Tully

Greetings from Lithuania.

"Tully" (2018) isn't Jason Reitman's best movie - far from it. But it was a solid character study drama with some a bit unexpected ending, but to be honest i kinda felt what was going on, therefore it wasn't really a twist. The best things about this movie were solid performances by Charlize Theron, Mackenzie Davis and Ron Livingston. Script was solid and the story was truthful. Many moms will find this movie very true.

Overall, "Tully" is a solid movie to see it once. Its true to life and that was its strong side, and a bit of letdown maybe at the same time, as we see these things every day, and sometimes you just don't want to see it on a screen as well. Yet a nice movie to see it once.

This film tells the story of a struggling mother of three, whose life is tremendously helped by a night nanny.

The depiction of being a completely exhausted mother is really piercing. Charlize Theron makes it so accurate and so haunting. The night nanny is such a godsend, but the story comes with a peculiar twist. I enjoyed the plot, and I am impressed by Charlize Theron's performance as well.

It's a daunting task to do this film justice with mere descriptions of what it may or may not be about. One thing is clear, it is about motherhood, it is about identity, and about self-acceptance, but one could argue most films are about identity and self-acceptance, which leaves us with motherhood.

It feels much more important to underline that Tully is a rare film with stunning writing and dialogue and acting, that takes the viewer through what it can feel like to be a mother of three children with rare sincerity, realism, lightness and freshness. Mostly, it just feels like we are there, we desperately want to lighten the load Marlo (Charlize) has on her hands, we are incredibly grateful for everything Tully (MacKenzie Davis - who is very far from Cameron Howe here, showing that she has great range on top of her talent) does for her. And when the film ends, it feels like what a movie is supposed to feel like: like we have journeyed somewhere else, both awed and scarred by some of what we've seen, and a little bit wiser than when we first came in.

My wife and I watched this movie at home on DVD from our public library.

I have always been a big Charlize Theron fan, ever since I first saw her in 1998's 'Mighty Joe Young'. She was a producer for this movie and, in the lead role, gained 50 pounds to make the character authentic. She is really great here in a difficult role.

Here she is Marlo, she and her husband are also best friends, but as often happens he can't quite relate to her task of taking care of two young children, and on top of that she is very pregnant and about to deliver their new daughter.

As we watched the story develop, and Marlo gets a night nurse, Tully, who comes in at bedtime and takes care of the baby, the story seems to be taking a very strange twist. At the height of that strangeness Tully talks Marlo into driving into New York City for drinks at night after the baby and her husband are asleep.

When the story resolves itself completely it all makes sense, the overall thrust is how what we commonly know as postpartum depression can affect a busy mother.

From the same writer that gave us "Juno" and "Young Adult."

TULLY is a funny and frustrating look at motherhood through the eyes of a very tired, borderline post-partum depressed mom, played by Charlize Theron. We first meet Theron when she's very pregnant, and already very stressed taking care of the two kids she has already. A nervous daughter who is smart but way too hard on herself, and a son who clearly is "on the spectrum" somewhere, and is becoming a real problem at his private school. A school his parents can't really afford. The baby that's on its way is clearly seen as a mixed blessing at best by Theron and her somewhat absent husband (played by Ron Livingston.)

The baby arrives, and sure enough, it's too much for Theron to handle. Her brother (Mark Duplass), who is doing QUITE well in business, suggests she hire a night nanny (a gift from him)...essentially a person who will take care of your newborn during the night so you can get a good night's sleep yourself. Reluctant at first, but finally buckling to her own crushing exhaustion, Tully enters Theron's life. Mackenzie Davis plays Tully as a nearly perfect answer to Tully's need. She is empathetic. She is patient. She is understanding & funny. And most importantly, she takes care of the baby, cleans the house and even makes snacks for the kids. Theron finally gets some sleep. And with sleep, she re-engages with her household...finally serving something other than frozen pizza for dinner, being attentive to her older kids and just generally being in a better mood.

Much of the film revolves around the amusing night-time conversations between Theron and Tully, and an unusual friendship develops. It is here that the dialogue (from Oscar winner Diablo Cody) really sparkles. We come to feel the relationship between these two women very closely, and invest our attention into looking forward to what happens next, and next, and next. There are amusing surprises in store.

Director Jason Reitman keeps things moving along briskly. This indie-spirit film moves at the clip of a mainstream movie...making it extremely engaging. Theron is really terrific, and throws herself into this unflattering role in a way that makes us sympathize for her greatly even while we're frustrated by some of her actions. Davis is delightful as the free-spirited Tully, and Livingston, in his understated way, makes for a good foil. The actors playing Theron's kids are very sharp as well. This is a movie that really delights the viewer with excellent performances that are sparked by a script with heart and a fair amount of wit.

Why not 5 stars? It's a close call, really. I docked it a half star or so because some of the scenes of chaos in Theron's life are perhaps just a bit too broad and hard to believe. Cody has written them on a very fine line between believable and "too much." That teetering takes some of the film's potential power away. Specifically, scenes between Theron and various leaders at her son's school paint the school officials with a very big "villain" brush, and with no subtlety. And I like Mark Duplass in some things, but his characteristic smugness makes him too one-dimensional in this film.

These gripes aside, TULLY is amusing, sometimes sad and VERY frequently surprising. It takes you down a few predictable roads, which only makes the surprise detours all the more impactful. It's absolutely worth checking out, especially for just about anyone who has had to raise kids.