Mimosas

My heading says it all. Although the scenery is beautiful, I must admit that I don't understand the messages throughout this film and if there is any message the film is supposed to leave me with. Yes, the scenery is beautiful and beautifully filmed, the actors and some scenes made impressions on me, but overall I don't understand the relationships between varying scenes and the overall point of the film.

An agreeable and interesting drama/adventure in Western style with splendid cinematography and gorgeous outdoors from a special place in contemporary Morocco in which a caravan of travelers searches for a pass that will allow them to return an ailing elderly Sufi master to his home to die . An attractive and sensitive story starred by unexperienced but good protagonists and including spectacular outdoors from mountains Atlas, Morocco . Among the party is Ahmed, a rogue and a survivor, who is willing to do whatever it takes to rise up from his unfortunate condition . Ahmed is particularly inspired by the Sufi master , and, upon the old man's death, he has taken the lead of the risky expedition . On his journey, he receives the assistance of Shakib, a young man sent on a mission.

Rural tale set in the High Atlas Mountains at an indeterminate time in the past, including wonderful landscapes , nicely starred and being compellingly directed by Oliver Laxe . This is an enjoyable and intense adventure that follows an expedition throughout dangerous and mountainous landscapes and a particular relationship between the strange characters . Its style is pretty much rural and realistic as well in the atmosphere as in the fresh dialog ; in addition, the plot bears certain resemblance and in similar style to ¨Tommy Lee Jones's The Three Burials of Melquiades Estrada¨. This film describes the exploits of a group of travelers led by Ahmed who becomes aware of his own innate abilities and takes up the leadership of the caravan by crossing hard , steep and risky roads , including a brieg character studio of local people and an agreeable relationship among villagers . This provoking drama to be a deep reflection about the human , concerning a group of travelelers , being main aim to help a dying elderly sheikh to pass away and be buried in his native village . This charming film is a touching and sensitive adventurous drama with elevated cinematographic values . The protagonist results to be a ¨Quixote¨ who obstinately undertakes a perilous journey whose objective looks to fulfill the promise by whatever means . The movie shows the different characters and explores their apprehension , ambitions , fears and circumstances . Well played by newcomers who in spite of their unexperience give acceptable interpretations.

Good production design and correctly reflecting the atmosphere by that time and excellent location . Splendid photography with juicy atmosphere by Mauro Herce , a great cameramen of the Spanish cinema . Being appropriately filmed on location , showing one colorful filming from mountains Atlas , Ouarzazate, Aït Benhaddou, Marrakech, Morocco . Adding evocative and spiritual musical score , along with song Sinai written by Al Cisneros performed by Om ,courtesy of Drag City Records . Mimosas was originally directed by Oliver Laxe . His most succesful film is ¨Lo que arde (2019) " in Spanish,¨O que Arde¨or "What It Burns" that won several awards and nominations , such as : Cannes Film Festival 2019 Winner Un Certain Regard Jury Prize : Oliver Laxe. Chicago International Film Festival 2019 Winner Best Sound Design , best sound mixer , sound editor . Oliver Laxeis a director and actor, known for Mimosas (2016), Lo que arde (2019) and Todos vosotros sois capitanes (2010). As this ¨Mimosas¨won numerous prizes and nominations , such as : Almeria Western Film Festival 2017 Winner Grand Jury Award , Award for Technical Artistic Contribution to the Western genre sound designer Emilio García Rivas , Special Jury Award to the best Neowestern Featured Film Oliver Laxe , Best Performance Shakib Ben Omar , Best Cinematography . Mauro Herce . Buenos Aires International Festival of Independent Cinema 2017 Winner Special Mention Avant Garde and Genre Oliver Laxe. Cairo International Film Festival 2016 Winner Best Actor Shakib Ben Omar , Golden Pyramid Best Film Oliver Laxe. Cannes Film Festival 2016 Winner Critics Week Grand Prize. Festival de cine de Zaragoza 2016 Winner Special Mention Oliver Laxe. International Film Festival and Forum on Human Rights 2017 Winner Youth Jury - Fiction Special Mention Oliver Laxe. Mestre Mateo Awards 2017 Winner Best Director , Best Production Manager Felipe Lage Coro, Nominee Mestre Mateo Best Screenplay.

