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O.J.: Made in America

  • 2016
  • TV-MA
  • 7h 47min
CALIFICACIÓN DE IMDb
8.9/10
23 k
TU CALIFICACIÓN
O.J. Simpson in O.J.: Made in America (2016)
A chronicle of the rise and fall of O.J. Simpson, whose high-profile murder trial exposed the extent of American racial tensions, revealing a fractured and divided nation.
Reproducir trailer2:11
1 video
37 fotos
Sports DocumentaryBiographyCrimeDocumentaryHistorySport

Una crónica del ascenso y la caída de O.J. Simpson, cuyo juicio por asesinato expuso el alcance de las tensiones raciales estadounidenses, revelando una nación fracturada y dividida.Una crónica del ascenso y la caída de O.J. Simpson, cuyo juicio por asesinato expuso el alcance de las tensiones raciales estadounidenses, revelando una nación fracturada y dividida.Una crónica del ascenso y la caída de O.J. Simpson, cuyo juicio por asesinato expuso el alcance de las tensiones raciales estadounidenses, revelando una nación fracturada y dividida.

  • Dirección
    • Ezra Edelman
  • Elenco
    • Willie Brown
    • Harry Edwards
    • John McKay
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    8.9/10
    23 k
    TU CALIFICACIÓN
    • Dirección
      • Ezra Edelman
    • Elenco
      • Willie Brown
      • Harry Edwards
      • John McKay
    • 91Opiniones de los usuarios
    • 45Opiniones de los críticos
  • Ver la información de producción en IMDbPro
    • Ganó 1 premio Óscar
      • 49 premios ganados y 35 nominaciones en total

    Videos1

    Teaser Trailer
    Trailer 2:11
    Teaser Trailer

    Fotos37

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    Elenco principal99+

    Editar
    Willie Brown
    • Self - USC Assistant Coach
    Harry Edwards
    Harry Edwards
    • Self - Activist
    • (as Dr. Harry Edwards)
    John McKay
    • Self - USC Head Coach
    • (material de archivo)
    Harry Alfred Khasigian
    • Self - USC Teammate
    • (as Fred Khasigian)
    Steve Lehmer
    • Self - USC Teammate
    Jeffrey Toobin
    Jeffrey Toobin
    • Self - The New Yorker
    Danny Bakewell
    Danny Bakewell
    • Self - Civil Rights Activist
    Walter Mosley
    Walter Mosley
    • Self - Novelist
    Dwight Tucker
    • Self - O.J.'s Cousin
    David J. Gascon
    David J. Gascon
    • Self - L.A. Police Commander
    Bernard Parks
    • Self - L.A. Police Deputy Chief
    Jim Newton
    • Self - Los Angeles Times
    Carl Douglas
    Carl Douglas
    • Self - The Cochran Firm
    Mark Ridley Thomas
    • Self - South Central Community Leader
    • (as Mark Ridley-Thomas)
    Joe Saltzman
    • Self - USC Professor
    Joe Bell
    • Self - O.J.'s Childhood Friend
    Jim Brown
    Jim Brown
    • Self - Cleveland Browns
    Robert Lipsyte
    • Self - The New York Times
    • Dirección
      • Ezra Edelman
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios91

    8.923.2K
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    Opiniones destacadas

    9Jeremy_Urquhart

    Might be the best documentary of the 2010s

    There are many documentaries out there- particularly on Netflix- that are just far too long. I can understand why, because owing to the way streaming services work, it's surely tempting to extend a documentary beyond the standard two-ish hours into a multi-part 6-10 hour miniseries, because that keeps viewers hooked into whatever service they're subscribed to. In all honesty, I'm personally a little tired of this approach, particularly because I think most subjects can be thoroughly explored within the length of a movie, if the director and editor and everyone else involved know what they're doing.

    This naturally made me very cautious to watch OJ: Made In America, despite how critically acclaimed it was. While it was released in a very limited theatrical release- and won an Oscar for Best Documentary before the Academy changed their rules to disqualify lengthy works broken into parts- it did look to me like it would be another true crime miniseries that would draw itself out longer than necessary. Furthermore, I was worried it would be tacky and disrespectful the way many documentary miniseries are; if you're teasing and using real life tragic events as cliffhangers or hooks for viewers, for example, I think that's pretty twisted.

