CALIFICACIÓN DE IMDb
5.5/10
2.1 k
TU CALIFICACIÓN
Cuando a una reclusa se le concede un fin de semana fuera de prisión para ver a su madre moribunda, un oficial de corrección novato lucha por mantenerla bajo control.Cuando a una reclusa se le concede un fin de semana fuera de prisión para ver a su madre moribunda, un oficial de corrección novato lucha por mantenerla bajo control.Cuando a una reclusa se le concede un fin de semana fuera de prisión para ver a su madre moribunda, un oficial de corrección novato lucha por mantenerla bajo control.
- Dirección
- Guionista
- Elenco
Edward Murphy Kelahan
- Ron The Delivery Driver
- (as Edward M. Kelahan)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Generally an endearing picture about love between mothers and their daughters, set in a quirky, warmhearted story. Good acting performances. Not a terrific movie, but quite nice.
A funny female "buddy" movie about a female cop who has to escort a female convict to her dying mother. Things tend to go get out of control a bit along the way, resulting in some funny and some less funny situations.
Small (10 minutes) , yet funny supporting role by Whoopi Goldberg, who is playing the mom of the police officer. Whoopi keeps calling her daughter while she has to escort the convict, resulting in lots of funny mother-daughter dialogues. Good fun.
A funny female "buddy" movie about a female cop who has to escort a female convict to her dying mother. Things tend to go get out of control a bit along the way, resulting in some funny and some less funny situations.
Small (10 minutes) , yet funny supporting role by Whoopi Goldberg, who is playing the mom of the police officer. Whoopi keeps calling her daughter while she has to escort the convict, resulting in lots of funny mother-daughter dialogues. Good fun.
A young, struggling part-time correctional officer gets the chance to become full-time by escorting a prisoner to her mother's deathbed. She is obviously supposed to learn something from the experience of trying to chaperone an unruly but older prisoner. Instead of a script that might let them learn or bond, instead it's a series of scenes with them simply sitting together as they travel.
Unfortunately, it feels as if the plot gets elements added to it to make it difficult. Most of what occurs in the trip seems to happen for no good reason, except to create situations where the inmate can escape, at least temporarily? Why, for example, would they be forced to take a bus and then a train to the mother (but then quickly return via rental car)? Why does the phone of the officer constantly ring or receive texts? Why do romantic interests appear and disappear as if put on the screen like chess pieces?
In short, I wanted to like this movie but it seems a mess, and I kept wondering how much Whoopie Goldberg and Anna Paquin were paid for what must have been 2 days of shooting each (if that). The humour really doesn't work - painfully so. The script is dull at best, and the tone is sometimes too mournful for it's own good. If you are a fan of Orange is the New Black, any episode you've seen is better than this.
Unfortunately, it feels as if the plot gets elements added to it to make it difficult. Most of what occurs in the trip seems to happen for no good reason, except to create situations where the inmate can escape, at least temporarily? Why, for example, would they be forced to take a bus and then a train to the mother (but then quickly return via rental car)? Why does the phone of the officer constantly ring or receive texts? Why do romantic interests appear and disappear as if put on the screen like chess pieces?
In short, I wanted to like this movie but it seems a mess, and I kept wondering how much Whoopie Goldberg and Anna Paquin were paid for what must have been 2 days of shooting each (if that). The humour really doesn't work - painfully so. The script is dull at best, and the tone is sometimes too mournful for it's own good. If you are a fan of Orange is the New Black, any episode you've seen is better than this.
Definitely not great but not the worst. Either way it's watchable despite its cringey moments where the prisoner gets cuffs off and even free from the C.O. for a portion of time, which was ridiculous on many levels. Melissa Leo was pretty decent and so was the young Tessa Thompson; mediocre for what it is.
Tessa Thompson and Melissa Leo are great but this film is not. Trying to be a female Midnight Run for these times but pretty much nothing working except the performances of the lead actresses. The script is bland and a lot annoying at places and the comedy that is supposed to be working is outdated and boring. Then there is the ending where suddenly Thompson's character change a lot in her life without having any big realizations in the journey or consequences of applying it which is simply baffling that this could have been part of a student script that never got made because it shouldn't be.
Greetings fellow screen peepers! Oscar winner Melissa Leo's film resume is loaded with dramatic roles, but in Furlough we get to see a lighter side of her. In Furlough, she plays Joan Anderson, a prison inmate serving her sentence when she is granted a weekend furlough in order to visit her dying mother. A rookie correction officer played by Tessa Thompson (Annihilation, Creed & Thor: Ragnarok) is assigned to chaperone her but she also has some baggage of her own in the form of a needy mother played by Whoopie Goldberg. The tone of the film is kept light during the first half of the film, but the film takes a more dramatic turn once Leo meets her mother. Leo is more than capable of the tone shift and she shines. Anna Paquin has a solid supporting role towards the end of the film that rounds out the cast. This is a nice feelgood road trip style film
¿Sabías que…?
- TriviaThis marks the second time that Whoopi Goldberg and Tessa Thompson played mother and daughter on screen. They also played mother and daughter in Tyler Perry's For Colored Girls
- Bandas sonorasI Want Love and Affection (Not the House of Correction)
Performed by Nathaniel Mayer
Written by Nathaniel Mayer
Published by Trianon Publications (BMI)
Courtesy of Fortune Records
By Arrangement with Westwood Music Group
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- How long is Furlough?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 3,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 8,472
- Total a nivel mundial
- USD 8,472
- Tiempo de ejecución
- 1h 23min(83 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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