Rockaway

Sadly, most of the 9 and 10 reviews here appear to be fakes or "shills."

Here's the honest truth about Rockaway. It plays like a high school production. Of course we all love a good coming of age film, but this one has so many issues, you can't settle in and get lost in it. The acting is bumpy across all characters, particularly the boys who could have performed much better with skilled direction. Overacting and poor delivery are rampant throughout.

To compound the problem, the script itself is problematic, derivative, and often as awkward as the performances of the cast. There is an earnest attempt to infuse the film with the east coast Italian flavor of the locale, but it fails miserably.

Perhaps much of this could be forgiven, but the plot itself is terminally flawed, especially at the end. It just feels forced and lacks the very honesty the movie wants its viewers to connect with.

Lastly, not enough care was taken to ensure 90s scenes contained believable 90s backgrounds and artifacts (sloppy movie making).

I'm absolutely stunned by the different highs and lows I was brought to throughout, from the absolute freedom of cycling around the city in the summer to the, very literally, tear-jerking ending, which was so beautifully handled. The film truly was a beautiful experience and testament to the possibilities of independent film making, and I want to thank you for sharing this story to the world!

This is a real review, by a real person. You can check my other reviews to verify that.

I thought the movie was well-done. The acting was excellent. I was impressed by the talent and power of the these young actors and look forward to seeing more from them. The visual effects were quite good, and I really felt like I was watching something that was filmed in the past when this actually happened. The film moved well, and moved me also. It flowed well, and kept my interest throughout.

I won't go into the story line, as other reviewers have done a good job of that already. I will only say that it is a story that needs to be told, especially since it is based on actual events. The real-life characters are shown in the end credits next to their movie counterparts.

I recommend it without hesitation.

I saw a review of this film in the New Yorker last year, and it has been on my list to watch ever since. My only regret is that I waited so long to finally check it out. The talented young cast will make you laugh, make you cry, and remind you of your childhood. I hope more people come across this title and decide to hit the play button, it deserves to be seen. I also adored that the film was inspired by real events of first time feature film director John J. Budion's life. I look forward to checking out his future films and highly recommend Rockaway!

Greetings again from the darkness. This is established Visual Effects artist John J Budion's first feature film as writer-director, and he likely exorcises some personal demons with a semi-autobiographical look back at his childhood. Set in the summer of 1994 in East Rockaway, New York, the story is told from the perspective of an adult John (Frankie J Alvarez), who narrates his recollections of that year.

Young John (played by Maxwell Apple), a somewhat withdrawn kid, hero worships brash New York Knicks guard John Starks to the point that he wears a Starks jersey almost non-stop. The two are polar opposite personalities, and the only one who really understands John's obsession is his protective older brother Anthony (Keidrich Sellati, Henry from "The Americans"). Why does John need Anthony's protection? Well that's due to their abusive father (Wass Stevens, THE WRESTLER) who is bitter and angry most of the time - and takes it out on the boys and their mother (Marjan Neshat).

The brothers share two wishes: a championship for their beloved Knicks and a more peaceful living environment without their abusive father. They are so focused on the latter that they've created a scheme to "off" the angry dad - this despite their mother's promise to take them away from it all as soon as she finds work in another city.

It's about this time when John and Anthony meet some other neighborhood boys, and what follows is the easy camaraderie of kids when no parents are polluting the moment (an ideal that seems quite antiquated in this day and age). Billy (a standout Harrison Wittmeyer) is the mature-beyond-his years leader, Dom (James DiGiamcomo) is the unathletic jokester, Brian (Tanner Flood) is the brainy one, and Sal (Colin Critchley) is the motor-mouthed preener. The boys share a love of sports and the fine art of needling each other with sharp cut-downs. In other words, they are kids being kids, and this escapism opens up a new world for Anthony and John.

It's a coming of age story with obvious comparisons to STAND BY ME and THE SANDLOT, and though not at the level of either of those classics, it does feature some fine nostalgic moments of childhood. The film suffers a bit from an ending that's overly sappy and clean, though kudos to all involved if this is true to their life. It's certainly a stretch for most. Adults are more likely than kids to find appeal here, and the film might have benefited from a better exploration of what drove the dad to such extremes.