Lou

This movie could have been very good because the cast and acting are solid, with excellent cinematography. The story is so ridiculous, however, that no one could ever believe it and dramas don't work well with stupid scripts. Allison Janney, who plays a former CIA agent, is always worth watching and so are the other actors even though their dialogue is fairly limited. Jurney Smollett also does fine given the poor script she has to work with. It is impossible to describe how absurd the story is without including too many spoilers, so I suggest seeing this if you are an Allison Janney fan with about an hour and forty-five minutes with nothing else to do.

This is the kind of movie you want on a lazy weekend. Nothing too scary or sad or shocking. Couple of good twists. Solid acting and plot. Really cool scenery and camera work.

A couple of goofs (Battery operated light in the kids room is way ahead of the 80's timeline. I thought Jax went home? Where'd the bombproof vest come from?).

Allison Janney is great. Actually all the actors are good to great. Even the side characters of the local sheriff and deputy are good.

Overall a solid movie and worth it.

I'm glad I didn't pay to watch it on a theater. I don't regret the time watching it at home on Netflix.

Firstly this isn't gonna win any awards for originality. Twists are very predictable but fine. I'm sure some people are gonna nag about this and that. Some people fail to realize that it's just a movie, it's entertainment. Decent storyline, good acting, cinematography was great. I wasn't bored throughout at all. Jurnee Smolett was good as usual(loved her in 'Lovecraft Country'). The little girl was adorable. Everything was explained even if you saw it coming. The key most people lose is that you're not a professional movie critic so stop acting like one. If you don't like something, turn it off and move on and don't voice your other issues into your entertainment and you'll be fine, I promise.

It's an action thriller so I wasn't exactly expecting it to re-invent the wheel. I just wanted a decent popcorn flick with interesting characters and some action on the side.

I was actually pleasantly surprised. While not reinventing the genre, the movie definitely reinvigorates it. The characters development and the dynamic between the two women is very well written and the acting is exceptional for a movie of the genre.

Just when I thought I couldn't be surprised by the depth of Janney's acting, she knocks another one out of the park in a role I never would have expected her in.

Oh and for the ones who are having such a hard time "suspending disbelief" when they see "a senior citizen" kick two young guys into next week, ask yourself why you had no such issue while watching Keanu Reeves, a mere 3 years "younger" take a whole room full of armed younger guys in John Wick...

In a secluded part of the Pacific Northwest, loner Lou Adell (Allison Janney) is living a solitary life with her dog Jax with her only regular contact being with single mother Hannah Dawson (Jurmee Smollett) and her daughter Vee (Ridley Bateman) who rent property on Lou's land. During a massive storm Hannah's abusive and presumed dead ex Phillip (Logan-Marshall-Green) kidnaps their daughter Vee and Hannah enlists Lou's help in tracking the two down leading to Lou tapping into her dormant skillset and long buried wounds that made her who she is.

Lou is the directorial debut of cinematographer Anna Forester whose previous directing credits were in television such as Criminal Minds and Outlander. Produced by J. J. Abrams' Bad Robot Productions, the film while initially setup at Paramount was dropped early on with Bad Robot opting to film Lou independently with distribution rights eventually being picked up by Netflix. The movie doesn't break too far from the established formula of this kind of action thriller, but it does deliver on suspense and character you expect from this type of film.

One of the things that stood out to me with Lou was just how gritty the film looks. While Lou is set in the 1980s, the movie wisely avoids becoming "nostalgia porn" and really only uses 80s iconography or references when appropriate and in context rather than reminding you every few minutes as some films set in the decade have been guilty of. From the hard-edged fight sequences to some really tense survival sequences such as a setpiece on a lopsided rope bridge the movie reminded me of thrillers such as 1988's Shoot to Kill which mixed this kind of chase movie with environmental perils. Allison Janney is really good as Lou and her performance as this hardened isolated loner is well done and she fits the role very well in terms of both the character's backstory and skillset as well as conveying the inner turmoil of this character when it's revealed what the source is. The other actors are good in their roles too with Jurmee Smollett's performance as an abuse survivor quite engaging and Logan Marshall-Green a solidly done antagonist even if they're not as compelling as Janney's role. The movie does have a twist relating to certain character relationships and like most twists related to this type of genre exercise I think most will see it coming, but it works well enough thematically and leads to a tense and emotional climax that I was willing to let it pass.

Lou doesn't reinvent the wheel when it comes to this kind of gritty minimalist action thriller, but it gives enough meat to the characters, aesthetics, and performances that I was kept engaged throughout the film's brisk 100-minute runtime. Anna Foerster shows solid work in her first feature in the director's seat and I look forward to seeing her hone her style in other films.