The Maus
- 2017
- 1h 30min
CALIFICACIÓN DE IMDb
4.4/10
5.1 k
TU CALIFICACIÓN
Alex y Selma, de viaje en el centro de Bosnia-Herzegovina, creen que alguien les sigue. Selma se acoge al amuleto que le dejó su padre, despertando a una fuerza en los bosques.Alex y Selma, de viaje en el centro de Bosnia-Herzegovina, creen que alguien les sigue. Selma se acoge al amuleto que le dejó su padre, despertando a una fuerza en los bosques.Alex y Selma, de viaje en el centro de Bosnia-Herzegovina, creen que alguien les sigue. Selma se acoge al amuleto que le dejó su padre, despertando a una fuerza en los bosques.
- Dirección
- Guionistas
- Elenco
- Premios
- 2 premios ganados y 5 nominaciones en total
Opiniones destacadas
This movie is certainly a lot of the following:
All in all 90 minutes of wasted time if you ask me.
- waiting for something to happen
- back of heads
- veeery blurry background with important scenes
- black screens
- scenes with spinning camera
- mines
All in all 90 minutes of wasted time if you ask me.
The Maus is one these films in which the location serves to create a meaningful part of the overall discomforting mood. As always, it comes with all sorts of supporting (or unsupportive from the protagonists' perspective) features, such as no cellular reception and a language barrier. While I'm not a fan of using these particular defining aspects, I must admit that including the female protagonist's obvious (and completely understandable) PTSD after surviving the Serbian cleansing of Bosnian Muslims added a lot of character and quality to the story.
The plot is quite simple to understand from the film's description (and from watching the first ten minutes). Selma (Alma Terzic) and her boyfriend Alex (August Wittgenstein) visit Bosnia and become stranded and lost in one of its vast forests, which happens to be riddled with unmarked mine fields. By chance they happen to meet two "local" Serbs, Vuk (Aleksandar Seksan) and Milos (Sanin Milavic), who offer to assist them. From that point - reality and paranoia become mixed and intertwined as Selma initially distrusts the two on account of their origin, seeing in them the same type of people who murdered her family during the war.
The acting is quite impressive (especially by Seksan and Milavic whose performance keeps the audience guessing as to their true intentions and nature and Selma's sanity) and the story progresses in a very compelling way. Each and every scene seems to have been meticulously chosen to serve the film's conclusion and final plot twist (which isn't brilliant but definitely serves as a fine and terrible closure). While in no way "fun" to watch - The Maus is pretty rewarding for Horror fans who enjoy being depressed by human nature and what we can at times bring ourselves to do to our fellow man.
All in all, The Maus is far from being a masterpiece and none of its features are delivered in an overly impressive manner. It's simple enough and does a pretty decent job in toying with the audience's thoughts and emotions (which I assume was the creators' initial goal). Nothing fancy, yet quite rewarding by its own right. I don't think it deserves the low rating and all the harsh criticism it has received here (now there's a surprise), but you could still find something better (or a lot worse) to watch.
The plot is quite simple to understand from the film's description (and from watching the first ten minutes). Selma (Alma Terzic) and her boyfriend Alex (August Wittgenstein) visit Bosnia and become stranded and lost in one of its vast forests, which happens to be riddled with unmarked mine fields. By chance they happen to meet two "local" Serbs, Vuk (Aleksandar Seksan) and Milos (Sanin Milavic), who offer to assist them. From that point - reality and paranoia become mixed and intertwined as Selma initially distrusts the two on account of their origin, seeing in them the same type of people who murdered her family during the war.
The acting is quite impressive (especially by Seksan and Milavic whose performance keeps the audience guessing as to their true intentions and nature and Selma's sanity) and the story progresses in a very compelling way. Each and every scene seems to have been meticulously chosen to serve the film's conclusion and final plot twist (which isn't brilliant but definitely serves as a fine and terrible closure). While in no way "fun" to watch - The Maus is pretty rewarding for Horror fans who enjoy being depressed by human nature and what we can at times bring ourselves to do to our fellow man.
