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IMDbPro

O.J.: Made in America

  • 2016
  • TV-MA
  • 7h 47min
CALIFICACIÓN DE IMDb
8.9/10
23 k
TU CALIFICACIÓN
O.J. Simpson in O.J.: Made in America (2016)
A chronicle of the rise and fall of O.J. Simpson, whose high-profile murder trial exposed the extent of American racial tensions, revealing a fractured and divided nation.
Reproducir trailer2:11
1 video
37 fotos
BiografíaCrimenDeporteDocumentalDocumental DeportivoHistoria

Una crónica del ascenso y la caída de O.J. Simpson, cuyo juicio por asesinato expuso el alcance de las tensiones raciales estadounidenses, revelando una nación fracturada y dividida.Una crónica del ascenso y la caída de O.J. Simpson, cuyo juicio por asesinato expuso el alcance de las tensiones raciales estadounidenses, revelando una nación fracturada y dividida.Una crónica del ascenso y la caída de O.J. Simpson, cuyo juicio por asesinato expuso el alcance de las tensiones raciales estadounidenses, revelando una nación fracturada y dividida.

  • Dirección
    • Ezra Edelman
  • Elenco
    • Willie Brown
    • Harry Edwards
    • John McKay
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    8.9/10
    23 k
    TU CALIFICACIÓN
    • Dirección
      • Ezra Edelman
    • Elenco
      • Willie Brown
      • Harry Edwards
      • John McKay
    • 91Opiniones de los usuarios
    • 45Opiniones de los críticos
  • Ver la información de producción en IMDbPro
    • Ganó 1 premio Óscar
      • 49 premios ganados y 35 nominaciones en total

    Videos1

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    Trailer 2:11
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    Fotos37

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    Elenco principal99+

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    Willie Brown
    • Self - USC Assistant Coach
    Harry Edwards
    Harry Edwards
    • Self - Activist
    • (as Dr. Harry Edwards)
    John McKay
    • Self - USC Head Coach
    • (material de archivo)
    Harry Alfred Khasigian
    • Self - USC Teammate
    • (as Fred Khasigian)
    Steve Lehmer
    • Self - USC Teammate
    Jeffrey Toobin
    Jeffrey Toobin
    • Self - The New Yorker
    Danny Bakewell
    Danny Bakewell
    • Self - Civil Rights Activist
    Walter Mosley
    Walter Mosley
    • Self - Novelist
    Dwight Tucker
    • Self - O.J.'s Cousin
    David J. Gascon
    David J. Gascon
    • Self - L.A. Police Commander
    Bernard Parks
    • Self - L.A. Police Deputy Chief
    Jim Newton
    • Self - Los Angeles Times
    Carl Douglas
    Carl Douglas
    • Self - The Cochran Firm
    Mark Ridley Thomas
    • Self - South Central Community Leader
    • (as Mark Ridley-Thomas)
    Joe Saltzman
    • Self - USC Professor
    Joe Bell
    • Self - O.J.'s Childhood Friend
    Jim Brown
    Jim Brown
    • Self - Cleveland Browns
    Robert Lipsyte
    • Self - The New York Times
    • Dirección
      • Ezra Edelman
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios91

    8.923.3K
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    Opiniones destacadas

    9SnoopyStyle

    in-depth examination

    ESPN tackles the subject of O.J. Simpson in an in-depth documentary start from his football career to his L.A. life to the trial and finally his conviction in a different case. After the compelling American Crime Story, this is a great way to provide the context. This is not simply a sports doc or a doc about the trial. This digs into the pervasive racism in the LAPD and the history of race conflicts in the area. It's also very in-depth in its examination of O.J.'s personality. This doc lays it all out very well. The trial itself is less in-depth but it's interesting in a couple of ways. There are two of the jurors as well as a harrowing explanation and pictures of the crime scene. They really bring out more reality out of the trial. This fills out everything surrounding the case. The ACS is a fun pseudo-reality drama. This doc is great at filling out the actual reality.
    9evanston_dad

    Engrossing Recreation of a Terrible Moment in American Culture

    A blistering and engrossing documentary about the O.J. Simpson murder trial that explores how the sensational event became a symbol for the racial tension that was just waiting to boil over in Los Angeles in particular and the United States in general.