The initial scenario is a city fronting a barren plain in Morocco, with the majestic Atlas mountains in the background. The manager of a taxi agency is assigning jobs to prospective drivers. He has a special assignment not involving driving; to guide an old, gravely ill sheik to Sijilmasa, where he expects to be buried. The sheik's wife and a few hired helpers are along for the trek. The driver chosen as guide is young Shakib. The other drivers are quick to point out his lack of experience but the boss credits him with having baraka (a divine blessing that provides spiritual force).

The whole purpose of the expedition is puzzling, as Sijilmassa is accessible by road. Nobody in the group (including Shakib) seems to know how to get to Sijilmassa and they finally choose to cut across the mountains on paths that cross dangerous rivers or are mere shelves carved in dizzying rock walls. The caravan doesn't attain its objective; the sheikh dies on the way and shortly after the group is beset by bandits.

Sijilmassa, a thriving city in the Middle Ages was abandoned at the beginning of the 19th century and now survives as a vast array of ruins frequented by tourists and archeologists (we see Sijilmassa in its former splendor in a wall painting at the beginning). The action is divided in three parts, each named after a Sufi prayer position; In fact religion is the key to the tale. Shakib's faith is childlike, sometimes unsophisticated and uninformed (which causes ribbing from his companions). He believes that the path to truth will be revealed to those that look sincerely for it. And, his religion is not purely a mental construct; it motivates his actions, as when he confronts a group of bandits single handed and poorly armed. In a dialogue near the end Shakib refers to Sijilmassa, in its medieval splendor, as a city of supernatural wonders, a step to Heaven or Heaven itself. This makes the story a religious pilgrimage which does not attain its end but where truths and revelations are found in the way.

French born Galician director Oliver Laxe tells the tale in an austere, minimalistic way (perhaps too much so at times) supported by the excellent cinematography of Mauro Herce that captures equally well the melancholic desert vistas and the stark, forbidding landscapes of the Atlas Mountains. Acting is flawless; most of the actors are nonprofessionals playing themselves. A quality film.

Morocco has - of late - been a major player in recent Arab cinema. Given the number of great films it has produced in recent years, I was expecting a great movie. I was sorely disappointed.

The movie revolves around a caravan wandering into the Atlas mountains, its' main aim to help a dying elderly sheikh to pass away and be buried in his native village. Death, however, has other plans, claiming the sheikh around twenty minutes into the film. At this point, the majority of the caravan backs out and leaves. The rest of the film follows the remaining members who uphold their end of the deal and persevere through the mountains with the sheikh's corpse.

The only plus in the movie is its' camera work, the focus being on the breathtaking majestic natural landscapes, often with a sulking face in the foreground. However, if I had wanted to see sulking faces against gorgeous backgrounds, I would probably visit a photo exhibition.

The film offers no shortage of flaws, including a deafening absence of music (amplifying the boredom ten-fold), wooden acting and occasional bleating by a rather lack-lustre cast (with the exception of Shakib), and a limited dialogue, with painfully long pauses in between each character's lines. Moreover, the entire plot, which could have easily been made into a 40 minute episode, was dragged out for FAR TOO LONG. Let's just say that death claimed the cinema audience's attention way before it claimed the sheikh's soul. I was later shocked that the film was one hour and thirty six minutes; it felt more like an eternity of boredom.

From the get-go, it was obvious that this film was aimed at international film festivals (I saw this film in one of those festivals). I could even picture artsy European hipsters saying 'Oh my God, this is so ethnic!'. Despite this, the film makes numerous religious allusions that - if not viewed by an Arabic/Muslim audience - will leave international audiences in the dark. A rather exclusive move that will probably not bode well in a non Middle- Eastern context.

Overall, this film is a perfect example of the stereotypical 'pretentious art film' that you will probably watch just once (hopefully never) unless you a) have an incurable case of insomnia or b) intend to spoil a perfectly good movie night.

I second the reviewer above in demanding my time back.

I want my time back. There is maybe 10 minutes of story. This movie could have five minutes and it would tell everything that happens. I don't get this idea of insanely long takes of people walking in a desert, other people sitting in silence inside traveling vehicles or dialogues that takes 30 seconds between every line. OK, I get the idea of different landscapes and cultures, blablabla but I have better things to do.