All in all, The Maus is far from being a masterpiece and none of its features are delivered in an overly impressive manner. It's simple enough and does a pretty decent job in toying with the audience's thoughts and emotions (which I assume was the creators' initial goal). Nothing fancy, yet quite rewarding by its own right. I don't think it deserves the low rating and all the harsh criticism it has received here (now there's a surprise), but you could still find something better (or a lot worse) to watch.
And this is one of them.
I kinda got what the director was trying to say and it does work in certain aspects but the film is too dark , depressing and slow.
It is quite visceral and while there isn't a lot of gore and much is left to the imagination, it is in the vein of torture porn akin to movies like Hostel.
It started off quite well and seemed an original setting in Bosnia but the pace is turgid and the lack of subtitles does have a slightly negative effect on the viewer and I speak Slovak and Czech and could understand some of what was being said, it still was annoying and confusing to not know exactly what is being said at times and I know the director was using this for effect but it did not work in my opinion!
Its definitely not a 1 or 2 out of 10 as many of the other reviewers have said but then you cannot legislate for the crash, bang, wallop expectations of the pea brained reviewers who cannot seem to delve into the deeper elements of the subject and story the director was trying to put forth! The acting also was not bad , particularly from the female lead; i though she was excellent contrary once again to all the other reviewers who gave it a poor 1 out of 10 which means its the worst movie you have ever seen which it definitely is not; we have movies like "THE BAD BATCH" for that!
I kinda got what the director was trying to say and it does work in certain aspects but the film is too dark , depressing and slow.
It is quite visceral and while there isn't a lot of gore and much is left to the imagination, it is in the vein of torture porn akin to movies like Hostel.
It started off quite well and seemed an original setting in Bosnia but the pace is turgid and the lack of subtitles does have a slightly negative effect on the viewer and I speak Slovak and Czech and could understand some of what was being said, it still was annoying and confusing to not know exactly what is being said at times and I know the director was using this for effect but it did not work in my opinion!
Its definitely not a 1 or 2 out of 10 as many of the other reviewers have said but then you cannot legislate for the crash, bang, wallop expectations of the pea brained reviewers who cannot seem to delve into the deeper elements of the subject and story the director was trying to put forth! The acting also was not bad , particularly from the female lead; i though she was excellent contrary once again to all the other reviewers who gave it a poor 1 out of 10 which means its the worst movie you have ever seen which it definitely is not; we have movies like "THE BAD BATCH" for that!
This is one of those movies where you ask yourself what the heck is going on throughout the entire film. Why are in the forest in the first place? What's with the fog? What's with the creatures? What's with that terroristic ending? I mean I don't know what was worse about the movie. It has really slow pacing and characters you find hard to like except for the main girl since she's easy on the eyes. Her boyfriend is a complete wimp that has her do the dirty work he should be doing to protect her. The film really isn't all that likeable it's just odd. It tries to be too poetic and just comes off as weird.
Not a horror film in the scene of pop ups. More like the affects of war on people. If you're looking for an action packed horror with pop ups and jump scares this isn't it. Good film could've been better if it explained some stuff, which is didn't do on purpose for the sake of interpretation. The more you think about the film the better it seems to you, if you just watch it you probably won't enjoy it as much.
This movie does open up a lot of room for discussion on what happened in the film. If you are open to a movie about affect of war on people and how it changes/divides them, with a neutral party being involved watch this, but if not I wouldn't recommend this.
This movie does open up a lot of room for discussion on what happened in the film. If you are open to a movie about affect of war on people and how it changes/divides them, with a neutral party being involved watch this, but if not I wouldn't recommend this.
¿Sabías que…?
- TriviaMaus Name Meaning. German: nickname for someone supposedly resembling a mouse, in appearance or timidity, from Middle High German mus 'mouse'.
- ErroresA couple abandon a 4WD on a forest track and set off to find the nearest town, but the woman is concerned about landmines. Tracks tend to connect towns, not bypass them. If the track was mined, the vehicle would have been blown up or weeds would have grown over it. If not, the couple would have no reason to stray from it as the track would take them where they wanted to go.
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- How long is The Maus?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- También se conoce como
- 靈殤
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- EUR 2,000,000 (estimado)
- Tiempo de ejecución
- 1h 30min(90 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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