Weiner

At first glance, the film seems to be about how a promising congressman from New York destroyed his political career because of inappropriate postings on the internet. It is to some extent, but it is also about how the media can build up someone in one moment and tear that same person down the next. The film won the Grand Jury Prize at the 2016 Sundance Film Festival.

"Weiner" begins with archival footage of Anthony Weiner as the liberal firebrand on the floor of the House. Having not known much about Rep. Weiner before the scandal, this was eye-opening to me. Here you really see what he could have become had the scandal not occurred.

From that point on, the film follows the subject from the initial scandal up until the aftermath of his New York mayoral run. As expected, the film shows numerous clips about Weiner during this critical time in his career and the media circus that ensued. However, what really makes the film compelling is the behind-the-scenes footage between Weiner, his campaign staff and his family. You really feel like a "fly on the wall" eavesdropping on some very personal discussions. The film was co-directed and shot by Josh Kriegman, who once served as Weiner's chief-of-staff. Kriegman and his co- director Elyse Steinberg, were given unprecedented access. What does go is so personal and intense that at one point in the film, Kriegman even asks Weiner why he is even allowing them to continue shooting.

"Weiner," while infuriating sometimes to watch, is a wild ride of a character-study filled with contradictions. On the one hand, Anthony Weiner seems to be fully aware of the damage he has inflicted to his career and his family, but at other times appears quite delusional. Seeing "Weiner" is like watching a slow moving train wreck. You know what is going to happen, but you watch it anyway to see how it happens.

This film definitely falls into the category of "truth is stranger than fiction." It's hard to imagine another personality in recent history that is so unfiltered and self-absorbed in his quest for higher office, with the exception of a fellow named, Donald Trump.

This is not just a film about Anthony Weiner, but a critique at how the mainstream media values style and sensationalism over substance. This is evidenced in a sequence that occurs toward the end of the film that must be seen to be believed. In short, "Weiner" is a fascinating character-study and must be considered an early awards favorite.

New York Congressman Anthony Weiner gets caught in a sexting scandal and resigns in June 2011. He decides to reenter politics by running for Mayor of New York. His campaign in the Democratic primary in 2013 starts to pick up speed when a second sexting scandal erupts. His wife Huma Abedin again comes to his side but the campaign flounders. Weiner is no doubt a compelling Shakespearian tragic figure. Once his scandal erupts again, this gets very uncomfortable at times. The central star becomes the mysterious Huma. In some respects, she's the Spinx holding back her secrets. In other respects, her looks could kill and she speaks volumes with her silence.

"The heart has its reasons which reason knows nothing of." Blaise Pascal

"Man, you're all full of **** anyway." Passerby on street

"Huhuhuhuhuhuhuh Heheheheheheh Weiner..." Beavis & Butt-head (probably)

I feel like these three quotes kind of sum up a lot of what this movie, Weiner, a documentary that chronicles as a harrowing, cringe-inducing tragedy of politician Anthony Weiner's failed bid for the 2013 Mayoral race in New York city, is going for, but only part of it. You can look at what the filmmakers present from different angles - as a portrait of a media that, due to how it operates (especially in New York city with the Daily News and Post and everything under the sun) in reporting the 'news' of this or that or the other with Weiner's sexting as "Carlos Danger", and how this media obsession perpetuates things further and further (technology itself is part of it - imagine what would've happened if things were only 10 or 15 years before this), or of course as a portrait of a man and his marriage which we see glimpses of in quiet looks and stares and things that the (mostly) fly-on-the-wall filmmakers get.

What you think about Weiner ahead of time may influence you going in. Or if you don't know much about him outside of the Daily Show and Colbert Report skits it may be educational in that way of recent/contemporary history. I think that the movie is fair in that it shows ALL the coverage - both the bytes in the various cable news coverage and things like Weiner's appearance on Lawrence O'Donnell where he was asked point blank "What's *wrong* with you?" - while showing Weiner in both the (semi good) early run-up when he started his campaign and, indeed, had a lead to start with, and then as he kept his composure much as he could while the second scandal blew up and wouldn't go away.

Could it have gone away? No, probably (or definitely) not, and the question of should or shouldn't he have dropped out of the race comes to mind. But the coverage of it all in this film is uncanny. At times you'll wonder how they got a camera in such a place, or how, up until the moment the filmmakers are told to get out of a room, they stay there until told to leave (or on the flip-side the very funny moment when in a car the director happens to ask a particular touchy question and Weiner can't help but go off on the guy, like "Is THIS what you mean by 'fly on the wall?') A lot of the humor that does come up is in that pitch-black, uncomfortable way that goes far beyond anything you'd ever see on Louie or Curb Your Enthusiasm. And the cringing isn't always funny - sometimes it comes down to the look two people have with nothing being said out loud and everything being said in the eyes.

One of the things that is hard to not come away with, whether by the end you feel some modicum of sympathy (or, hell, even empathy if that's possible) with Weiner from this period of time, is that he's not your average politician or, I should say, one that is the usual type we might think of as a politician. Usually they come off as stiff, bought and paid for or at the least handled to such a degree as to seem inhuman, or try to come off as "wholesome" and yet say the most monstrous things.

