Horace and Pete

It seems to me that one of Louis CK's strengths is the authentic nature of the dialogue. Given the quality of the actors in this thing, it makes for some captivating viewing.

I found the bar-discussion about politics, etc, to be very entertaining and well-paced. It was almost a little Aaron- Sorkinesque and I loved it. Also amazing to see how up-to-date it is?! Talk about fresh material. I thought the accountant-bit was funny.

The main plot about the family was engaging and managed to pull me in. It was depressing and dark, but still somehow not exhausting to watch. I am not actually a big fan of Louie's darker episodes, I don't have the patience or the inclination to spend my time being challenged and depressed. I want it to be funny and entertaining. But even so, I watch and value the darker Louie episodes, and I watched and enjoyed this. As I said, there is this theater-like presentation and at the same time feels so authentic! When Buscemi says "and you give our whiskey to this stranger" (or something), I get the feeling that the characters have had their own thoughts and feelings while our attention was diverted.

It's fun to see Louis use these very typical, almost cliché transitions (walking down the stairs to change scenes, etc) and making it work? It's very well made. I loved the diegetic music, watching Alda establish his presence by reacting to it.

There is no laughter-track or audience referencing at all. You are totally left to your own devices as a viewer, to laugh or dislike at your own discretion. It's kind of artistic, in that it challenges you to like it or shove off?

While I wasn't enjoying watching it, as it was sad and not my typical kind of thing, I am glad that I did. It's great watching something this well made.

Why oh why do you have to wait so long before someone figures out that someone might just want to watch a quality dramatic production?

Thanks to Pig Newton (presumably Louis) for putting their butts on the line to do something like this.

It's a fine production. With the exception of some small glitches in sound (occasional ambient echo, one surprising mic tap) production succeeds in mainlining the product straight into the vein. Lots of long takes, dialog that's so direct and lively and full-on it's like latching on to a freight train. An absolute delight to see fine acting talent, new and old, invited to participate in the spectacle, and all take their direction well and otherwise rise to the occasion. Sets and props are great, lighting is balanced and nice on the eyes.

It's funny because normally the first sign of good production is that you don't notice the production. But, trust me, my reflections on production (beside the minor sound issues) are an afterthought.

The important thing is that we get a story. And what a story! That's all I need to say; no need to spoil anything. Duck in and hang on tight.

One odd remonstrance: Let's face it: Louis can't stretch. But he can be forgiven in this case. His standard issue character is on-target, and you sometimes sort of bask, in a backgrounded way, in the realization that this is his labor of love.

Check it out.

Wow. So grim, but I cannot stop watching. Every episode is stomach- churning (the moment in episode two, where Marsha-- Jessica Lange's beau-- tells her his wife is waiting at home....and then that pause before Jessica Lange lets out a brittle chuckle...shiver me timbers!!). It's like I'm flipping over rocks to see the gross, sticky but roiling, thriving stuff underneath.

The cast is outstanding, as is the writing-- I cannot stop thinking of writers like Carson McCullers and Flannery O'Connor. So here I sit, uneasily waiting for...I know not what. One of the darkest and most interesting things I've watched in a long time, with no pat resolution or happy ending in sight.

I hope that eventually its beauty will break my heart; right now I'm still white-knuckling it. But every angel is terrifying, right?

Horace and Pete is an outstanding art experiment. And - as cheap as it may sound - it stands out just because the main goal here is to portray life.

Let me explain. We are all so used to the genre-tagging way productions are put together, that few producers are bold enough to question this absurd system. Usually there will be a "comic relief" to a drama, or a dramatic turn in a comedy. So we can relate more to the story. It's just not enough.

"What is it? A comedy? Musical? Drama?". On the way Louie leads this project, the question "what is it?" shouldn't be automatically answered with a tag. Are you looking for a comedy? Don't watch it. But if you're looking for a drama, don't watch it either! In real life, mood is Gaussian. Most of the time it will be neutral: there will be that core gratefulness and anxiety mixed together. That's routine. Sadness and happiness will eventually alternate. Funniness doesn't come up like in a writers room. There's no 24/7 quote-boom-punchline-quote-boom-punchline. Also, no musical background will come up unless someone's actually playing it or hitting a button.

Obviously there's more into it, otherwise there would be no point on watching this; you could just kick back on a bar and see what happens. Here we have the guarantee we'll watch very interesting characters dealing with their daily struggle, exposing absurd features of social conventions and human behavior.

Louis C.K. is masterfully writing, directing and performing in this. We also have great performances from Alan Alda, Steve Buscemi, Edie Falco and others. That should be enough to just go and give it a try.

This is not our usual hacky Fordist sitcom. This is pure handcrafted art (and worths every penny).

What an incredible piece of art by Louis CK. There are very few movies or shows that have managed to captivate me the way this series has. It does an excellent job of presenting different perspectives on beliefs, morals and ideals and really bringing to conscious thought the internal struggles we all deal with but often fail to realize everyone else is dealing with in different ways as well. This is definitely not a comedy although it can be funny at times. The still camera shot style of filming makes it feel like a theatrical drama and it is very raw.

I think opinions will be rather polarizing, with artfully minded, highly empathetic personality types really appreciating the show and everyone else being bored by it. There is so much subtle, as well as not so subtle brilliance present but the subtleties really make the show and I think they might be missed by a lot of Louis CK's general audience. The show is slow paced, utilizes lots of long shots of dialogue and could only be pulled off with top notch scripting, casting and acting, and it absolutely nails it in all these departments.

Each episode is produced and released in the same week, which is pretty incredible. This means that episodes can adapt to and discuss very current events which often makes the topics of discussion much more interesting. The downside is that such a short production cycle sometimes results in somewhat raw editing, but I find that sometimes adds to the charm. I think producing this particular show in this way was a brilliant call by Louis CK and the pros far outweigh the cons.

If you watch the first episode and don't like it, don't expect it to get any better. If you watch the first episode and like it, they keep getting better and draw you in more and more as you learn more details of the characters lives and back-stories. This really is a masterpiece showcase of Louie CK's talents. It may just go down as one of the most underrates shows ever but I hope it gains the recognition it deserves.