    Thankfully, OJ: Made In America managed to transcend all of its similar contemporaries. This is miles better than something like Making A Murderer or any other show trying to chase its success; it goes in depth and uses its incredibly long runtime to tell a huge story and cover many, many topics in gripping and compelling detail. It's much more than a story about the double murder that OJ Simpson was accused of committing, and it's even more than just a documentary about OJ Simpson. The hint's in the title: it uses the story of Simpson to tell a huge, almost epic story about crime, race relations, and societal conflict throughout the last few decades of history.

    It's hard to unpack everything, but you will find something interesting and intensely thought provoking within this documentary. It's not so much about trying to prove whether Simpson committed the crime or not, and moreso just giving as many points of view, opinions, and insights as possible. It's superbly edited, and flows in a way where despite all the information, you never get lost or confused. And furthermore, despite the risk of information overload, you never really get bored either. Despite watching this in chunks, I could have happily digested the entire seven and a half hours in one sitting, and if I ever rewatch it one day maybe I will view it in that way.

    It's hard to come up with too many flaws. I'm conflicted over the use of graphic crime scene and autopsy photos in Part 4 of the documentary- some viewers may not understand the intensity and viciousness of the murder with verbal descriptions alone, but I feel like some people are appropriately disturbed with just picturing the aftermath in their head, and for those people, seeing the images themselves may feel like overkill. As such, I understand why those photos were included, but personally don't feel like I needed to be exposed to them. And I mean, could it have been six and a half hours instead of seven and a half? It's almost silly to think about that as a flaw, so I'm not sure it is, but at the same time... maybe it could've got more or less the same thing across?

    I guess I'm struggling to think of flaws, or justify why I got this to 9/10 but not 10/10. On a rewatch, I may realise that this is about as good as documentaries can get, and raise the rating. For now, I can say that it's truly excellent and among the best documentaries I've ever seen, regardless of whether you choose to watch it as a miniseries or an extremely long feature.

    Regardless of your thoughts on OJ Simpson and the infamous court case he was involved in, you will find things to appreciate, fixate on, and ponder throughout this incredibly impressive and borderline 'epic' documentary.
    9cherold

    Fascinating story plays like a Shakespearean Tragedy

    At the time, I didn't understand the fascination with the O.J. Simpson trial. I remember the weird slow-speed police chase of the bronco, which was so peculiar that I couldn't stop watching, but after that I never watched the trial, or read news of the trial, because I barely new who Simpson was and I thought of it as just some salacious celebrity murder case. I had no doubt Simpson was guilty - I mean, he'd gone on the run and been chased down by the cops! - but I didn't have any interest in the process of his being convicted, didn't care about Kato Kaelin or Judge Ito, or any of that.

    Then he got off, and it turned out that the case was a huge one about the shocking difference in how white and black America saw U.S. justice.

    This documentary puts that trial in context. First, it explains why Simpson was so beloved, portraying his phenomenal sports success and his subsequent celebrity career. It also puts the trial in the context both of the Rodney King beating and of a case I'd never heard of where an Asian woman got no jail time for shooting a black girl in the back of the head.

    For white people like me, this was a simple case of a celebrity who savagely murdered his ex. But viewed through the lens of a justice system that seemed built entirely for white people, the trial was something else entirely, and Simpson's pricey lawyers took advantage of that.

    The full story of Simpson, from his glory days to his final fall, is like a Shakespeare tragedy, with a shining hero undone by his own darkness. It can also be seen as the story of a cold-stone psychopath who was given a pass for continually beating his wife simply because he was a celebrity with a winning smile.

    An excellent documentary, and also a perfect companion piece for the recent TV miniseries, The People vs. O.J. Simpson: An American Crime Story. Between the two, I have now learned a great deal about a case I had no interest in while it was happening.
    9neil-swift-23453

    Is this the final chapter?

    Well is it the final chapter? I seriously doubt it. We all must have seen numerous documentaries about OJ and what happened or didn't happen and we all have our own version of what we think happened. Some older people (like me) may remember watching this as it happened and some may have caught up after the fact but it's still a fascinating watch.