    I was in college when the O.J. story happened, and I only half paid attention to it at the time, so it was fascinating for me to watch this film that seemed like a new version of an old story. The film makes no attempt to hide the filmmakers' opinion that the innocent verdict in the case was a gross miscarriage of justice, but I have to admit that, though I've always believed O.J. was guilty too, I would probably have acquitted him myself as a juror based on the dismal way the prosecution handled the case.

    But the grossest outrage about the whole event -- I felt it at the time and I felt it again watching the movie -- is that the murders that made the whole trial necessary in the first place were forgotten amid the racial baiting and the defense's willingness to capitalize on the emotions of an angry and disenfranchised black community.

    A seven-hour documentary may sound daunting at the beginning, but I challenge you not to binge watch it.

    Winner of the 2016 Oscar for Best Documentary Feature, a complete no brainer of a win.

    Grade: A
    9jadepietro

    America on Trial

    (RATING: ☆☆☆☆½ out of 5)

    THIS FILM IS HIGHLY RECOMMENDED.

    IN BRIEF: A compelling documentary that focuses on a city on fire and the "Trial of the Century".

    GRADE: B+

    SYNOPSIS: The O.J. Simpson trial and the many factors influencing the verdict and its aftermath.

    JIM'S REVIEW: There is a fascinating 7½ hour documentary that premiered on ABC and ESPN television stations this past week and is currently streaming which is worth your attention. O.J.: Made in America may be overly long and in some need of judicious editing in parts, but it is a fascinating in-depth look back at the "Trial of the Century" and its repercussions that are relevant today.

    The brutal murder of Simpson's ex-wife, Nicole Brown and her friend, Ron Goldman, on June 12, 1994 immediately made headlines and spawned a media circus, showing the incompetent handling of the case by the LAPD and District Attorney's office, and the unethical maneuverings of the prosecuting team, led by Robert Shapiro and Johnnie Cochran, to free their client and exploit the legal system.

    Documentarian Ezra Edelman culled over hours of archival footage, news segments, and interviews (both then and now) to create a timely chronicle of the O.J. Simpson trial and the political unrest of a racially-divided city. He delves into the numerous 911 calls prior to the murder and Nicole's personal diary with many passages about the physical abused she suffered in her marriage to this volatile celebrity. Mr. Edelman astutely assembles new interviews with many of the people involved with the case which brings us access to observe a broken judicial system in retrospect.

    The documentary shares a balanced look at the man and equally at the era. It begins with a before-and-after approach, first showing this famous incarcerated man and providing flashbacks depicting an up-and-coming young college athlete beginning his exulted career. The effect is startling. Seeing O.J. in his prime sheds new light of the man and his later fall from grace. We learn about his homophobia toward his gay estranged father, his gift for talking himself out of situations at an early age (which may have given him a false sense of security throughout his life), his lack of involvement with Civil Right issues, his innate kindness to his teammates, and the tragic death of his daughter which ended his first marriage, events that were unknown to this reviewer. We also hear of O.J's constant womanizing, his insatiable ego, his life cavorting with the rich and famous of Brentwood, his sexist and privileged attitude, and his intense jealousy and violence toward his second wife that went unheeded. Fame and wealth brought him the good life and finally corrupted the man.

    But the other character in this multi-faceted tragedy is L.A. itself and the racism and injustice by the police force. Mr. Edelman's need to parallel these two tangents with the murder trial itself to make his film more complete is noteworthy, but it also gives his documentary too much latitude into this area. The film meanders into the prejudice and hate that was so rampant at the time, with the Watts riots, the Rodney King beating, and the senseless murders of African- Americans in the hands of the LAPD as the backdrop to the subsequent trial. Perhaps too much time is spent on this topic (and the famous Bronco chase) which is overstated but essential filler. Here is an accused man who erased race from his own life only to rely on it later for his freedom. That is just one irony among many. (Another is Simpson's ability to pay for his legal defense via selling autographed sports memorabilia when still being incarcerated for these murders.)

