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IMDbPro

El reencuentro

Título original: Sage femme
  • 2017
  • B
  • 1h 57min
CALIFICACIÓN DE IMDb
6.7/10
3.2 k
TU CALIFICACIÓN
Catherine Deneuve and Catherine Frot in El reencuentro (2017)
An unlikely friendship that develops between Claire (Catherine Frot), a talented but tightly wound midwife, and Béatrice (Catherine Deneuve), the estranged, freespirited mistress of Claire's late father. Though polar opposites in almost every way, the two come to rely on each other as they cope with the unusual circumstance that brought them together
Reproducir trailer1:56
2 videos
42 fotos
Drama

Claire, una partera en la unidad de maternidad de un hospital recibe noticias inesperadas de la antigua amante de su padre.Claire, una partera en la unidad de maternidad de un hospital recibe noticias inesperadas de la antigua amante de su padre.Claire, una partera en la unidad de maternidad de un hospital recibe noticias inesperadas de la antigua amante de su padre.

  • Dirección
    • Martin Provost
  • Guionista
    • Martin Provost
  • Elenco
    • Catherine Deneuve
    • Catherine Frot
    • Olivier Gourmet
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.7/10
    3.2 k
    TU CALIFICACIÓN
    • Dirección
      • Martin Provost
    • Guionista
      • Martin Provost
    • Elenco
      • Catherine Deneuve
      • Catherine Frot
      • Olivier Gourmet
    • 22Opiniones de los usuarios
    • 97Opiniones de los críticos
    • 66Metascore
  • Ver la información de producción en IMDbPro
    • Premios
      • 1 premio ganado y 1 nominación en total

    Videos2

    Official Trailer
    Trailer 1:56
    Official Trailer
    The Midwife - Official HD U.S. Trailer
    Trailer 1:56
    The Midwife - Official HD U.S. Trailer
    The Midwife - Official HD U.S. Trailer
    Trailer 1:56
    The Midwife - Official HD U.S. Trailer

    Fotos41

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    Elenco principal28

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    Catherine Deneuve
    Catherine Deneuve
    • Béatrice Sobo
    Catherine Frot
    Catherine Frot
    • Claire Breton
    Olivier Gourmet
    Olivier Gourmet
    • Paul Baron
    Quentin Dolmaire
    Quentin Dolmaire
    • Simon
    Mylène Demongeot
    Mylène Demongeot
    • Rolande
    Pauline Etienne
    Pauline Etienne
    • Cécile Amado - une patiente
    Audrey Dana
    Audrey Dana
    • La chef de service hôpital moderne
    Pauline Parigot
    • Lucie
    Marie Gili-Pierre
    Marie Gili-Pierre
    • Evelyne
    Jeanne Rosa
    • Élodie
    Élise Oppong
    • Sophie
    Ingrid Heiderscheidt
    • Hôtesse d'accueil maternité
    Jacques Mechelany
    • Francis
    Ana Rodriguez
    Ana Rodriguez
    • Patiente bébé cordon
    Karidja Touré
    Karidja Touré
    • Patiente Madame Naja
    Jisca Kalvanda
    Jisca Kalvanda
    • Patiente Madame Werba
    Fayçal Safi
    • Mari Madame Werba
    Marc Prin
    • Médecin de Béatrice
    • Dirección
      • Martin Provost
    • Guionista
      • Martin Provost
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios22

    6.73.1K
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    Opiniones destacadas

    9JayRob07

    Breathtaking!

    Frot and Deneuve are magical together. The acting is sublime.
    8pagbwi

    Wise Women

    Midwife = Wise woman in translation. This movie is about two wise women. Unlike Hollywood you are not drawn to a particular conclusion. You see the main characters interact with each other and what they don't say and their behavior towards each other, tells you more at times than the dialog. See it for yourself. Your own experiences will influence it's interpretation. I enjoyed this movie. You rarely see movies like this in America.
    8clg238

    Virtues of a Foreign Film

    Unlike many Hollywood films, I find that foreign films render the complexity of characters and relationships more akin to real life, and so it is in "The Midwife." The film also excels in giving us a context for the fraught relationship of the two women leads, Claire and Beatrice, but not with easy flashbacks or an improbable verbal summary; instead, their history unfolds the way it would in real life--in bits of dialogue that not only bring up the past but show us how, although buried by Claire and superficially dismissed by Beatrice, it has lingered sufficiently to scar them and to force them to come to new terms in addressing their present situation. I love the dimensionality of Claire: she has a job she loves (midwife in a hospital) but it's threatened by the hospital's drive for technology that will bring greater profits; she has a son who is also complex; a hobby (gardening); a fraught relationship with her mother; memories of her father that are both painful and loving. In short, she is a full- fledged human being. This is a fine film that centers on people, not violent or titillating events.
    9david-rector-85092

    Beautiful performances from Catherine(s) The Greats

    I really enjoyed this movie; in part as it starred my favorite actress from 2016: Catherine Frot, and her exquisite performance as 'Marguerite'. Frot has such stillness and poise on screen, but can also command great presence with minimal effort. Here, as the titular 'Midwife, Catherine Frot is delivered a role that gives her a chance to really shine. From the opening scenes her 'Claire' is a good woman; a skilled professional but lacking a personal life or much hope it seems. Blessed with a son she only sees fleetingly, her life is turned upside down when Beatrice played by Catherine Deneuve re-enters her radius after vanishing more than 3 decades before and causing Claire's father (one time lover of Beatrice) irreparable damage and an indelible imprint for young Claire. It is a fascinating dance that these two characters create through their often awkward scenes together.

