Una Mujer Fantástica

Sebastian Lello's 'A Fantastic Woman' is, quite simply, a fantastic film, albeit a depressing watch. Telling the story of a transsexual woman whose partner dies and the hostility she faces from his family in the aftermath, it brilliantly captures a life of continual (in the words of another reviewer) "micro-agressions", although some of them are not so minor. Interestingly, she seems to show most contempt for Gabo, the one member of the family who knows his relatives are treating her badly, but can't quite bring himself to do anything about it. There's a realistic, and horrifying believable, feel to this film; part of it's secret is that it's protagonist is not just a victim, but while she is in some senses admirable for how she has to deal with her situation, she is in no senses a superwoman: this is not a film with a celebratory air. It's all the better for it, a film to make one think about one's own prejudices and the difficult journeys we all must make through life, some harder than others.

Marina Vidal (Daniela Vega) is a transgender woman and aspiring singer in her twenties and living in Santiago, Chile. After the death of her lover, a man in his fifties with an ex-wife and an adult son, Marina is left alone in dealing with her grief and the aftermath of the death.

In addition to the burden of grief, Marina must also deal with humiliating and prejudicial situations around her transgender status. She subtly shows an attitude of "I hate having to go through this again but I can." Interestingly, her transgender status is used to her advantage in a later scene in the film.

Vega is in nearly every scene of the film and must carry it on her shoulders. She does the job superbly. She ably conveys awkwardness and vulnerability as her character attempts to maintain what is rightfully hers while being aware that many battles may not be won.

Much of the film follows Marina as she journeys through the city's urban atmosphere to numb her pain. The last quarter of the film takes a different twist that is less interesting than what precedes it. But "A Fantastic Woman" is a good film overall mainly due to the subtle skills of its lead performer. - dbamateurcritic

I had expected 'The Square' to win the foreign language Oscar, and I had hoped 'On Body and Soul' would take home the award. I was wrong. Instead of the urgency of the former or the poetry of the latter, the jury chose the delicacy of 'Una Mujer Fantástica'.

Probably, the choice has been as much inspired by the subject of the film as by the cinematographic quality of it. 'Una Mujer Fantástica' is a plea for mutual understanding, tolerance and kindness. And at the same time a condemnation of bigotry, prejudice and brutality. It can't be seen without having to think about the wave of intolerance against all kinds of minorities currently sweeping western societies.

The fantastic woman who has given the film its title, is Marina Vidal, a woman in her twenties who is dating a businessman about twice her age. In spite of the age difference, they seem to be happy with each other. But it's not so much the age difference that is remarkable. Marina is a woman who has been a man before.

In the first part of the film, this is not an issue at all. It's only after her lover suddenly dies, that Marina's gender becomes something peculiar. The medical staff, the police and, above all, her lover's relatives treat her with utmost distrust and suspicion. They won't even let her grieve, or attend the funeral.

The film shows how Marina suffers from the way she is treated, and how she refuses to give in. She remains her proud self, and in the end gets what she wants: a decent goodbye to her deceased lover. The film doesn't fall into the trap of making the whole thing too sentimental. The director registers the events, with a certain amount of compassion, but without making a tearjerker of it.

This is not a groundbreaking movie. But 'Una Mujer Fantástica' is without any doubt a well-written, well-directed and well-acted drama, with an underlying message that's hard not to agree with.

It's hard to even talk about LGBT matters in a country like Chile, so is exactly right there the significance of Sebastian Lelio's work. The characterizations are so well performed by the actors and actresses, that you can feel the anger and frustration of Marina, the love that Orlando feels for her, the everyday struggle of Marina in a society that rejects her sexuality, the hate from Orlando's family, etc.

Is necessary a movie like this, is necessary a more open-mind society, is necessary to stop discrimination, is necessary to stop the hate.

A fantastic woman, is ready to show the audience that there is no differences between a transgender person and a heterosexual one, the strong main character of Marina, will make you feel her never-ending fight to gain some respect, and how bad we, as society, make her feel.

Thanks to Sebastian Lelio for bring this taboo to the light. Excellent work.

"A Fantastic Woman" is Chile's submission to the Academy Awards for the category of Best Foreign Film. The film tells the story of a transgender woman, Marina, who is suddenly cast into a state of mourning after her older boyfriend Orlando died suddenly and unexpectedly. She must confront and come to terms with Orlando's immediate and extended family members as well, who are just as shocked by the tragic loss as she is but generally unaccepting of her gender identity.

Sebastian Lelio delivers a well-directed film that makes good usage of simple but exquisite technical and editing tactics. The acting in the film is quite strong throughout, and the script is also well-written. Daniela Varga's lead performance is excellent, as she portrays Marina with a genuine sense of melancholy. She is able to enable the audience to feel a deep-seated, full-throated sense of empathy as well--one which we can only wish the characters she interacts with during the film's duration could have towards her in return. The tone on display in the film is somber and very bleak, but distinctly and genuinely rooted in reality. Such tone is supported--and exacerbated (in a good way)--by the simple score and aesthetic qualities we see. The chronology of the film's narrative is rather bizarre, as is the juxtaposition of some scenes and brief interludes. Otherwise, this is a generally well-made film. 7/10