messing with your head, overloading your senses, all along -- and moreover he was doing it deliberately and knowingly.
Don Johnson, an actor who continues to win SEXIEST MAN ALIVE awards for merely showing up at the ceremony, wanted to try something different and succeeded - his cigar-smoking, sadistic warden is a masterpiece. Unforgettable.
A hard film to review, a difficult film to classify, and an impossible film to ignore. The closest analog in this era would be the highly stylized, and highly violent, films from South Korea that glorify the individual over the system.
Highly recommended.
((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))
He has manufactured a true guilty pleasure -- a film about a man making bad choices that is driven by brilliant characterizations, raw Adrenalin, and a compelling narrative that makes you watch no matter how much you know you should look away.
In the grand tradition of Charles Bronson and Clint Eastwood, Vaughn, an actor once relegated to romantic comedies, does "the" physical role of his career and it is a barn burner.
There is no pretense at class. This is 1960s grindhouse from start to finish and if you have any doubts just listen to the closing music at the 2:05 mark --- a brisk orchestral piece that sounds more fitting to a vaudeville act than a melodrama. Zahler ends the show by signalling that he was messing with your head, overloading your senses, all along -- and moreover he was doing it deliberately and knowingly.
Don Johnson, an actor who continues to win SEXIEST MAN ALIVE awards for merely showing up at the ceremony, wanted to try something different and succeeded - his cigar-smoking, sadistic warden is a masterpiece. Unforgettable.
A hard film to review, a difficult film to classify, and an impossible film to ignore. The closest analog in this era would be the highly stylized, and highly violent, films from South Korea that glorify the individual over the system.
Highly recommended.
((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))
First of all, if you are squeamish (even a little) DO NOT watch this movie. But if you've got the stomach for an extremely violent (and sometimes depressing) movie this might be worth your time.
Vince Vaughn does an excellent job. In fact, the acting in the whole movie is surprisingly good for a grindhouse-style flick. This is about a man in a bad, bad position, who bad things happen to, and who in turn does some very bad things. But if you can handle this type of movie you will be entertained.
The action is gritty to the point of being potentially sickening. I was disturbed, and yet I wish more movies took this approach to action. The fight scenes are not comic bookish like so many movies, rather they are brutal and somehow realistic. Honestly they were the best thing about this movie.
Don't expect a brawl in the sense that a whole cell block starts fighting riot style. This is more of a Bronson-esque "one man out for revenge" style of movie.
The only negative I noticed is that there were a few unbelievable parts regarding the prison system, but they were needed to drive the plot along in the direction it went. Viewers should really just suppress their disbelief (and gag reflexes) and just strap themselves in for the ride.
Recommended for anyone that can handle the darkness and appreciate the brutally gritty craziness that is this movie.
Vince Vaughn does an excellent job. In fact, the acting in the whole movie is surprisingly good for a grindhouse-style flick. This is about a man in a bad, bad position, who bad things happen to, and who in turn does some very bad things. But if you can handle this type of movie you will be entertained.
The action is gritty to the point of being potentially sickening. I was disturbed, and yet I wish more movies took this approach to action. The fight scenes are not comic bookish like so many movies, rather they are brutal and somehow realistic. Honestly they were the best thing about this movie.
Don't expect a brawl in the sense that a whole cell block starts fighting riot style. This is more of a Bronson-esque "one man out for revenge" style of movie.
The only negative I noticed is that there were a few unbelievable parts regarding the prison system, but they were needed to drive the plot along in the direction it went. Viewers should really just suppress their disbelief (and gag reflexes) and just strap themselves in for the ride.
Recommended for anyone that can handle the darkness and appreciate the brutally gritty craziness that is this movie.
I saw this for the first time recently. This movie was on my radar for a long time.
Having enjoyed S. Craig Zahler's Bone Tomahawk, Asylum Blackout n Dragged Across Street, i had huge expectations n this movie went beyond my expectations.
This movie is very engrossing n shockingly brutal.
This one has some witty dialogues n some humor.
Vince Vaughn gave a terrific performance n his character is amazeballs.
"Pretend like u r talking to god".
"He doesn't smell like nachos".
Having enjoyed S. Craig Zahler's Bone Tomahawk, Asylum Blackout n Dragged Across Street, i had huge expectations n this movie went beyond my expectations.
This movie is very engrossing n shockingly brutal.
This one has some witty dialogues n some humor.
