Replace

Kira is terrified of getting older and, one day, she notices a strange growth on her finger that starts to spread to other parts of her body, rendering her skin flaky and rough. After seeing a doctor and a specialist who don't seem to know what's wrong with her, she suddenly realizes that replacing her skin with other human tissue can heal her, but it doesn't last forever and she needs more and more victims to heal herself.

On paper, the concept of Replace sounds excellent, but the script is complete mess with characters doing things that require huge leaps of logic. The first 45 minutes are mostly a series of odd decisions made by our heroine which are never explained even when a big mid point twist arrives, trying to make sense of everything we've seen up to that point.

Kira does things like pick up a slice of her friend's foot that's just been injured on a broken wine glass and stick in on her own skin. Why was she lead to do this? I suppose because the script said so. Even weirder is when she leaves her doctor's appointment and decides to take a trip down to the morgue to flay the skin off of a corpse and try it on for size. It's never explained why she jumps to these extremes and it makes for an infuriating watch.

On the plus side, Replace is one of the most beautifully shot indie horror films I've seen in years, but it almost has to be to keep the audience interested in its moronic script and characters. Even horror icon Barbara Crampton can't save this mess of a movie.

The sole reason for why I sat down to watch this movie was because Barbara Crampton was in it.

I started to zone out from the movie after 20 minutes of absolutely and complete boredom. The first 5 minutes of the movie was adequate, then the movie just fully lost momentum and assumed a very monotonous pace. In between 20 minutes to 50 minutes, where I turned this ordeal of a movie off, I have little idea of what happened, because I started to do other things whilst the movie played on.

The storyline here was abysmally boring and uneventful, and it didn't really bolster the movie much that the characters were so non-distinct and pointless that they could just as easily have been replaced by mute and inanimate cardboard cutouts.

I will admit that the synopsis of the movie and the movie's cover oversell the movie, because the product that is the movie was just rubbish.

I have absolutely zero interest in returning to give this movie a second chance, because there was no appeal in it for me at all - well aside from Barbara Crampton, but not even she could manage to do anything to lift up the ordeal that is known as "Replace".

Replace (2016) has been on my watch list ever since the official poster came out, what motivated me to watch the film was the body horror genre and the potential this film had. I knew almost nothing about this film, other than the IMDb bio and the mixed reviews. I recently found the film on DVD in HMV without a price-tag. When I sat down and watched the film I was instantly stunned by the introduction, however I quickly found myself foreseeing a disaster after the introduction.

The execution of Replace is very amateur and bombastic, mainly the music choices, sound editing and the editing. The music was quite hyperbolized attempting its hardest to provoke any emotion that's intended, the problem is that the development for this film is lacking, so the soundtrack appears as bombastic. The sound editing was very baffling, you could clearly tell when a line was dubbed, however voices of the actors would echo randomly for no reason, the sound editing was very inconsistent and became a massive distraction.

The editing for this film is perhaps the worst aspect, the editing really damages the film stylistically. This film is utterly confused on what style it intends to illustrate, this is conveyed through the complete switch of style of music, initially the soundtrack choice is synthetic, although later the soundtrack becomes orchestral, with very stock violins and bombastic motifs utilised to force the emotion down your throat. The editing is also a problem due to its tendency to flicker uncontrollably. At times you have no idea on what's happening.

In terms of what this film accomplishes, the twists and gore effects are superbly done. The gore effects seem very organic, although these gore effects are juxtaposed by the unphased performance of the main character, the pain is barely felt.

As a whole, Replace is a student film that has some great cinematography although also includes baffling editing, terrible sound design, sometimes laughable dialogue, and a score that's very bombastic and confused.

Replace is about a young woman (Rebecca Forsythe) who suddenly develops a fast-spreading skin condition (it looks like she's peeling) and desperately looks for a cure. At least that one aspect of the story. The young woman also has short-term memory loss and slight moments of distorted reality. She meets strangers who say they've already met, including a skin specialist. Is she going nuts? Or is she already there? Let me back up. When we first meet Kira, she's heading to the apartment of a man she met at a bar. They laugh, they flirt, she spends the night. When she wakes up, he's gone, and the skin condition appears. She tries scratching it and picking at it, as one is wont to do, which only makes matters worse. She visits a dermatologist (Barbara Crampton) who prescribes some medication "for the pain." But Kira discovers something really wacked, and completely by accident. She learns that if she peels off some affected skin and then applies someone else's skin to that spot, the new skin will adhere immediately to her body. This contradicts known medicine, as skin grafts can be a very lengthy and painful process. Has she found a cure for her malady? Lest one think this is just about a woman and her need for some good lotion, there's a mindbending twist, a psychological smack in the head for the viewer. It's too wonderful to explicate here, but in the great tradition of these thrillers, not all is what it seems. In fact, little is.

The final twist is perfect. Enough pieces fall into place that Kira's situation makes some sense, although not every question is answered neatly. The script is well written (by Norbert Keil and Richard Stanley), and Forsythe, Crampton, and Lucie Aron (as Kira's neighbor) turn in strong performances. Well made all around.

Having read the other reviews on here I don't really see any valid reasons for this film getting such a low rating.

I think people were expecting some kind of Texas Chainsaw Massacre gore fest - which this film isn't. It requires a bit more attention.

The acting is superb, the story well written, and this is excellently executed.

The pace of the film is good and engaging.

The best thing to do is watch this and make your mind up.