    This is as comprehensive as it gets, and at seven and a half hours does cover it very comprehensively. I did it in three instalments and never got bored on any occasion. It was factual, with actual footage of the trail, and is updated with commentary provided by many who were involved.

    I'm not gonna take sides and slam or praise anyone but be assured, you will. No matter how you think things went down you will have a good guy and bad guy scenario and like me you will become a little louder than normal.

    Well worth a watch even though it takes a while.
    9jadepietro

    America on Trial

    (RATING: ☆☆☆☆½ out of 5)

    THIS FILM IS HIGHLY RECOMMENDED.

    IN BRIEF: A compelling documentary that focuses on a city on fire and the "Trial of the Century".

    GRADE: B+

    SYNOPSIS: The O.J. Simpson trial and the many factors influencing the verdict and its aftermath.

    JIM'S REVIEW: There is a fascinating 7½ hour documentary that premiered on ABC and ESPN television stations this past week and is currently streaming which is worth your attention. O.J.: Made in America may be overly long and in some need of judicious editing in parts, but it is a fascinating in-depth look back at the "Trial of the Century" and its repercussions that are relevant today.

    The brutal murder of Simpson's ex-wife, Nicole Brown and her friend, Ron Goldman, on June 12, 1994 immediately made headlines and spawned a media circus, showing the incompetent handling of the case by the LAPD and District Attorney's office, and the unethical maneuverings of the prosecuting team, led by Robert Shapiro and Johnnie Cochran, to free their client and exploit the legal system.

    Documentarian Ezra Edelman culled over hours of archival footage, news segments, and interviews (both then and now) to create a timely chronicle of the O.J. Simpson trial and the political unrest of a racially-divided city. He delves into the numerous 911 calls prior to the murder and Nicole's personal diary with many passages about the physical abused she suffered in her marriage to this volatile celebrity. Mr. Edelman astutely assembles new interviews with many of the people involved with the case which brings us access to observe a broken judicial system in retrospect.

    The documentary shares a balanced look at the man and equally at the era. It begins with a before-and-after approach, first showing this famous incarcerated man and providing flashbacks depicting an up-and-coming young college athlete beginning his exulted career. The effect is startling. Seeing O.J. in his prime sheds new light of the man and his later fall from grace. We learn about his homophobia toward his gay estranged father, his gift for talking himself out of situations at an early age (which may have given him a false sense of security throughout his life), his lack of involvement with Civil Right issues, his innate kindness to his teammates, and the tragic death of his daughter which ended his first marriage, events that were unknown to this reviewer. We also hear of O.J's constant womanizing, his insatiable ego, his life cavorting with the rich and famous of Brentwood, his sexist and privileged attitude, and his intense jealousy and violence toward his second wife that went unheeded. Fame and wealth brought him the good life and finally corrupted the man.

    But the other character in this multi-faceted tragedy is L.A. itself and the racism and injustice by the police force. Mr. Edelman's need to parallel these two tangents with the murder trial itself to make his film more complete is noteworthy, but it also gives his documentary too much latitude into this area. The film meanders into the prejudice and hate that was so rampant at the time, with the Watts riots, the Rodney King beating, and the senseless murders of African- Americans in the hands of the LAPD as the backdrop to the subsequent trial. Perhaps too much time is spent on this topic (and the famous Bronco chase) which is overstated but essential filler. Here is an accused man who erased race from his own life only to rely on it later for his freedom. That is just one irony among many. (Another is Simpson's ability to pay for his legal defense via selling autographed sports memorabilia when still being incarcerated for these murders.)

    The numerous interviews and comments with former friends and colleagues are enlightening and seeing the actual cast of characters that played their parts in the trial is riveting. Particularly memorable are the words of attorney Marcia Clark, a still grieving Fred Goldman, former head D.A. Gil Garcetti, prosecuting lawyer Carl Douglas, detectives Tom Lange and Mark Fuhrman, and former friends Robin Greer, Ron Shipp, and Joe Bell. Their personal knowledge adds important details to this complicated story.