Vince Vaughn gave a terrific performance n his character is amazeballs.
"Pretend like u r talking to god".
"He doesn't smell like nachos".
Vince Vaughn does a great job of portraying a no-nonsense tough guy who doesn't mince his words in this prison drama. I was surprised how much i enjoyed this movie. His character brings to mind characters similar to what Charles Bronson, Clint Eastwood and the like have played. There is a real intensity about this movie and his performance that is lacking in many action films these days. The supporting cast were good also but i thought Vince Vaughn totally carried this movie, which could have been way worse but for what he brought to it. Highly recommended for fans of old school movies of this genre.
S. Craig Zahler is proving himself to be a director worth paying attention to. I became a fan after seeing Bone Tomahawk, and have read several of his novels including Mean Business on North Ganson Street and Wraiths of the Broken Land. Also, his incredible un-produced screenplay The Brigands of Rattleborge.
BRAWL is very similar to Bone Tomahawk in terms of pacing, story structure and tone. A slow descent into a hellish situation.
I don't agree with people who say he is a "second-rate Tarantino." Tarantino does homage. Even Robert Rodriguez, in his attempts to do exploitation films, call too much attention to themselves and end up bordering on spoof, whereas BRAWL just simply is an exploitation film.
Perhaps some of Zahler's dialogue works better on the page than spoken, but I still think he is a great writer.
The low-key style of the film, with the every-man type of character Vaughn plays who gets mixed up in a serious situation makes this movie seem like a combination of Nicolas Winding Refn's PUSHER II and Cassavettes' KILLING OF A Chinese BOOKIE.
There are even some subtle hints of ASSAULT ON PRECINCT 13.
My only real gripes are that some of the dialogue exchanges are kind of stilted, and the staging of characters in some scenes seems too stiff and unnatural.
I like that the themes, such as privatization of prisons, are beneath the surface and not drilled into the audiences' head.
Its not a perfect movie, I hope Zahler continues to branch out but its a cool throwback movie that isn't trying to play it safe or cater to a wide audience and knows what type of movie it wants to be.
BRAWL is very similar to Bone Tomahawk in terms of pacing, story structure and tone. A slow descent into a hellish situation.
I don't agree with people who say he is a "second-rate Tarantino." Tarantino does homage. Even Robert Rodriguez, in his attempts to do exploitation films, call too much attention to themselves and end up bordering on spoof, whereas BRAWL just simply is an exploitation film.
Perhaps some of Zahler's dialogue works better on the page than spoken, but I still think he is a great writer.
The low-key style of the film, with the every-man type of character Vaughn plays who gets mixed up in a serious situation makes this movie seem like a combination of Nicolas Winding Refn's PUSHER II and Cassavettes' KILLING OF A Chinese BOOKIE.
There are even some subtle hints of ASSAULT ON PRECINCT 13.
My only real gripes are that some of the dialogue exchanges are kind of stilted, and the staging of characters in some scenes seems too stiff and unnatural.
I like that the themes, such as privatization of prisons, are beneath the surface and not drilled into the audiences' head.
Its not a perfect movie, I hope Zahler continues to branch out but its a cool throwback movie that isn't trying to play it safe or cater to a wide audience and knows what type of movie it wants to be.
¿Sabías que…?
- TriviaThe prosthetics used in fight scenes to show injuries were made to look like 1970's style grindhouse effects.
- ErroresA prisoner in FRJ is one of the guards at Redleaf.
- Citas
James: Are you ok?
Bradley Thomas: South of ok. North of cancer.
- Versiones alternativasThe UK release was cut, the distributor chose to reduce or remove moments of stronger. sadistic violence and injury detail in order to obtain a 15 classification. An uncut 18 classification was available.
- ConexionesFeatured in Journey in the Brawl: The Making of 'Brawl in Cell Block 99' (2017)
- Bandas sonorasBuddy's Business
Written by S. Craig Zahler & Jeff Herriott
Performed by The O'Jays featuring Eddie Levert and Walter Williams Sr. (as Walter Williams)
Courtesy of Cinestate Publishing LLC
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- How long is Brawl in Cell Block 99?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Бійка в блоці 99
- Locaciones de filmación
- Fort Wadsworth, Staten Island, Nueva York, Nueva York, Estados Unidos(as Redleaf Detention Center)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Total a nivel mundial
- USD 64,453
- Tiempo de ejecución
- 2h 12min(132 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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