    The numerous interviews and comments with former friends and colleagues are enlightening and seeing the actual cast of characters that played their parts in the trial is riveting. Particularly memorable are the words of attorney Marcia Clark, a still grieving Fred Goldman, former head D.A. Gil Garcetti, prosecuting lawyer Carl Douglas, detectives Tom Lange and Mark Fuhrman, and former friends Robin Greer, Ron Shipp, and Joe Bell. Their personal knowledge adds important details to this complicated story.

    Probably the most interesting aspect about the film is the mixed emotions and personal biases felt by the jurors. (Deliberations of the verdict lasted a few hours with one member, a former Black Panther, saluting the plaintiff upon exiting the jury box.) That, and the questionable decisions handed down by the judge, Lance Ito, throughout the trial helped the prosecution play their successful "race card". Unable to see certain evidence (O.J. prior violent activities, the 911 calls, the graphic blood scene photos, the direct DNA blood connection), and falling for the grandstanding antics of that bloodied glove and a pre-staged jury's visit to Simpson's home completely changed for maximum African-American emphasis, the outcome seemed like a sure acquittal from the start. (That latter stunt by the prosecution team alone would have created a mistrial today.) O.J. may have been found not guilty, (no spoiler here), but the LAPD and their botched investigation were the ones really on trial.

    O.J.: Made in America is a powerful documentary and one of the year's best films. (One would hope that it would qualify for Academy Award consideration next year, although it eluded any theatrical release as yet.) The film depicts an America filled with racial hate and anger. It shines a spotlight on domestic abuse issues. It highlights our fascination with celebrity worship and a willingness to give free rein to the lifestyle of the rich and famous while two innocent people receive no sign of justice. Mr. Edelman's epic achievement may give these victims their dues and finally a bit of justice as well.
    10gogoschka-1

    Simply put: this is the ultimate documentary (and not just about the O.J. case)

    Watching a 7.5-hour long documentary about a case we all think we know may seem a daunting task at first, but trust me: you'll have a very hard time to resist the urge to binge watch the whole mini series once you've started. This documentary (which to me felt like a seven-and-a-half-hour feature film) is - in my humble opinion - one of the greatest achievements in American filmmaking and utterly captivating from the beginning to the end.

    Where the equally brilliant but fictional series 'The Wire' took the topic of crime as a means to cast a look at all aspects and social layers of a whole city (Baltimore), 'O.J.: Made in America' examines the life and crimes of a single man (albeit one leading a very public life) to cast a very close look at American society as a whole, and the result is the most complete, in-depth analysis of the divided nation's collective psyche I have ever seen.

    The portrait that emerges is so fascinating and so revealing and educational (and I hate to admit: thrillingly entertaining) that I believe this should be recommended viewing in schools and colleges across the country. And if you think: "Meh, I know that story, it's been all over the news - not interested", think again. Trust me, you do not know this story (or better: these stories). And there's a big chance you'll understand a great deal more about America once you've finished watching this masterpiece.

    I know I'm dishing out superlatives here, but it's like director Ezra Edelman made the ultimate documentary - perhaps even the ultimate film. 'O.J.: Made in America' functions on so many levels; it's like watching a whole collection of films where the same protagonist inexplicably lives through a wide array of very different stories (which somehow STILL manage to end up as ONE cohesive tale). Just to give you an impression how rich this documentary is, I tried to count the stories and most dominant themes and found at least 10 (although you could probably find more):

    1. There's the fascinating story of a poor kid from the ghetto rising through sheer will and enormous talent to become an American icon and superstar.

    2. There's a great - and uplifting - sport story (especially for Football fans) that is usually the material of Hollywood films.

    3. There's the very human drama of a genuine love story turning into an abusive relationship plagued by domestic violence.