    Probably the most interesting aspect about the film is the mixed emotions and personal biases felt by the jurors. (Deliberations of the verdict lasted a few hours with one member, a former Black Panther, saluting the plaintiff upon exiting the jury box.) That, and the questionable decisions handed down by the judge, Lance Ito, throughout the trial helped the prosecution play their successful "race card". Unable to see certain evidence (O.J. prior violent activities, the 911 calls, the graphic blood scene photos, the direct DNA blood connection), and falling for the grandstanding antics of that bloodied glove and a pre-staged jury's visit to Simpson's home completely changed for maximum African-American emphasis, the outcome seemed like a sure acquittal from the start. (That latter stunt by the prosecution team alone would have created a mistrial today.) O.J. may have been found not guilty, (no spoiler here), but the LAPD and their botched investigation were the ones really on trial.

    O.J.: Made in America is a powerful documentary and one of the year's best films. (One would hope that it would qualify for Academy Award consideration next year, although it eluded any theatrical release as yet.) The film depicts an America filled with racial hate and anger. It shines a spotlight on domestic abuse issues. It highlights our fascination with celebrity worship and a willingness to give free rein to the lifestyle of the rich and famous while two innocent people receive no sign of justice. Mr. Edelman's epic achievement may give these victims their dues and finally a bit of justice as well.
    10RM851222

    One of The Best Documentaries Ever Made

    Greetings from Lithuania.

    "O.J.: Made in America" (2016) was without a doubt one of the very best documentaries I've ever seen, maybe even actually the best one - and i saw a few to say the least.

    Although i do not live in America, i knew about some of these events before seen "O.J.: Made in America" (2016). It did not surprise me that at the end of this amazing documentary i end up almost seemingly seen a chapter from America's history, because it took for this series almost 8 hours to do it. What i was surprised about is that i couldn't imagine at the beginning that it was going to be done so convincingly great and crystal clear.

    "O.J.: Made in America" features 5 episodes that all runs for almost 8 hours. But let this not scare you if kinda thinking to see it - i can't remember when the last time i was so absorb when watching a documentary.

    "O.J" himself is shown here at center of events. Basically it is a biopic about his life, but at the same time if features events in Los Angeles that were surrounding him before and at the time of his (in)famous case. And all of this was shown in a very crystal clear fashion - i literally couldn't put this series down until its final frame.

    Overall, "O.J.: Made in America" is magnificent look at the America's history. At the center of the event is "O.J." himself and its a fascinating look at the true American tragedy as one person puts it. Definitely one of the very, very best documentaries ever made.

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    • Trivia
      Director Ezra Edelman struggled on the decision to include the forensic photos of the bodies of Nicole Brown Simpson and Ron Goldman, but ultimately decided to edit them in to remind the audience that the trial was meant to be about a horrific double homicide instead of the discussion about race and corrupt law enforcement that it ultimately progressed into.
    • Errores
      Robert Shapiro says in an interview with Barbara Walters that O.J. Simpson was found innocent. Simpson was found "not guilty", not "innocent".
    • Citas

      O.J. Simpson: [referring to his refusal to participate in the boycott of 1968 Summer Olympics along with other prominent African American athletes] I'm not black, I'm O.J.

    • Conexiones
      Featured in Late Night with Seth Meyers: David Spade/Marcia Clark/Noah Hawley/Tim Alexander (2016)
    • Bandas sonoras
      Hollywood Swinging
      Written by Robert 'Kool' Bell (uncredited), Ronald Bell (uncredited), George 'Funky' Brown (uncredited), Robert 'Spike' Mickens (uncredited), Claydes Smith (uncredited), Dennis D.T. Thomas (uncredited) and Ricky Westfield (uncredited)

      Performed by Kool & The Gang

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    Detalles

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    • Fecha de lanzamiento
      • 20 de mayo de 2016 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Sitio oficial
      • Official Site
    • Idioma
      • Inglés
    • También se conoce como
      • 辛普森:美國製造
    • Productoras
      • ESPN Films
      • Laylow Films
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

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    • Tiempo de ejecución
      7 horas 47 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.78 : 1
      • 16 : 9
      • 16:9 HD

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