Barracuda

On the strength of the first two episodes of Barracuda, Christos Tsiolkas has failed dismally to recreate the elements that made The Slap the kind of drama that had everybody talking. There is no equivalent social issue. There are no similarly recognisable suburban archetypes. And the plotting falls well short of compelling. The first episode barely lifts itself above the level of Neighbours or Home & Away. Indeed, they've both done similar stories, and done them just as well. Much of the dialogue is also risible ("I've always admired the working class" says Helen Morse, as Tsiolkos's idea of a haughty society matron.) And while the director delivers pretty pictures of athletic bodies and swimming races, the performances he gets from his cast are mostly sub-standard. Rachel Griffiths struggles to make anything of a fatally under-written character. And our would-be hero is played by an actor with eyebrows that recall the Thunderbirds marionettes, except that they don't move - which leaves him with precisely two expressions: wet and dry. The stars are mostly for the actors' abs.

Being a swimmer myself (in the good ol' days) I was immediately attracted to this series' narrative. Swimming is one of the most competitive sports you can compete in, and one of the most gruelling to dedicate your life to. And all I can say is, I loved it!

I simply devoured this series. It is story telling genius in how it moves and what is beneath it but at the same time it is brutal and honest and. It just is. This follow up to The Slap, which could easily be called The Splash, in that it is about swimming, is an epic journey of a kid called Danny Kelly who gets inserted into a fancy college due to his incredible talents in the pond. But despite his excellent coach and natural talent for winning, Danny rubs up against his more entitled peers which soon awakens a raw anger in him that may or may not lead to a sort of destruction, at the height of his reign. This story is about winning, about class, about anger, and about Australia. An Australia that hinges it's identity on glory above all, but who has no real connection to life beneath its surface.

I am left sat on this sofa, remembering my old swimming days, what it felt like to dive into that blue, chlorinated volume. What it felt like to race. What it felt like to win.

It's new year's eve right now and I might have had a few beers, but so what. This series has prescribed me 'hope'.

See you at the Olympics guys!

Totally unlikable characters apparently toned down from the book. Crap.

This mini series covers two topics so important to Australia: acceptance of migrants & obsession with winning. The acting is brilliant as we identify so well with a brilliant swimmer who has been given a scholarship to train at a school where white upper middle class privilege rules. The challenges faced by the main character are so well told. We really get a sense of the devastation that winning or not winning, can hold in the world of competitive sport. There are other issues explored including sexuality & the violence. This is a brilliant series, exploring topics that Australia and other nations need to explore & resolve on a personal, educational & leadership level. To accept others & value all people.

10 out of 10 may seem like quite a high rating but i thoroughly enjoyed the 4 part miniseries and while not perfect, nothing is, i'm rating it 10 because i was so engrossed the whole time. ABC featured all four episodes to stream on Iview and after watching the first episode on live TV, i could not wait a whole week for a second serve.

I did start reading the book and gave up a few chapters in. While it was interesting and did at one point hook me in, i found the author who is brilliant, Christos Tsiolkas, is a strong story teller through the amount of detail he uses to set up plots, characters and scenes. I found the book at times be quite indulgent and while important in setting the scene, i wanted the book to progress at a faster pace. The miniseries however i found very rewarding as for time reasons, it was condensed and the narrative moved quickly which i liked. While i did not connect with the book, i appreciate it and could see how it is such a compelling read. Seeing it on the screen, i really respect the book for painting such a complex story of Danny, who is such a complex character.

Elias Anton as Danny and Ben Kindon as Martin Taylor did such a superb job of bringing their characters to life. It was compelling to watch, they had major chemistry on screen which added to the direction of the storyline. Rachel Griffiths was outstanding as well, she nailed the cold and privileged mother. Matt Nable as Frank Torma though was a force, he gave a truly outstanding performance. A bare minimum Logie nomination for most outstanding actor, if not the win because he was just mesmerising. Playing a coach, you felt obliged to listen to him, like you were his student. This TV series really does deserve several nods in all categories at the Logies next year and AFI awards.

I have to admit, i've been slack to acknowledge the ABC as suppliers of brilliant Australian drama, the only shows i watch on the ABC are Please Like Me and Dance Academy (back in the day) but i am certainly paying attention now. They are such wonderful contributors to Australian television and i'm going to make sure i am aware of all future TV projects because i would have felt very saddened had i not been aware of this television series. Support local production! Barracuda is a shining example of the talent in our industry. Wonderful story writing, talented actors, beautiful cinematography. Really spot on. Well done to all involved! A true feat.