    The film is only a success because of the chemistry between these two marvellous actresses. The narrative ambles all over the place, messily edited and at times a little predictable, but seeing these two share the screen is pure magic, and compensates for where the film is otherwise lacking. Beneath the choppy script lies some rich fabric about life and death; life changes and the power of forgiveness and redemption: always soulful pursuits for the big screen. I wanted this to be perfection; of course it is not. Catherine Deneuve deserves an Oscar nomination for this; she is unafraid to show her age; her flaws and creates a memorable screen character, a former good time gal, whose life is slipping away from her, as she clings to the joie devivre that had sustained her. It is a privilege to watch a screen icon; still beautiful, but displaying how beauty can fade. There is much dignity here from both Catherine the Greats!
    8CineMuseFilms

    a emotionally rich tale about two very different women

    One of the many ways that European and Hollywood films differ is that the former is willing to dwell on the ordinary while the latter usually prefers to make stories bigger than they merit. The French film The Midwife (2017) is an example of storytelling that works simply by putting two very different women together and watching how they resolve the webs of emotion that have become tangled over time.

    As she approaches her 50th birthday, devoted midwife and single mother Claire (Catherine Frot) faces professional upheaval when her clinic must close. Her orderly conservative life is fractured further when the woman she blames for her father's suicide suddenly makes contact after 30 years. Opposites in every way, Beatrice (Catherine Deneuve) is manipulative, irresponsible, and a chronic gambler who loves fine wine and rich food. Claire's suspicion that Beatrice wants something is proved correct when the latter confides that she is dying, homeless and without support. Initial rejection turns into understanding for the midwife whose instincts are to nurture life, as she juggles the needs of Beatrice, the clinic's closure, and her neighbour's romantic advances. When her son announces he is quitting medical school and his girlfriend is pregnant, the always competent Claire confronts being helpless in a sea of change.

    These narrative strands and their complications are not what sustains the story. Rather it is the way these two icons of French cinema fill out their roles and the emotional connections they make. The flamboyant Beatrice is dramatic and unfiltered, while the restrained Claire is measured and well aware of the other's character flaws. One is a taker, the other a giver, yet both are engaging in different ways. As Beatrice confronts her fate, Claire continues bringing new life into the world in several very moving childbirth scenes that anchor the earthy realism and ordinariness of the story. The filming style dwells on warm and intimate moments, capturing both the charms and emotional swirls of French village life. Great acting and filming complements a script that finds uncontrived humour in everyday places.

    Richly nuanced performances in the European cinematic tradition are at the heart of The Midwife. This is not a film that offers rising tensions towards a big resolution. Instead you are likely to leave the cinema with a bitter-sweet afterglow that comes from sharing moments of unbridled joy, sadness, and the ambivalent ordinariness of our existence.

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    Argumento

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    • Trivia
      The birthing scenes were real. Catherine Frot took training to become a midwife and actually delivered five babies on camera. Because of this, while the action is set in the Paris region, the birthing scenes were filmed in Belgium as French law prohibits the filming of babies younger than 3 months old.
    • Créditos curiosos
      The title on screen first appears as "Sage-Femme" before the dash fading away to leave "Sage Femme". This makes a wordplay in French, the title going from "Midwife" ("Sage-Femme") to "Wise Woman" ("Sage Femme").
    • Conexiones
      Referenced in Breakfast: Episode dated 8 July 2017 (2017)
    • Bandas sonoras
      Ma Liberté
      Music by Georges Moustaki

      Lyrics by Georges Moustaki

      Performed by Serge Reggiani

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    Preguntas Frecuentes

    • How long is The Midwife?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 10 de octubre de 2018 (México)
    • Países de origen
      • Francia
      • Bélgica
    • Sitios oficiales
      • Lumière (Belgium)
      • Memento Films (France)
    • Idioma
      • Francés
    • También se conoce como
      • The Midwife
    • Locaciones de filmación
      • Clinique Sainte-Elisabeth, 17 rue du Naimeux, Heusy, Province de Liège, Begium(maternity scenes)
    • Productoras
      • Curiosa Films
      • France 3 Cinéma
      • Versus Production
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • EUR 6,789,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 603,582
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 21,341
      • 23 jul 2017
    • Total a nivel mundial
      • USD 7,286,136
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 57 minutos
    • Color
      • Color
    • Relación de aspecto
      • 1.85 : 1

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