    4. There's the mesmerizing and shocking murder mystery;

    5. the thrilling courtroom drama;

    6. a razor-sharp satire about our and our media's unhealthy fixation on celebrities;

    7. an unbelievable, surreal story of a nationwide man-hunt that gives Spielberg's 'Sugarland Express' a run for its money;

    8. a close examination of the U.S. judicial system;

    9. the story of the rise and the very, very steep fall of a man who had it all and lost everything;

    10. an eye-opening story about race relations in America over the past 50 years

    And as incredible as it may seem, those stories are all real.

    The way Edelman managed to put them all together to forge this groundbreaking documentary can't be praised enough. A unique experience. 10 stars out of 10.

    Favorite TV-Shows reviewed: imdb.com/list/ls075552387/

    Favorite films: IMDb.com/list/mkjOKvqlSBs/

    Lesser-Known Masterpieces: imdb.com/list/ls070242495/

    Favorite Low-Budget and B-Movies: imdb.com/list/ls054808375/
    9cherold

    Fascinating story plays like a Shakespearean Tragedy

    At the time, I didn't understand the fascination with the O.J. Simpson trial. I remember the weird slow-speed police chase of the bronco, which was so peculiar that I couldn't stop watching, but after that I never watched the trial, or read news of the trial, because I barely new who Simpson was and I thought of it as just some salacious celebrity murder case. I had no doubt Simpson was guilty - I mean, he'd gone on the run and been chased down by the cops! - but I didn't have any interest in the process of his being convicted, didn't care about Kato Kaelin or Judge Ito, or any of that.

    Then he got off, and it turned out that the case was a huge one about the shocking difference in how white and black America saw U.S. justice.

    This documentary puts that trial in context. First, it explains why Simpson was so beloved, portraying his phenomenal sports success and his subsequent celebrity career. It also puts the trial in the context both of the Rodney King beating and of a case I'd never heard of where an Asian woman got no jail time for shooting a black girl in the back of the head.

    For white people like me, this was a simple case of a celebrity who savagely murdered his ex. But viewed through the lens of a justice system that seemed built entirely for white people, the trial was something else entirely, and Simpson's pricey lawyers took advantage of that.

    The full story of Simpson, from his glory days to his final fall, is like a Shakespeare tragedy, with a shining hero undone by his own darkness. It can also be seen as the story of a cold-stone psychopath who was given a pass for continually beating his wife simply because he was a celebrity with a winning smile.

    An excellent documentary, and also a perfect companion piece for the recent TV miniseries, The People vs. O.J. Simpson: An American Crime Story. Between the two, I have now learned a great deal about a case I had no interest in while it was happening.

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    Argumento

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    • Trivia
      Director Ezra Edelman struggled on the decision to include the forensic photos of the bodies of Nicole Brown Simpson and Ron Goldman, but ultimately decided to edit them in to remind the audience that the trial was meant to be about a horrific double homicide instead of the discussion about race and corrupt law enforcement that it ultimately progressed into.
    • Errores
      Robert Shapiro says in an interview with Barbara Walters that O.J. Simpson was found innocent. Simpson was found "not guilty", not "innocent".
    • Citas

      O.J. Simpson: [referring to his refusal to participate in the boycott of 1968 Summer Olympics along with other prominent African American athletes] I'm not black, I'm O.J.

    • Conexiones
      Featured in Late Night with Seth Meyers: David Spade/Marcia Clark/Noah Hawley/Tim Alexander (2016)
    • Bandas sonoras
      Hollywood Swinging
      Written by Robert 'Kool' Bell (uncredited), Ronald Bell (uncredited), George 'Funky' Brown (uncredited), Robert 'Spike' Mickens (uncredited), Claydes Smith (uncredited), Dennis D.T. Thomas (uncredited) and Ricky Westfield (uncredited)

      Performed by Kool & The Gang

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    Preguntas Frecuentes16

    • How long is O.J.: Made in America?Con tecnología de Alexa

    Detalles

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    • Fecha de lanzamiento
      • 20 de mayo de 2016 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Sitio oficial
      • Official Site
    • Idioma
      • Inglés
    • También se conoce como
      • 辛普森:美國製造
    • Productoras
      • ESPN Films
      • Laylow Films
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      7 horas 47 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.78 : 1
      • 16 : 9
      • 16:9 HD

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