Weiner was/is a liberal, but you get someone who can talk in reasoned tones except when, well, things p*** him off (his entree into the spotlight came in his time as Congressman when he exclaimed "I will NOT yield" during a debate on a 9/11 responders bill), or when he is confronted by someone. We see him not back down from people, whether it's hard questions at a City Island campaign stop or a heckler in a deli. The guy is tough, and yet there's also a self-deprecating humor at times. And he'll even watch things like the O'Donnell clip - extended version online, of course - just to get motivated to start his day. What a pair of... oh, nevermind.

And yet at the same time what I love about the movie is that it shows that he can't escape, and really liked to be a part of, the whole 'game' of it, the act. When he does an ad for TV it feels like he's acting for the camera, and seeing the footage from this ad in its finished form intercut with his wife sitting by the side looking a mixture of bored and (maybe) frustrated is astonishing. It's difficult not to leave the movie with some judgment of him, and at the same time the trick of this is that it presents him in (as much as possible) the full, er, 'package' (sorry, puns are unavoidable, I tried). The point is if you like to see the nitty gritty political maneuvering and how a mind works in the midst of a scandal, this is a serious delight (both serious and delightful).

PS: Recently Weiner's retracted how he feels in the documentary and wishes he hadn't made the movie and won't watch it. The latter is fair, while the former is... well, who knows.

"I did a lot of things. But I did a lot of other things, too." Anthony Weiner

The tragicomic story of seven-term congressman from New York, Anthony Weiner, is almost too absurd to be true. After resigning from Congress over sexting, while waging a vigorous 2013 campaign for mayor of NYC, Weiner is disclosed to have texted again visions of his maleness to other women than his wife, Huma Abedin. The tragedy is that this aide to then Senator Hillary Clinton is an accomplished woman, totally undeserving the abject humiliation her husband's sexting has caused her.

Filmmakers Josh Kriegman and Elyse Steinberg in this fascinating doc called Weiner gained permission from him to film his most intimate moments of the campaign, especially with his wife while his tech-straying disgrace is made public. While for us commoners, such peccadilloes amount to little in a public forum (but much, of course, in the personal arena), these moments are heart-rending to see: This accomplished wife forces herself, with barely a smile, to support her husband.

The ancient Greeks knew well the flaws and foibles of celebrities gone wild. In this revelation of hubris, an overweening pride that comes before the fall, even the tragedians might not have dared to show the Congressman sexting even after his initial exposure (so to speak). Yes, he sends photos of his masculinity to a 22 year old woman, who will complete his ignominy by revealing them to a press overjoyed at a second round.

The despair is that he had seemingly come back into the good graces of the public, only to be outed again and lose that support and the mayoral primary to Bill DeBlasio. The documentary is there for the grand moments of revelation and shame, none more poignant than privately with his wife, who seems almost shell-shocked by the new revelation.

Unfortunately, the quotes at the beginning of this review are the most insight we ever get, despite the filmmakers' intimacy, to help us understand why such a gifted populist should so carelessly toss away his position and reputation. Perhaps his wife's mute incredulity stands for our own.

In the end we must conclude with a saying never more appropriate than here: "Who knows the secrets of the human heart?"

"Weiner" (2016 release; 96 min.) is a documentary about disgraced new York politician Anthony Weiner (pronounced: "wiener", not "whiner"). As the movie opens, we have Weiner in an interview chair, talking to the documentary makers. We then go back to 2011, when we get a thumbnail overview of how a sexting scandal led to his resignation from US Congress. We then shift to "May 13, 2013, two years after his resignation". Weiner is about to enter the race for New York Mayor, and along the way decided to give unlimited access to these documentary makers during his campaign. By then you are already nailed to your seat as you watch what is unfolding.

Couple of comments: this is the first full-length documentary for co-writer and directors Josh Kriegman and Elyse Steinberg. While the comeback attempt in and of itself would've made for riveting viewing, can you imagine how they felt when smack in the middle of the unfolding campaign, another controversy explodes? It doesn't get any better than this for documentaries (on the same level as "The Armstrong Lie" about Lance Armstrong and "I Am Trying To Break Your Heart" about Wilco). There are so many fine moments in this documentary, and I certainly don't want to spoil your viewing experience, but allow me to just point out two scenes: there is a very clever montage of Weiner's campaign taking a foothold and gaining track (to the point of leading the polls), set to the "Theme of S.W.A.T.", and it works beautifully. Even better is the scene between Weiner and his wife Huma Abedin when the second controversy explodes. Ah yes, the wife. Normal people like you and me immediately think: why on earth does she decide to stick by her man, time and again, humiliation upon humiliation? Then it dawns on me: these are not 'normal' people like you and me. Huma stays with Weiner the same reason Hillary stayed with Bill: it's all about the power! These career politicians know one thing, and one thing only: get the power, and stay in power, whatever means necessary, whatever personal sacrifice is needed along the way. When the final curtain comes down (Weiner obviously did not win the mayoral election), one of the directors asks Weiner "why did you let me film all this?". You'll just have to see for yourself how Weiner responds to this... Bottom line: if you like documentaries, you will absolutely love this riveting look at a disgraced politician whose narcissistic personality disorder is fully exposed here.

"Weiner" made a splash when it debuted at the Sundance Film Festival earlier this year, and I couldn't wait to see it. It finally opened this weekend at my local art-house theater here in Cincinnati. The Saturday matinée screening where I saw this at was attended poorly, to my surprise. Maybe strong word-of-mouth (which this movie surely generates) will lead to wider exposure down the road through VOD or eventually on DVD/Blu-ray. Meanwhile, "Weiner" is HIGHLY RECOMMENDED!